Siggraph Videos
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Free from studios and uncomfortable spandex, this motion capture suit is ideal for the classroom. The motion capture industry is fun and exciting, and with the included curriculum the pleasures of motion capture can be explored by all. Happy motion capturing! Author: MoCapCam Keywords: computer graphics siggraph animation mocap motion captue Added: July 21, 2008

A robot struggles to construct its own identity and self destructs from its inability to create a satisfactory visage. Shared by : andrewhu On: Tuesday, August 07, 2007 Views: 120655Tags: visage dollface satisfactory CGI struggles identity inability siggraph Construct destructs self its robot animation robots own Doll face beauty Maya create

Syd Mead gave a fantastic lecture in Vancouver about his long career. Hosted and organized by Siggraph Vancouver Chapter, with sponsors. In this video, Syd speaks about his favorite alcoholic drinks, his liver, and a Japanese bar he did concept designs for. Author: rez2cool Keywords: science fiction syd mead concept artist lecture siggraph computer graphics animation film blade runner aliens Added: May 15, 2008

Syd Mead gave a fantastic lecture in Vancouver about his long career. Hosted and organized by Siggraph Vancouver Chapter, with sponsors. In this video he explains a certain bizarre script, and the LACK of trust in the movie business. Author: rez2cool Keywords: science fiction syd mead concept artist siggraph fifth element brazil film animation computer graphics lecture Added: May 15, 2008

My latest demo reel for 2008 Author: legwaila Keywords: Karabo Legwaila demo reel modeling maya 3D Studio Max Siggraph animation anime art filmmaker short film tutorial Added: April 19, 2008

Are dreams in color? Enjoy this fascinating "long shot of undulating, scintillating, shifting washes of color" (Source: Anipages Daily) The short is the work of Michael Theodore, and has been shown at Siggraph Computer Animation Festival 2006. If you're interested, the author talks about his work flow on this antiville post. Godetevi il fascino di questa "lunga serie di sprazzi di colore ondulanti, scintillanti e fluttuanti" (Fonte: Anipages Daily) Il corto è opera di Michael Theodore, ed era stato selezionato al Siggraph Computer Animation Festival nel 2006. Se siete interessati potete leggere del metodo di lavoro dell'autore su antiville. Copyright © gracias Gilliam, grazie progosk DOWNLOAD: Scarica Color Dream no. 246. [Format: Quicktime - Size: 164 MB - Running Time: 3 min.] DOWNLOAD (ALT.): Scarica Color Dream no. 246. [Format: MPEG-4 - Size: 33 MB - Running Time: 3 min.] WATCH (LOW RES): Guarda Color Dream no. 246 in finestra. [Format: Flash Video] LINK: Visita Michael Theodore. CODECS: Apple Quicktime - Flash

Portland D&D Submitted by 
Cascade ACM SIGGRAPH, Death by Blonde by Daron Nefcy, Twins Crimson and Those Amazing Robots by Carlos Ramos Our Portland Animation Brethren, Cascade ACM SIGGRAPH, had a fun drunken evening with their 2nd Annual Drinking & Drawing Event. Death by Blonde is an animated music video/ short for DeVotchka. Twins Crimson and Those Amazing Robots is Ultra Cute and Ultra Robotic. Author: ChannelFrederator Keywords: siggraph drinking drawing nefcy blondes russian devotchka ramos monkeypuzzles cute robots funny drunk cartoons online Added: February 26, 2008

Portland D Cascade ACM SIGGRAPH, Death by Blonde by Daron Nefcy, Twins Crimson and Those Amazing Robots by Carlos Ramos Our Portland Animation Brethren, Cascade ACM SIGGRAPH, had a fun drunken evening with their 2nd Annual Drinking & Drawing Event. Death by Blonde is an animated music video/ short for DeVotchka. Twins Crimson and Those Amazing Robots is Ultra Cute and Ultra Robotic.

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Old uncut video from my trip to SIGGRAPH 2006.

Author: SIGGRAPH2008 Added: Wed, 09 Jan 2008 15:06:28 -0800 Duration: 404SIGGRAPH 2008 will bring an estimated 30,000 computer graphics and interactive technology professionals from six continents to Los Angeles, California, USA for the industry's most respected technical and creative programs focusing on research, science, art, animation, gaming, interactivity, education, and the web from Monday, 11 August through Friday, 15 August 2008 at the Los Angeles Convention Center. Registration for the conference and exhibition is open to the public. More details are available at www.siggraph.org/s2008.

