Violin Videos
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Joseph Patrick Moore bowing his double bass on his new age spiritual song, Bless You. Featuring: Joseph Patrick Moore - Double Bass Jon Chalden - Cymbal Video shot by: Andrew P. Byrd & Ben Williams for Full Phase Productions. Video edited by: Bubba Smith for Compass Productions www.JosephPatrickMoore.comwww.myspace.com/jonchaldendrums

Benedict plays the Vivaldi Violin Concerto in A minor 3rd movt at the Kapi-Mana Training Orchestra's Benefit Concert. Author: occy8 Keywords: violin vivaldi concerto minor classical young violinist kapi mana concert orchestra Added: July 21, 2008

This is from the 2006 end of the year choir "Extravaganza" show. It's the first time I ever performed this song and I'm obviously extremely nervous! Original song by Dylan Patrello (piano/vocals) back up vocals: Casey Harmon and Cassie Knight bass: Marissa Korth Author: DylanPatrello Keywords: dylan patrello live this time around girls singing original song bass cello violin piano choir extravaganza 2006 Added: July 20, 2008

Guy plays his electric violin in the New York subway..he is good! Author: digitalangelle64 Keywords: music electric violin subway electronic Added: July 20, 2008

When Amanda Arkebauer was a kid, she devoured Nancy Drew novels. Now, she collects clues from the Internet to uncover hidden boxes all over the Northwest. It's a pastime called letterboxing. We also ask a former vocalist from the band Velvet Underground why building violins in Ballard is more satisfying than being a rock star.

Amateur video clips of two Siren shows, one of which was filmed @ Cardiff International Arena. Featuring Explosive, Storm, Fever (with vocals), Viva and and Joy of Life, a Corr's version of an Irish folk tune. They also mingled with the audience, but I didn't get to capture this on camera. Author: electricstrings1 Keywords: Siren Electric String Quartet Bond Storm Viva Fever Explosive Violin Strings Corrs Added: July 16, 2008

The Reese Project - "Blissard" Phillip Serna - Angel of Dusk, mvmt 1 David Wilson - "The Crossing" Ashley Hicklin & the Troubadors - "Home" Hello everyone, Thanks! Mark Allender, producer-host web: www.bowed.org email: string@bowed.org phone: 330-781-4387 skype: mark.allender

Newsong "Defining Moment", Winter Jam 2008 @ Michigan State UniversityJanuary 31, 2008

Rock! Ok this music is from 1995.. ;) Author: harukailoveyou Keywords: vanessa mae violin city theme mike batt classical Added: July 11, 2008

Summer, Vivaldi, Bond girls remix, with SlyRemixed video production. Author: SlyRemixed Keywords: summer vivaldi storm bond girls violin remix slyremixed techno classic music world electronic Added: July 10, 2008

Redzone StudioCam: Junkyard Show in Second Life - June 28th 2008: Plainsong Author: abstractrevolution Keywords: redzone junkyard second life plainsong euthanasia opium cocaine theremin ami electric violin double bass Added: July 10, 2008

Tuesday 8th July at The Rainbow, Digbeth - hear more: www.myspace.com/mamamatrix Author: m0a0u0r0i Keywords: Psychedelic Folk Punk Violin Tuba Daz Dolcheck Murfeye Added: July 10, 2008

There was this really awesome group of musicians in NYC's Union Square Park on Tuesday, July 8. One guy played a standup piano (on a dolly!), 2 other guys played drum kits, another guy played an African drum, while yet another played the violin AND tap danced! Author: hefhiro Keywords: NYC New York City Union Square Park 14th Street St Musicians Piano Violin Drums Tap Dancing Music Blog Added: July 10, 2008

