(What is yol? - Edit Wiki)
Videos 1 to 26
 Cilgin Genclik - Lastik Degistirme
from RevverTurk
October 09, 2008
Author: cancan Added: Thu, 09 Oct 2008 11:53:20 -0800 Duration: 80Cilgin gencligin lastigi patlayinca, yolda kaldilar ve iste lastik degistirme muhabbeti
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 Atif Unaldi iptv anlatiyor 3
from my videos
June 03, 2008
Author: atifunaldi Added: Mon, 02 Jun 2008 23:49:33 -0800 Duration: 89Atif Unaldi IPTV zerinden hangi hizmetler verilecek sorusunu cevaplyor.
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 Atif Unaldi iptvanlatiyor 4
from my videos
June 03, 2008
Author: atifunaldi Added: Mon, 02 Jun 2008 23:49:33 -0800 Duration: 101Atf nald Trkiye de IPTV iin gerekli altyap var m sorusunu cevaplyor
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 Yilmaz Guney YOL opening scenes
from YouTube :: Tag // cannes
April 21, 2008
Opening scenes from Yol (1982) by Kurdish director Yilmaz Guney, Yol was the winner of Palme d'Or at Cannes Film Festival 1982. Yol aka La Permission, Der Weg, El Camino. Please Notice: This clip is from the new released Turkish DVD edition of the film, in which even today after almost 25 years after the release of the film, the title KURDISTAN is being deleted from the screen. In the MK2 and Columbia's edition of the films the word KURDISTAN appears right after the last shot of the bus before we cut to the landscapes. Yol (Turkish for "The Road" or "The Way") is a 1982 Kurdish/Turkish film. The screenplay was written by Yılmaz Güney, and it was directed by his assistant Şerif Gören, who strictly followed Güney's instructions, as Güney was in prison at the time. Later, when Güney escaped from prison, he took the negatives of the film and edited it in Switzerland. The film is a harsh portrait of Turkey in the aftermath of the 1980 Turkish coup d'état: its people and its authorities are shown via the stories of five prisoners given a week's home leave. Yol tells the story of several prisoners on leave in Turkey. Seyit Ali (Tarık Akan) finds that his wife (Şerif Sezer) has cheated on him, but when her family insists on an honor killing, he cannot bring himself to kill her. Mehmet Salih (Halil Ergün) was arrested after trying to pull off a heist with his brother-in-law, whom he abandoned as he was being shot by the police. His in-laws want nothing to do with him, and he is finally forced to tell his wife Emine (Meral Orhonsay) the truth. Ömer (Necmettin Çobanoğlu) returns to his village to find that it has been caught up in Turkey's civil war, and is in ruins. Each prisoner must deal with how his world has changed since being behind bars Author: OzuKardozi Keywords: Yilmaz Guney Yol Duvar La Permission Der Weg El Camino Kurds Kurdistan Kurdish Turkish Cinema Prison Turkey film art filmmaker reel short trailer tutorial Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 7
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary experimental filmmaker reel interview trailer tutorial Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 6
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary experimental filmmaker reel interview trailer tutorial Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 5
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary experimental filmmaker reel interview trailer tutorial Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 4
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary filmmaker reel experimental interview tutorial trailer Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 3
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary experimental filmmaker reel interview tutorial Added: April 21, 2008
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 Yilmaz Guney making The Wall (Duvar) 1983 PART 1
from YouTube :: Tag // cannes
April 21, 2008
Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. About Guney: Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Kurdish Kurdistan Turkey Turkish Cinema Childern Prison War Kurds French The Wall Cannes Yol Duvar art filmmaker reel interview documentary tutorial trailer Added: April 21, 2008
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 Mobil Servis
from Wheels & Wings
March 24, 2008
Pegasus Makina San ve Tic Ltd Sti. adina Ayhan Sari tarafindan upload edilmistir.Mobil gezici otomotiv servisi taslak calismasidir.Saygilarimizla
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 Beyaz Gece 7/10
from YouTube :: Videos by hidayetvideo
September 17, 2007
Film... Author: hidayetvideo Keywords: inanc maneviyat din ahlak evliya veli Mehmet Emin Efendi hayat yasam toplum tevbe tövbe tögbe hidayet dogru yol aramak Added: September 17, 2007
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