SIGGRAPH 2008 will bring an estimated 30,000 computer graphics and interactive technology professionals from six continents to Los Angeles, California, USA for the industry's most respected technical and creative programs focusing on research, science, art, animation, gaming, interactivity, education, and the web from Monday, 11 August through Friday, 15 August 2008 at the Los Angeles Convention Center. Registration for the conference and exhibition is open to the public. More details are available at www.siggraph.org/s2008. For SIGGRAPH 2007 videos visit http://uk.youtube.com/SIGGRAPH2007 Author: SIGGRAPH2008 Keywords: SIGGRAPH 2008 Computer Animation Festival Art Education Film Panel Presenation Paper Creative Graphics Added: January 9, 2008

(1992) This is a documentation from the SIGGRAPH exhibit in 1992, showcasing computer graphics devices and animation developed by students at the Electronic Visualization Lab. At this time, the CAVE® Virtual Reality Theater was first exhibited. More information can be found on the EVL website -- www.evl.uic.edu Author: evltube Keywords: EVL Electronic Visualization Laboratory cave virtual reality learning avatar tele-immersion telepresence SIGGRAPH 1992 Added: January 8, 2008

(1992) This is a documentation from the SIGGRAPH exhibit in 1992, showcasing computer graphics devices and animation developed by students at the Electronic Visualization Lab. At this time, the CAVE® Virtual Reality Theater was first exhibited. More information can be found on the EVL website -- www.evl.uic.edu Author: evltube Keywords: EVL Electronic Visualization Laboratory cave virtual reality learning avatar tele-immersion telepresence SIGGRAPH 1992 Added: January 8, 2008

Maxine Brown - Siggraph Outstanding Service Award, 1998. From the Siggraph website: Maxine Brown is the recipient of this year's SIGGRAPH Outstanding Service Award. She has a long history of service to the computer graphics and supercomputing communities, including: ACM SIGGRAPH Vice Chair for Operations (1985-1987) and Secretary (1981-1985); SIGGRAPH 79 exhibits co-chair; SIGGRAPH 84 Electronic Theater chair; general conference chair of SIGGRAPH 92 in Chicago (which attracted a record-breaking crowd of 34,000); co-chair of the SIGGRAPH 94 VROOM event; a member of the IEEE/ACM Supercomputing 95 conference Information Architect committee; and, organizer and host of the Supercomputing conference Visualization Theater (1988-1991). She has contributed to many facets of SIGGRAPH, notably: the development of its renowned trade show; the introduction of live performance into the Electronic Theater (as well as naming it the "Electronic Theater" from "Film starting the Education Committee; an insistence on quality, both in terms of content and aesthetics, in SIGGRAPH hardcopy publications; concern that the contribution of its volunteers be well recognized; and, co-editor of the SIGGRAPH newsletter's landmark "Visualization in Scientific Computing" report. Maxine D. Brown is an associate director of the Electronic Visualization Laboratory (EVL) at the University of Illinois at Chicago (UIC), responsible for the funding, documentation, and promotion of its research activities. She works closely with EVL's collaborators at the National Center for Supercomputing Applications (NCSA) at the University of Illinois at Urbana-Champaign and the Mathematics and Computer Science Division at Argonne National Laboratory to coordinate research activities. Prior to coming to EVL, Brown was a professional communications consultant, and held various positions at Digital Productions, ISSCO and Hewlett-Packard. Brown holds a B.A. in Mathematics from Temple University and an M.S. in Computer Science from the University of Pennsylvania. Author: evltube Keywords: EVL Electronic Visualization Laboratory Maxine Brown Siggraph Outstanding Service Award UIC University Illinois Chicago Added: December 19, 2007

SIGGRAPH 2008 will bring an estimated 30,000 computer graphics and interactive technology professionals from six continents to Los Angeles, California, USA for the industry's most respected technical and creative programs focusing on research, science, art, animation, gaming, interactivity, education, and the web from Monday, 11 August through Friday, 15 August 2008 at the Los Angeles Convention Center. Registration for the conference and exhibition is open to the public. More details are available at www.siggraph.org/s2008. For SIGGRAPH 2007 videos visit http://uk.youtube.com/SIGGRAPH2007 Author: SIGGRAPH2008 Keywords: SIGGRAPH Conference Technology Art Animation Film Festival Gaming Interactive Education Research Los Angeles Added: December 19, 2007

Traditional computer graphics has typically required that scientists look through a restricted window (the computer screen), to view images that depict their research data. Virtual Reality (VR) on the other hand, offers scientists the means to leap through that window and physically engage their experimental environment. The idea of stepping inside the computer with a natural interface for interaction, to experience virtual environments was first proposed by Ivan Sutherland with his Ultimate Display[sutherland65]. Since then, devices and systems have been built to better immerse humans in computer-generated worlds. These devices typically fall into three categories: (1) viewing devices, (2) tracking devices and (3) interactive devices. Head-mounted displays (HMD) like the VPL eyephones [teitel90] and the Flying Helmet have become the most popularized VR viewing devices. Others include the BOOM [mcdowall] and the CAVE [cruz92]. Tracking devices like the Polhemus Isotrack and Ascension Technology's Flock of Birds allows the computer to determine the location and orientation of a person in the virtual space. Finally, devices that allow the user to interact with and perceive virtual worlds include the popular VPL Data Glove. This video explains how the CAVE® Virtual Reality Theater functions, and shows all the hardware outlined above. Additionally, the video shows several early VR graduate student projects. More information can be found on the EVL website -- http://www.evl.uic.edu/core.php?mod=4&type=3&indi=133 Author: evltube Keywords: EVL Electronic Visualization Lab SIGGRAPH CAVE® vr cave virtual reality Added: December 17, 2007