Mary Lou Newmark - "These are the Street Angels" Beard - "Beautiful Interiors and How to Acheive Them" Joan Jeanrenaud - "Axis" Shiki Group - "Ostinato" Hello everyone, Mary Lou Newmark is a poet and violinist from California. She recently debuted a full-scale theatrical production on the subject of homelessness called Street Angel Diaries. A companion CD was released in 2007 called Music From Street Angel Diaries -- and this is the lead track from that disc. Beard returns for a second appearance on this program, having been featured on episode 020 and with violinist Bille Howard as the host of episode 021. They have a new EP out called Beautiful Interiors and this is the title track from that disc. Cellist Joan Jeanrenaud is back as well. She is perhaps best known for her work as the longtime cellist with Kronos Quartet. She left Kronos in 1999 to venture into improvisation and composition, and in 2008 has released her second disc of original work entitled Strange Toys. Closing the show is Shiki Group, an improvisational trio from Boston featuring Tsuyoshi Honjo on sax, Michael McNeill on piano, and Gabriel Solomon on violin. Strange and wonderful. Rasputina supportively supports this episode of Bowed Radio. Feel free to admire & purchase their latest recording Oh Perilous World - available at online music retailers everywhere. And why not visit www.rasputina.com as well?. Thanks! ...and a special hello to everyone out at the Creative Strings Workshop in Columbus! Wish I could join you! Mark Allender, producer-host web: www.bowed.org email: string@bowed.org phone: 330-781-4387 skype: mark.allender

A short burst from Celtic Orbis with Ashley Reed on Violin playing Sarsfeld's Flight to Dublin

http://www.siegemalvar.net Arashi Wu Chun Koreanovela Jerry Yan Angelina Jolie Pinoy Idol Britney Spears Neyo Madonna Rihanna Anime Dekaron Gloria Arroyo Sexy Girls Hot Guys New Song New Single and other things ARE NOT RELATED TO THIS VIDEO. I'm listing them down just for SEO purposes. Hahaha... see, now that I got your attention, I think you should check out this video of me playing the violin. I don't usually do this for free, coz, like, I've been training since I was four, and lessons aren't cheap. Do drop by my blog, eh? Author: extasiege Keywords: music violin variations 1-4 new song siege malvar funny filipino philippines pinoy hot sexy astig Added: July 3, 2008

Title : Wolfgang Amadeus Mozart , Violin Concerto in Bb KV 207 - Adagio Author: ClassicalMusicOnly Keywords: Wolfgang Amadeus Mozart Violin Concerto in Bb KV 207 Adagio classical world music Added: July 2, 2008

PLEASE WATCH IN HIGH QUALITY! The third video starring Little Miss Honey Bee! Just playing. It's summer. Demonstrating her music abilty. You know. Be sure to watch the first two if you haven't yet! #1 Little Miss Honey Bee Pageant: http://youtube.com/watch?v=nHK-LYHykTM #2 Little Miss Honey Bee's Birthday http://youtube.com/watch?v=WLMw9oDtM-0&watch_response PRETTY PLEASE SUBSCRIBE! & don't forget to add me on my other sites, links under the autoplay vid on my page! xoxo ~Deena

Redzone play live in Second Life on 20th June 08, to launch their new album 'Abstract Revolution'. The band stream their live audio into Second Life, where they have created a virtual band and venue. Here you can see footage of the real band performing Cigdub at the launch. Ami (Cabs) is on vocals and violin, Justin (Red) plays guitar and Tim (Avo) is playing double bass. Win is their 'avatar jockey' and monitors the live audio stream using headphones. Author: abstractrevolution Keywords: redzone abstract revolution second life guitar violin double bass live avatar jockey ami justin tim win cigdub gibson Added: July 1, 2008

Jimi Hendrix didn't make it big until after he left Seattle, but critics still debate about the influence Jimi took away from the local music scene. Today, a case for early Hendrix recordings that suggest a legend in the making. Plus, violinist and storyteller Swil Kanim.

It takes about two months to build a violin from start to finish. But for Howard Scott, the process took 60 years and two generations of family. Today, how the story of the instrument became a family legend. We also go inside the mind of a bestselling romance novelist.

live interpretation performed at the Cabana Club featuring Karyn Briggs and Mike Phillips. Author: ericshoeproductions Keywords: alternative blues r&b rap hip-hop Added: June 30, 2008

