(What is toho? - Edit Wiki)
Videos 1 to 30
 Jamie Stole the Precious Melody (IOSYS x Harvest Moon: MM)
from YouTube :: Tag // second life
July 11, 2008
The world's much-needed Harvest Moon version of the ever-popular IOSYS flash animation "魔理沙は大変なものを盗んでいきました" (Marisa Ha Taihen Na Mono Wo Nusunde Ikimashita), better known as "Marisa Stole the Precious Thing"... or in this case, JAMIE Stole the Precious MELODY! The title and completely awesome parody interpretation idea was sparked by Nakayliahenry, and when she had to take on all her other spiffy project ideas instead, I knew I had to steal it and get it done. =D Although I've been working on this sporadically for several days before, I've done absolutely nothing for the past four days or so but eat, sleep, bathroom, and stealing precious things. We're talkin' as many as TWELVE hours a day! THAT'S HALF MY LIFE! xD But I really, REALLY wanted to do it, obviously, and so here it is. =P Once again, I don't have Flash, so forgive the lack of some important specific effects and motions, because I did the whole thing entirely on Paint and Windows Movie Maker (yeah, I know, talk about amateur, right? xD). I tried my best to match the original in both scenes and transitions as closely as possible. Oh, and the FONTS, too! Anything I attempted to do with title overlay looks lame, but the ones formatted separately on a program called Printmaster -- like the numbers and "can't be alive" -- look pretty authentic, right? ^^ (Not to mention that the story behind this whole thing actually makes sense if you think about it -- the Goddess really CAN'T be alive without you! =O) And I've gotta say, those "country folk" took me forever and I think they turned out really cute despite their two-and-a-half-second spotlight, so PLEEEASE take the time to pause on the flag people, please...? x3 Oh yeah, in case it's unreadable, the title on the book throughout the video is "HM:MM Ultimate Cheat Guide" -- just so the ending doesn't sound too stupidly random. And the off-original dance near the middle is the "Danjo" -- if you don't know it, look it up, because a song about seating arrangements can enrich your life. xD There are a million more notes I wanna make, but I suppose I'll restrain myself to let you all find them yourselves... So please enjoy and comment if you can! =) Harvest Moon is a registered trademark of Natsume Inc. ©1998-2004 Natsume Inc. All Rights Reserved. Game Programs ©2004 Marvelous Interactive Inc. Author: RayofHope3579 Keywords: Harvest Moon Magical Melody Alice Marisa Stole Precious Thing Toho Touhou Perfect Cherry Blossom IOSYS Jamie Goddess video game Added: July 11, 2008
|
 Group A SUI CZE POR TUR Cheer
from Dailymotion - most recent videos
June 10, 2008
Hopp Schweiz / Suisse, Up Switzerland. Češi, do toho! Go Czechs go! Portugal Allez, Go Portugal. Kırmızı, beyaz, şampiyon Türkiye, Red, white the champions TurkeyAuthor: eurofanfun Tags: UEFA EURO 2008 Football soccer EURO2008 Hopp Schweiz / Suisse. Češi do toho Portugal Allez. Kırmızı beyaz şampiyon Türkiye Red. Posted: 10 June 2008 Rating: 0.0 Votes: 0
|
 THE DAIMAJIN TRILOGY Trailer
from YouTube :: Tag // modest
April 27, 2008
By 1966 the Godzilla series was going strong for Toho, expanding into colorful monster rallies called Kaiju Eiga. In addition to their openly juvenile Gamera movies, Daiei studios went in another direction with a period monster series, a Japanese variant on the Golem legend. Their enormously successful Daimajin character appeared in three films shot back to back in 1966. The first and second pictures were shown on American television as The Giant Majin and Return of Giant Majin, and may have gotten some theatrical release as well. With A.I.P.'s typically poor English dubbing, and pan 'n scan reformatting, they were difficult to evaluate. Over time, there's been a lot of confusion, as the second and third films were released with identical titles in various regions. A company called ADV has just released all three Daimajin films in one attractive 'Rubbersuit' DVD set, clearing up the confusion. Very surprisingly, this first Majin adventure is a very good fantasy film that puts a giant, supernatural monster into a samurai context, and bests most of Toho's efforts. Beautifully photographed and lavishly produced, the story plays like a classic fairy tale, and the art direction and special effects are the equal of anything done at the