We capture the shape of moving cloth using a custom set of color markers printed on the surface of the cloth. The output is a sequence of triangle meshes with static connectivity and with detail at the scale of individual markers in both smooth and folded regions. We compute markers' coordinates in space using correspondence across multiple synchronized video cameras. Correspondence is... Author: keenancrane Keywords: computer graphics vision motion capture cloth SIGGRAPH 2007 Added: November 24, 2007

We capture the shape of moving cloth using a custom set of color markers printed on the surface of the cloth. The output is a sequence of triangle meshes with static connectivity and with detail at the scale of individual markers in both smooth and folded regions. We compute markers' coordinates in space using correspondence across multiple synchronized video cameras. Correspondence is... Author: keenancrane Keywords: computer graphics vision motion capture cloth SIGGRAPH Added: November 24, 2007

Once upon a time in ancient Egypt, pyramids moved... This is the story of how they stopped. "The Moving Pyramid is a charming animated short that tells the story of corruption, power and revolution. This short combines traditional, papercut and computer animation and was completed in two years using Softimage software." (Source: Siggraph) Wolf-Rudiger Bloss written and directed this short movie. Music composed by Will Storkson, recorded and edited by Brian Sorbo. Special assistance by Industrial Light and Magic. C'erano una volta, nell'antico Egitto, le piramidi mobili... Questa è la storia di come si sono fermate. "The Moving Pyramid è un'incantevole corto animato che narra una storia di potere, corruzione e rivoluzione. Il film combina animazione tradizionale, ritagli e computer grafica, ed è stato completato in due anni usando software della Softimage." (Fonte: Siggraph) Wolf-Rudiger Bloss ha scritto e diretto il film. La musica è stata composta da Will Storkson, registrata e montata da Brian Sorbo. Assistenza speciale di Industrial Light and Magic. © Bloss 2001 DOWNLOAD: Scarica The Moving Pyramid. [Format: MPEG-4 - Size: 60 MB - Running Time: 9 min.] DOWNLOAD (ALT.): Scarica The Moving Pyramid. [Format: MPEG-2 - Size: 163 MB - Running Time: 9 min.] DOWNLOAD (LOW RES): Scarica The Moving Pyramid. [Format: MPEG-1 - Size: 96 MB - Running Time: 9 min.] WATCH: Guarda The Moving Pyramid in finestra. [Format: Flash Video] LINK: La pagina di The Moving Pyramid su Internet Archive. LINK: La pagina di The Moving Pyramid su ACM. IMDB: Pagina di The Moving Pyramid (2001) - Rudi Bloss CODECS: Flash

Author: amerigo Added: Fri, 19 Oct 2007 17:04:06 -0800 Duration: 577this is the complete video of the unravel fashion from from the siggraph 2007 conference in san diego, california

This research extracts a 3D model of a person's face from a video. The person's facial expressions and mouth movements can then be transferred to the 3D face model of another person. In this video, the two input videos are shown in the top corners. The facial movements of the person on the left are transferred to the person on the right, creating the main video shown. On each side of... Author: MITCSAIL Keywords: mit csail siggraph computer graphics vision tracking face transfer multilinear model Added: September 20, 2007

Author: amerigo Added: Sun, 16 Sep 2007 11:56:47 -0800 Duration: 41Negotiation is a wearable interactive video system that combines textiles and technology to explore concepts of identity creation, presence and absence, integration and estrangement in different political and cultural environments. During site-specific performances, video from two characters (an Alien and an Authority) are composited and displayed real-time creating a negotiated final video that highlights boundaries. While in Sardinia, Italy, the performance brought attention to the limits of cross-cultural communication between “us” and “others,” the characters and the federal police, the police and “others,” as well as between the two characters. While drawing from theoretical concepts like the “invisible immigrant” and “double consciousness,” the warped video is a metaphor for how one’s image and self-identity is a negotiation between the watcher, the watched, and the environment.

Author: Room335 Added: Thu, 13 Sep 2007 16:05:40 -0800 Duration: 368A demonstration by Motion Graphics of their sensorless motion capture system.

Author: Room335 Added: Wed, 12 Sep 2007 18:05:37 -0800 Duration: 574Bassam's Kudali's presentation of his new open source model and rigging system Mancandy presented at the Blender Birds of Feather conference, SIGGRAPH 2007

Author: Room335 Added: Sat, 08 Sep 2007 23:14:26 -0800 Duration: 349I caught up with Bassam Kurdali at the Blender Booth where he talks about his new Mancandy model and rigging as well as the upcoming DVD.

Author: amerigo Added: Fri, 31 Aug 2007 17:55:09 -0800 Duration: 45intimate controllers are sewn into a woman's bra and a man's boxers for a new kind of video game experience. intended for intimate couples, the game is played like dance dance revolution as players touch different parts of each other in time with visual cues. pressure sensors are sewn into the undergarments to record touch. three kinds of sensors are provided for three levels of play.