================================ Ludwig van Beethoven "Kreutzer" II.Andante con variazioni -In 2 parts, this is Part1of2 (Sonata for piano and violin No.9) Clara Haskil,piano Arthur Grumiaux,violin. ================================ Related information: The Perfect Clara Haskil by Peter Feuchtwanger As Clara sat down "the music materialized as if from nowhere. Her arm seemed to glide over the keyboard without preparation, just as a flat stone skims across the water. This was so typical of her playing; nothing seemed to start or end, and everything became timeless." Admiration and international fame came late in life for Clara Haskil, in a career beset by poor health and the adversities of a world war. Dinu Lipatti described her playing as "the sum of perfection on earth," Wilhelm Backhaus called it "the most beautiful in the world," Tatyana Nikoleyeva burst into tears when she first heard Haskil, and Rudolf Serkin nicknamed her "the perfect Clara." Haskil's close friend, Nikita Magaloff wrote, "I had the great privilege of hearing her, at her home and mine, thumbing through fingering, deciphering and running over the most diverse works, and that is why the Chromatic Study by Debussy, the Etude Tableau in E flat minor by Rachmaninoff, a passage from the Totentanz of Liszt or a Rondo of Chopin rest engraved in my memory as played so inimitably by her. Never, even amongst my most illustrious colleagues, have I met with that incredible and disconcerting facility and pianistic ease, which a spontaneous, uncalculated, natural flow of the music. That which others achieve by work, research, and reflection, seems to come to Clara from heaven without problems." (The Journal of the British Institute of Recorded Sound, July-October, 1976) I first heard Clara Haskil's name mentioned by Dinu Lipatti after a recital he gave in Switzerland. When I congratulated him on his Mozart playing, Lipatti said, "In two weeks' time you must hear Clara play Mozart. Then you will realize how far the rest of us are from the truth." I was young at the time, but the name stuck in my mind. Who was this mysterious Clara? Five years later during another visit to Switzerland, the mystery was solved. At a concert in the Tonhalle in Zurich on September 7, 1952, Clara Haskil was the soloist in Mozart's Concerto in E flat, K. 271. The concert was well-nigh sold out, and the only tickets available were for the cheapest seats in the annex. Mine was behind a pillar, where I could hear well but not see. The concerto begins with a question from the orchestra that is answered by the soloist in the second bar. The question repeats, prompting the soloist to emphasize the answer. Haskil's response aroused my curiosity and made me listen. Nothing, though, prepared me for that was to com. After the ensuing tutti, the B flat trill suddenly materialized, and I heard something akin to Mary Garden's description of Nellie Melba's top C at the end of the fist act of La Bohème. The note came floating over the auditorium of Covent Garden: it left Melba's throat, it left Melba's Body, it left everything, and came over like a star and passed us in our box, and went out into the infinite. I have never heard anything like it in my life, not from any other singer, ever. It just rolled over the hall of Covent Garden. My God, how beautiful it was! Since then I always wait for that note when I hear the first act of La Bohème. (Mary Garden's Story, Michael Joseph) Likewise, I now wait for that B flat trill whenever I hear this concerto. Haskil recorded K. 271, but no recording can capture the consummate musical expression or magic of a great artist, which is something ineffable. Haskil's performances in the concert hall were often miracles, and miracles simply cannot be reproduced. Her performance that night was greeted with stormy applause, so I seized the opportunity to look around the pillar to see who was responsible for such divine sounds. Grasping the conductor's hand as if for reassurance and with a look of disbelief on her face, Clara Haskil acknowledged the audience's enthusiasm. I glimpsed at the pianist who one London critic described as playing "Mozart for the Gods." http://www.peter-feuchtwanger.de/feuchtwangerdrucktexte/claraengl_print.html ================================ *Note:Support the artist, their families and their legacy by purchasing their music. Author: tHEnOOSEsWINGS Keywords: Beethoven Kreutzer Clara Haskil Piano Arthur Grumiaux Violin Added: June 30, 2008

We planned this project to play Canon Rock by a lot of people who love Canon Rock. We recruited the players regardless of their age, gender and the performance skill. Then, 75 ppl gathered for the project, take each part and started to practice it. Finally the movie and music clips submitted by them. We edited them, and now, completed the movie. Hope you enjoy it.Supasupa DirectorHellman Music Director

