Tine Videos

Author: GlossyMagazineTV Keywords: Kamara Ghedi Iulia Deliciu Bollywood Dansez pentru Tine Added: October 30, 2009

Author: djmilleniumonthestag Keywords: Laughing el mai tare te pisi pe tine de ras te caci pe tine de ras Added: August 6, 2009

o-zone parodie de despre tine je suis une fanAuthor: mimi51100 Tags: o-zone parodie despre tine Posted: 05 July 2009 Rating: 0.0 Votes: 0

New Album Out NOW!!!

Andreea's video for this singlewww.andreeab.rowww.myspace.com/andreeabalan

premiera unei piese de pe AndreeaB, al 4 lea album al Andreei Balan.: amp;quot;Fara tine nu sunt euamp;quot; (compusa de Keo si Cornel Ilie)

Sursa: www.edi.voce.rode la lansarea ultimului clip, 11 martie 2008, spice club

......Author: LadyinLavender Tags: pentru tine Posted: 21 June 2009 Rating: 0.0 Votes: 0

La repetitii pentru emisiunea speciala de Paste. www.mihaisturzu.ro/blog www.floringrozea.ro

Cha Cha version of Hi-Q Tu e?ti dragostea mea - ProTV

13th chapter of DOD: The Death of Depth, an early 2005 video exploration of Limited Fork Poetics (as Limited Fork Theory was then known, and had been known since LFT's birth in October 2004). This video book has been reconfigured from files and file fragments salvaged from a failed external hard drive (650GB of 800GB existing, as of this writing, as unreadable information). The Death of Depth was an outcome of the birth of forkergirl's understanding of the usual location of her (and, therefore, her/the fork's) interactions: on the surface, at the entrance to the interaction; depth continuously reconfigured as the yet-to-explore, the to-be-connected-with; for when something is cut into, the cutter and the interaction tend to be relocated to a surface that emerges; what is exposed by cut or entry becomes available for consideration, itself a form of interaction. The surface is suitable for study. DIG IN with a limited fork; explore what can happen when stuff is brought together. Use the fork entirely in imagination if you like, so that what might not be possible in the 3D space of the body can occur in the less-restricted dimensionality of thought. Whatever occurs, wherever it occurs, however it occurs is possible within parameters of possibility for conditions involved or that event would not occur. What is not possible, under a set of conditions, does not happen. Occurrence collaborates well with possibility. and so Chapter 13: the irregular composition of smooth occurs, that irregularity giving up wonderful intricate details and specifics, as scale is amplified. Endless coastlines emerge as the increment of measure becomes increasingly smaller. These shifting, flexible, temporary configurations of anything are expressed as the magnificent origami of existence in chapter 13 of an LFT video book whose form was/is an outcome of opening a door that was a limited fork that unfolded in the mind of forkergirl who was born along with Limited Fork Theory (nee Limited Fork Poetics) in October, 2004. The video book DOD explores implications of reconfiguring poetry as a dynamic system as these understandings were unfolding as of spring 2005. Identifying systems of reconfiguration that Limited Fork Theory enables is itself an ongoing system that sponsored the growth of the Limited Fork from a tool that reframes possibilities of poetry to a more generalized tool that can reframe perceptual encounters (including encounters with poetry) in, the fork will try, any situation. LFT studies interacting systems (such as visual. sonic, olfactory, tactile, cognitive, imagined systems/subsystems on any scale[s] in any location[s] for any duration[s] of time). As a consequence of its flexible framing of inquiry, Limited Fork Theory necessarily studies how things converge, how stuff connects, where stuff connects, why stuff connects, understanding that the active nature of interacting suggests that any particular interaction is likely temporary and/or that the substance of the configuration may reside inside flexible or shifting perceptual spaces instead of fixed location[s]. A further consequence of the nature of the tool is an acknowledgment of interconnectedness of all that exists, so there direct and indirect paths (systems of paths) from any entity or entities to any other unit or units of existence. LFT assumes connection, and in that assumption, makes a connection. Because everything is already connected, integrative and interdisciplinary approaches are built-in; links need activation instead of creation. Though the fork is a tool to bring stuff together, its also a tool unable to access all of anything because of holes between the tines or prongs, holes that assist with escape, and loss, and help foil definitive assessments. The tool can't grasp everything it tries to access. Distance between tines is variable. Substance of tines is variable. Influence of tines on what tines manage to pick up, and influence of what is picked up with tines is variable. Shape of tines is variable. Use of the tool configures it, and the tool is/may be reconfigured as outcomes of use (which is also interaction) —so liberating and so much fun to use a fork that admits there are gaps in information! Features early music from the founder of Strexx Quantum Orchestra.

e fake dar e super tare...cel putin rasul ..........