time anywhere in the world. Toho by now had settled into a formula for its Kaiju Eiga that abandoned attempts at realism for candy-colored artificial spectacle. Most of its monsters were hundreds of feet tall, and frolicked and fought on a huge scale where humans really couldn't interact. Majin only appears to be about 25 feet in height, a Kong-sized juggernaut who rips the chains meant to bind him and shatters fortifications like a kid might hammer to pieces last year's treehouse. Yet he's small enough to pick up a man in his fist and look at him eye to eye. This modest scale makes him more interesting, more personal than a 50-story colossus. Unlike the typical Toho product, Daimajin's appeal isn't directed only at children, although a scrappy kid character is included in the second half of the show. The tale is given a serious approach, and the supernatural aspect builds from the story and not commercial necessity. The predictable conflict between the heroes and the despotic villain has some weight, mostly because of the care taken with the characters' emotions. Atypically, the heroes have almost no success doing anything. It's refreshing to see a film where sneaking past guards doesn't work, and clever attempts to infiltrate the enemy are soon uncovered. By the time the giant stone idol comes to life, the fun is well underway. Thanks to very artful and effective mattes and miniatures, Majin's waterfall base takes on a nice magical feeling, and when Samanosuke's men enrage the idol by hammering a spike into its forehead, we all know what's going to happen. Majin's face changes from expressionless stone into a glaring green demon, and he marches to Samanosuke's fort to settle the score. The Majin's rampage, smashing walls and crushing soldiers, is quite a thrill. It's not kids' stuff, either, as when the idol pulls the spike from his head and uses it to nail the main villain to a wall. The exact supernatural mechanism animating Majin isn't clearly explained. His coming is preceded by an equally mysterious fireball flying across the sky. Whether he is a God or merely the agent of one, we're not sure. Unlike the Jewish Golem, he's not an obedient robot, and his activation is initiated by personal insult (the spike), instead of any covenant to protect the good citizens from the bad rulers. But the good princess'es prayers, pleading, and especially her tears at the end of the show, have an effect too. There's a tentative relationship between the humans and the Gods, but the communications are poor. -------------------------------------------------------------------------------- The transfer of Daimajin is satisfactory but not excellent. The flat transfer is a disappointment, because the image cannot be blown up on most 16:9 televisions without cropping off the subtitles. Colors are okay, and the print is in basically good condition, with only a few moments of tape residue and scratches getting in the way. Akira Ifukube's impressive music is well recorded - his style, frankly, fits this film better than many of the Toho monster shows. The film is happily in Japanese with English subs. Author: TheVideoVault2 Keywords: Daimajin Japanese Toho Godzilla Monster giant revenge wrath trailer filmmaker reel manga short film Added: April 27, 2008
|
 THE DAIMAJIN TRILOGY Trailer
from YouTube :: Tag // second life
April 25, 2008
By 1966 the Godzilla series was going strong for Toho, expanding into colorful monster rallies called Kaiju Eiga. In addition to their openly juvenile Gamera movies, Daiei studios went in another direction with a period monster series, a Japanese variant on the Golem legend. Their enormously successful Daimajin character appeared in three films shot back to back in 1966. The first and second pictures were shown on American television as The Giant Majin and Return of Giant Majin, and may have gotten some theatrical release as well. With A.I.P.'s typically poor English dubbing, and pan 'n scan reformatting, they were difficult to evaluate. Over time, there's been a lot of confusion, as the second and third films were released with identical titles in various regions. A company called ADV has just released all three Daimajin films in one attractive 'Rubbersuit' DVD set, clearing up the confusion. Very surprisingly, this first Majin adventure is a very good fantasy film that puts a giant, supernatural monster into a samurai context, and bests most of