Nation Beat - "A Onde Tem Cerveja Tem Mulher" Kersten Stevens - "Night In Tunisia" Colin Greenlaw - "Awakening of the Tyranosaurus" Keeril Makan - "Washed By Fire" Hello everyone, Nation Beat is a Brazilian-influenced group based out of New York. This is from their new disc, Legends of the Preacher. Fiddler for this group is Skye Steele. who has been on this show before with his quintet. These guys are HOT. Kersten Stevens returns for a second appearance on this program, this time with a new take on Dizzy Gillespie's "Night in Tunesia." In addition to her solo performing and recording career, she moonlights as the violinist in Sage, a sassy, funky all African American female jazz sextet in New York. Colin Greenlaw is back as well, this time with an aggressive piece of electronica. Colin is also recording a CD with my band Second Concession back in his native Canada - a blues/rock mixture of sorts, once again highlighting Colin's versatility and ingenuity as an artist. Closing the show is composer Keeril Makan, a new up-and coming composer. This cut is from his debut recording called In Sound. This piece is performed by the famed Kronos Quartet Support for this episode of Bowed Radio comes from E. W. Incredibow Company - featuring innovative, pretensioned custom-made bows for string instruments. Information is available online at www.incredibow.com. Thanks everyone! Mark Allender, producer-host web: www.bowed.org email: string@bowed.org phone: 330-781-4387 skype: mark.allender

We planned this project to play Canon Rock by a lot of people who love Canon Rock. We recruited the players regardless of their age, gender and the performance skill. Then, 75 ppl gathered for the project, take each part and started to practice it. Finally the movie and music clips submitted by them. We edited them, and now, completed the movie. Hope you enjoy it.SupaSupa DirectorHellman Music Director

================================ Kreisler:La Precieuse (in the style of Couperin) (Mono) *Michael Raucheisen piano ================================ Related information: Elgar's Violin Concerto continued: These two recordings typify the two contrasting approaches to the work that have existed ever since: Sammons and Wood, in a brisk performance, take just over 43 minutes to play the work; Menuhin and Elgar, in a more overtly expressive reading take almost 50 minutes. Other recordings of the monaural era include those by Jascha Heifetz (1949) and Alfredo Campoli (1954). Both these performances are in the Sammons/Wood tradition, taking, respectively, approximately 42 and 45 minutes. Many modern stereo recordings favour the slower approach of Menuhin and Elgar. Menuhin himself in his stereo remake in 1965 was slightly quicker (just under 48 minutes) than he had been in 1932, but Pinchas Zukerman in his two studio versions took a little over 50 minutes in his first recording and a little under 49 in his second. Both of Nigel Kennedy's recordings play for nearly 54 minutes. Itzhak Perlman's is slightly faster, at just over 47 minutes; and Dong-Suk Kang's takes under 45 minutes. A recording released in 2006 used a text based on Elgar's manuscript score rather than the published version. Philippe Graffin, the soloist who performed the manuscript score, counted more than 40 places where the published version differs from Elgar's original. The changes are thought to have been suggested by Kreisler to make the solo part more effective.[9] (Reviewing the CD in June 2006 The Gramophone's critic Edward Greenfield observed, 'some that the differences are very small...I have to confess that had I not been told, I might have appreciated only two of them'.) Selective discography Mono recordings Marie Hall/orchestra/Sir Edward Elgar (cut version acoustically recorded) Albert Sammons/New Queen's Hall Orchestra/ Sir Henry Wood Yehudi Menuhin/London Symphony Orchestra/Sir Edward Elgar Jascha Heifetz/London Symphony Orchestra/Sir Malcolm Sargent Alfredo Campoli/London Philharmonic Orchestra/Sir Adrian Boult Stereo recordings Yehudi Menuhin/New Philharmonia Orchestra/Sir Adrian Boult Pinchas Zukerman/London Philharmonic Orchestra/Daniel Barenboim Hugh Bean/Royal Liverpool Philharmonic Orchestra/Sir Charles Groves Kyung-Wha Chung/London Philharmonic Orchestra/Sir Georg Solti Ida Haendel/London Philharmonic Orchestra/Sir Adrian Boult Itzhak Perlman/Chicago Symphony Orchestra/Daniel Barenboim Nigel Kennedy/London Philharmonic Orchestra/Vernon Handley Dong-Suk Kang/Polish National Radio Symphony Orchestra/Adrian Leaper Pinchas Zukerman/St Louis Symphony Orchestra/Leonard Slatkin Nigel Kennedy/City of Birmingham Symphony Orchestra/Sir Simon Rattle Hilary Hahn/London Symphony Orchestra/Sir Colin Davis Philippe Graffin/Royal Liverpool Philharmonic Orchestra/Vernon Handley (original Elgar score) James Ehnes/Philharmonia Orchestra/Sir Andrew Davis Notes ^ David Dubal, in The Essential Canon of Classical Music, North Point Press, New York, 2001 ^ The Independent, 21 March 2006 ^ Michael Stegemann, notes to Deutsche Grammophon CD 445 564-2 ^ Ibid. ^ Michael Kennedy, notes to EMI recording CDM7 63795 2 ^ Michael Kennedy, op cit ^ The Gramophone November 1989 ^ Fred Gaisberg, Music on Record, Robert Hale, London 1946 ^ The Independent, op cit External links Violin Concerto was available at the International Music Score Library Project. Violin Concerto in B minor, Op. 61 (1905--10) Retrieved from "http://en.wikipedia.org/wiki/Violin_Concerto_%28Elgar%29" http://en.wikipedia.org/wiki/Violin_Concerto_%28Elgar%29 ================================ *Note:Support the artist, their families and their legacy by purchasing their music. Author: tHEnOOSEsWINGS Keywords: Fritz Kreisler Precieuse Violin Added: June 28, 2008

