Vulgaris Videos

Reina Terror performs her burlesque dance in Bettie s leopard skin outfit Bad Ass Burlesque s Tribute to Bettie Page at the Bowery Poetry Club in NYC. Filmed for Bettie Page Reveals All. the authorized Bettie Page documentary is in its final stages of shooting/editing before completion. Made with Bettie's participation, it will provide answers about previously unknown aspects of her life.... with something for everyone: from her career as an underground pinup phenomenon.... to "finding God"..... to love found and lost... to descents into depression and psychosis.... to discovery that she'd become a cult celebrity... and her impact on contemporary culture. Talk about being a survivor! If any of these notions appeal to you, you can follow the film's progress here: bettiepagemovie.com

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Gewone vleugeltjesbloem Polygala vulgaris Almindelig m lkeurt Gemeine Kreuzblume Common milkwort Polygala vulgaire Storbl fj r Pol gala comun Isolinnunruoho u na k i ni ka Poligala comune Jungfrulin

Polygala vulgaris Gewone vleugeltjesbloem

Vespula vulgaris Gewone wesp

Silene vulgaris Blaassilene Anjerachtigen Blaassilene Silene vulgaris Colitxos Bl resm lde Taubenkropf-Leimkraut Silene vulgaris Taubenkropf Aufgeblasenes Leimkraut Knirrkohl Bladder Campion Nurmikohokki Sil ne enfl Silene rigonfia Engsmelle Lepnica rozd ta, skrzypka Sm llglim carleti s-ciopeti tajade e de a Madona

Linaria vulgaris Vlasbekje

Aquilegia vulgaris Wilde akelei Aquilegia vulgaris Wilde akelei Gemeine Akelei Wald-Akelei Aquilegia vulgaris European Columbine, Common Columbine Granny's Nightcap Aquilegia vulgaris, aguile a com n Kuku-belarra Lehtoakileija Ancolie commune W dna akelaja aquilegia comune Paprastasis sinavadas Parast ozol te Orlik pospolity Lehtoakileija Akleja

Polygala vulgaris Gewone vleugeltjesbloem

Silene vulgaris BlaassileneAnjerachtigen Blaassilene Silene vulgaris Colitxos Bl resm lde Taubenkropf-Leimkraut Silene vulgaris Taubenkropf Aufgeblasenes Leimkraut Knirrkohl Bladder Campion Nurmikohokki Sil ne enfl Silene rigonfia Engsmelle Lepnica rozd?ta, skrzypka Sm llglim carleti s-ciopeti tajade?e de ?a Madona

Polygala vulgaris Gewone vleugeltjesbloem

Sturnus vulgaris Spreeuw

The red squirrel is a tree-dwelling omnivorous rodent that is common throughout Eurasia. In Britain, however, numbers have decreased drastically, in part due to the introduction of the eastern grey squirrel from North America.The coat of the red squirrel varies in colour with time of year and location. There are several different coat colour morphs ranging from black to red. The underside of the squirrel is always white-cream in colour. The lifespan of the red squirrel is on average 3 years.The red squirrel eats mostly the seeds of trees, neatly stripping conifer cones to get at the seeds within. In this movie the squirrel is eating a hazelnut.

Polygala vulgaris Gewone vleugeltjesbloem

This represents the final chapter and transmission of the Cognitive Dissonance process. I thought I'd share a few bits of what I've been working on lately, between things I'm bound by blood oaths not to talk about, extensive research into rhizomatic consciousness, chaos theory, extreme esoteric number manipulation and viral linguistics. A ton of creative output had been gathering momentum, and dissemination has been an afterthought, though I came to see that aspect becoming part of the creative flow. Further dissection of the sounds. In keeping with the original intent, I'm going to limit the final production notes to a bare outline of the process that got us here and convey gratitude to those of you who followed and added to the conversation.The first thought I had at the outset was to track a simple album with a classic trio sound. I've done well with that, except for the added melody line at the beginning of the first track. Then a few stray ideas took root and grew into strange mutant entities. Major revamps, rethinks and re-visions, then sounds, images and artifacts suggested ever more forms and eventually, narrative, albeit os the surreal sort. With the album itself I took a very direct and raw approach. I've always preferred the sound of a human being playing instruments and singing to the mad scientists creation that is the protools version of injection molded plastic. (Not to be confused with electronic music.) Vocalists don't usually like to have anyone hear anything but the most spot on, confident performances, but I was going for a feeling and a story, and these are my sketches. Cognitive Dissonance was a working title that became the final title, for the name fed the blossoming idea that tied the album together. A story that encompassed a vision split in four directions, a juxtaposition and melding together of the points of view of of same world/ two views, two worlds, same character observing and acting in them. The central idea is of a cognitive dissonance between first appearances and a closer look. I recorded all the music, and then came up with the song titles. I decided the order according to how the titles felt. Then I wrote a short story starting from a cutup of the titles. I expanded that and took the lyrics from that. I think my machines feaked out and became possessed in the process. I had some radio signals coming through the guitar as I laid down the tracks, and I made liberal use of them. While I continued to track the album I released several transmissions. I thought I'd make the various stage escapes into their own entities, as opposed to a few stray mp3's.Unlike the album itself, I layered, layered the layers and added extra layers to boot. I tried something different in the first, and with the help of the fine folks at librivox.org, I added spoken word from readings of public domain classics. We're hearing mostly Flaubert, Coleridge and Emily Dickinson. Transmision II I made from the bass tracks from the album. Mostly you're hearing one track of bass with no layers but the real-time FX, though there are a couple points where the cello creeps in. A few inexplicable voices emerged that weren't recorded by me. If it fits as a soundtrack for your daily experience, I want to hear the story. throw these out of my head in quick bouts between working on two movies, my own moving image projects, not included, three comics, (not telling yet), and a sum total of five albums of various styles at diffent points of production. Along with the sound transmissions, the lyrics were extending into stories. The lyrics to most songs I'd done so far were dreamlike fragments of one continuous tale. I wanted to bring some of the underlying structure into focus. At the same time I listened to others stories. I was especially interested to hear some apocalyptic tales. Ragnarok, Armageddon, the end of one life and the beginning of another. The death of the ego, the body, a belief. The hearing became expression, and the telling of the tale that resulted was an embodiment of experience.