Toho's efforts. Beautifully photographed and lavishly produced, the story plays like a classic fairy tale, and the art direction and special effects are the equal of anything done at the time anywhere in the world. Toho by now had settled into a formula for its Kaiju Eiga that abandoned attempts at realism for candy-colored artificial spectacle. Most of its monsters were hundreds of feet tall, and frolicked and fought on a huge scale where humans really couldn't interact. Majin only appears to be about 25 feet in height, a Kong-sized juggernaut who rips the chains meant to bind him and shatters fortifications like a kid might hammer to pieces last year's treehouse. Yet he's small enough to pick up a man in his fist and look at him eye to eye. This modest scale makes him more interesting, more personal than a 50-story colossus. Unlike the typical Toho product, Daimajin's appeal isn't directed only at children, although a scrappy kid character is included in the second half of the show. The tale is given a serious approach, and the supernatural aspect builds from the story and not commercial necessity. The predictable conflict between the heroes and the despotic villain has some weight, mostly because of the care taken with the characters' emotions. Atypically, the heroes have almost no success doing anything. It's refreshing to see a film where sneaking past guards doesn't work, and clever attempts to infiltrate the enemy are soon uncovered. By the time the giant stone idol comes to life, the fun is well underway. Thanks to very artful and effective mattes and miniatures, Majin's waterfall base takes on a nice magical feeling, and when Samanosuke's men enrage the idol by hammering a spike into its forehead, we all know what's going to happen. Majin's face changes from expressionless stone into a glaring green demon, and he marches to Samanosuke's fort to settle the score. The Majin's rampage, smashing walls and crushing soldiers, is quite a thrill. It's not kids' stuff, either, as when the idol pulls the spike from his head and uses it to nail the main villain to a wall. The exact supernatural mechanism animating Majin isn't clearly explained. His coming is preceded by an equally mysterious fireball flying across the sky. Whether he is a God or merely the agent of one, we're not sure. Unlike the Jewish Golem, he's not an obedient robot, and his activation is initiated by personal insult (the spike), instead of any covenant to protect the good citizens from the bad rulers. But the good princess'es prayers, pleading, and especially her tears at the end of the show, have an effect too. There's a tentative relationship between the humans and the Gods, but the communications are poor. -------------------------------------------------------------------------------- The transfer of Daimajin is satisfactory but not excellent. The flat transfer is a disappointment, because the image cannot be blown up on most 16:9 televisions without cropping off the subtitles. Colors are okay, and the print is in basically good condition, with only a few moments of tape residue and scratches getting in the way. Akira Ifukube's impressive music is well recorded - his style, frankly, fits this film better than many of the Toho monster shows. The film is happily in Japanese with English subs. Author: TheVideoVault2 Keywords: Daimajin Japanese Toho Godzilla Monster giant revenge wrath trailer filmmaker reel Added: April 25, 2008
|
 MegaMan + Marisa = MegaMari! pt2 of 8
from YouTube :: Tag // second life
February 25, 2008
Just me playing though stage 2(to me) This is the HARDEST stage in my opinion. I absolutly hate it! followed by that, while I was recording this, I was taking care of real life buisness Now the boss is a horrid pain in the ass. the only reason I'd take on this boss second is because her weakness is 9's ability of ice. (9 = Cirno) if this boss was weak agest anything else, I'd go get that weapon first. A play though stage "2" THIS IS PURE SKILL!!!! Author: Xiaoramza1523 Keywords: Megamari Marisa Megaman Toho Touhou Eirin Alice Added: February 25, 2008
|
|
Log in or sign up to leave comments.
0 comments on toho:
(No comments yet..)
get widgets
RSS feed for toho: 
To add your video to this page, just add this code in your video blog post:
|
![070804 Tohoshinki - Special Comment [Eating Scenes]](http://p-images.veoh.com/image.out?imageId=media-v912301Gw9cRGEN1186247238.jpg)
