Werner Herzog Videos

We're doing something crazy, and launching another little series here on Cinematical: Serious Scores. You're a smart bunch, so I imagine you've already figured out that the goal isn't to highlight our favorite bank heists, but to praise the creme de la creme of cinema's soundtracks. Hopefully, you'll find something new for your iPod, rediscover a lost favorite, or appreciate a piece along with us. Technically, Werner Herzog's Aguirre: The Wrath of God doesn't have an official soundtrack. The entire score was recorded by the German progressive band Popol Vuh (the first of many collaborations they did with Herzog), and was released as an album in 1975, with a 2004 re-release. Only two tracks were actually used in the film: Aguirre I and Aguirre II. If you disdain the rest of their Krautrock, the magic of iTunes and Amazon allows you to buy them individually. Now you can put them on a playlist, set them to repeat, and go as mad as Aguirre himself. Hints of madness aside, Aguirre I and II are pretty incredible pieces of music and were raved about in the 1970s. I think the music is just as powerful today, even if Moog synthesizers seem to have fallen out of favor. It's hypnotic and eerie, and so very evocative of that torpid jungle journey. Never have native panpipes sounded as frantic and terrified. I've embedded Aguirre I below the jump, but I highly recommend spending the $0.99 so you can download it to something hand-held and listen to it in the dark. Filed under: Music & Musicals, FandomContinue reading Serious Scores: 'Aguirre: The Wrath of God' Permalink | Email this | Comments

This is a short film done as part of the application process for Werner Herzog's 'Rogue Film School' taking place in January, 2010 in Los Angeles. The film is inspired by actual events.

This is a short film done as part of the application process for Werner Herzog's 'Rogue Film School' taking place in January, 2010 in Los Angeles. The film is inspired by actual events.

Werner Herzog's new film Bad Lieutenant: Port of Call New Orleans has raised all kinds of hackles, mainly over the "remake" issue. Some movie buffs are crying foul over the remaking of Abel Ferrara's classic Bad Lieutenant (1992), including Ferrara himself, who launched some famously acid comments in the press. This fuss has caused most critics to address the issue of how closely the two films resemble one another. In most cases, critics have concluded that the two films are entirely different with totally different feels and approaches. Frankly, I'm fascinated by the two films, given that both directors are crazy mavericks, both indulging in their looniest personal whims, no matter what the cost or the outcome. This is not a remake in which anyone is concerned with "staying true to the material" or anything boring like that. Ferrara went nuts on his original film, and Herzog has gone nuts on the new film. Herzog has claimed that he never even saw Ferrara's film, and indeed, it more closely resembles his own earlier films with Klaus Kinski, with Nicolas Cage playing the part of the unhinged, psychopathic terror onscreen. (Most people I have spoken to have compared Cage's performance with some of his earlier, more extreme work, such as Vampire's Kiss).Filed under: Remakes and SequelsContinue reading Should Herzog Have Made 'Bad Lieutenant'? Permalink | Email this | Comments

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