Author: bluecanoe Added: Fri, 27 Jun 2008 00:24:12 -0800 Duration: 38Joseph Patrick Moore bowing his double bass on his new age spiritual song, "Bless You". p Featuring: Joseph Patrick Moore - Double Bass Jon Chalden - Cymbal p Video shot by: Andrew P. Byrd p Video edited by: Bubba Smith for "Compass Productions" p www.JosephPatrickMoore.com www.myspace.com/josephpatrickmoore www.myspace.com/jonchaldendrums p

Author: bluecanoe Added: Fri, 27 Jun 2008 00:24:12 -0800 Duration: 38Joseph Patrick Moore bowing his double bass on his new age spiritual song, "Bless You". p Featuring: Joseph Patrick Moore - Double Bass Jon Chalden - Cymbal p Video shot by: Andrew P. Byrd p Video edited by: Bubba Smith for "Compass Productions" p www.JosephPatrickMoore.com www.myspace.com/josephpatrickmoore www.myspace.com/jonchaldendrums p

The legendary Seán McGuire & Friends on his 70th birthday. Easter Monday 2005 will go down in my memory as the day we bade farewell to an Irish music legend. I refer, of course, to the great Belfast fiddle player Sean McGuire, who died last week at the age of 78. Leading musicians from all over Ireland and beyond gathered at his funeral in west Belfast to pay their last respects to this grand old man of music. A typically articulate tribute to him was spoken at the funeral Mass in St Luke's church, Twinbrook, by his old friend and musical associate, the equally legendary Co Galway accordionist Joe Burke. Burke, who had toured extensively with him nearly 40 years ago, recalled the impact which McGuire's early recordings had made on the Irish music scene on both sides of the Atlantic. "People were mesmerised by the brilliance of his technique and the skill of his playing," he said. "He introduced a new and fresh approach to traditional tunes and was a unique interpreter of the music. He was a born musician and a great communicator and, without question, his input and influence over the years has been enormous." In an engaging reference to McGuire's feisty personality, he added that "getting into an argument with Sean McGuire was an experience of a lifetime, not to be recommended". Joe rounded off his affectionate salute to his old pal by quoting two relevant lines from The Deserted Village by the Irish poet and playwright Oliver Goldsmith. "And still they gazed, and still the wonder grew/That one small head could carry all he knew". The same sentiment was expressed by his longtime accompanist, the Belfast keyboards player Patsy McCabe, who described him as "a Niagara Falls of music - it just poured out of him, non stop." Everyone has their personal memories of Sean, and I have many of them safely stored away. One in particular sums up for me what he was all about, both as a performer and a communicator. Some years ago he appeared at the annual Ballyshannon Folk Festival in Co Donegal where he took the place by storm with a dazzling display of virtuosity which was voted the performance of the weekend. Before the gig, two young fiddle playing sisters who I had met at local sessions had asked me if there was any chance of meeting the famous Sean McGuire. So I managed to get them backstage and, after he finished, with the crowd still roaring for more, I introduced them to him. He was still buzzing with post show adrenalin, but he greeted them as if they were friends he'd known all his life. To this day, every time I see them, they still talk wide-eyed about the night they met a legend, and no doubt some day their grand children will be hearing about it too. Yes, the Irish music community is much the poorer without this uniquely gifted, inspirational and innovative musician. Like the Tommy Sands song about him truly observes: "You never heard the likes of Sean McGuire." Author: clarebannerman Keywords: Irish Fiddle Violin Traditional Music Reels Added: June 26, 2008