Sci-fi Fantasy Videos

According to ERC, The Twilight Saga: New Moon sold roughly $71 million worth of tickets on its opening day -- a number that, if correct, far surpasses the current opening day box office record of $67 million set by The Dark Knight back in 2008. With its $26 million take in midnight showings, that gives the second installment in the Twilight franchise two pretty giant records: Best Midnight Opening and Best Single Day Opening. Next up for the franchise is the three-day opening weekend record, also held by The Dark Knight with $158 million. So what does this say about us? Well, while it's not as critically acclaimed as, say, Harry Potter and the Half-Blood Prince (previous midnight opening record holder) or The Dark Knight, these numbers do show just how much of an impact the female audience can have on a box office take. Sure, when The Dark Knight broke records everyone wanted to single out the teenage male audience as having won that film its titles, but polls showed females were responsible for upwards of 50% of that film's opening box office too. And now, with New Moon breaking records attracting a younger female audience, here's hoping studios wake up and realize that, yeah, the female audience is a damn powerful force. So kudos to all you Twi-hards for showing up to support the property you love. Is the film truly worthy of its new records? Probably not. Will another film break those records within the next year? Yeah, most likely. But dammit if the folks at Summit Entertainment aren't partying their asses off this weekend. They just won the World Series at the box office. Congrats!Filed under: Drama, Sci-Fi & Fantasy, Box Office, Fandom, Newsstand Permalink | Email this | Comments

I'm pretty easygoing when it comes to marketing and product placement. It's so ubiquitous that I tune it out, or laugh along when it shows up on 30 Rock. I can never really muster up the rage some viewers do when Pizza Hut, Ford, or the iPhone is prominently placed in a movie or television show. The most I'll do is roll my eyes and joke about it later on ("Did you notice that? Lame!"), because I find the big picture to be more important than some high-priced props. That is, I didn't care until Fox proudly announced that Bones will return in two weeks with an Avatar themed episode. (The promo is embedded below the jump for the curious and eager.) Look, I get why Fox would think this was a slamdunk. It's on their network, and one of Bones' recurring cast members, Joel Moore, is actually in Avatar. I understand that the combination makes the December 3 episode of Bones prime advertising real estate. But come on! Can't you just run some flashy commercials, a new trailer, or "a special behind-the-scenes look" like you did with films back during the good old days? Doesn't anyone at 20th Century Fox wonder if it doesn't look a little desperate to coerce an entire show into the PR game? After all, Avatar was supposed to sell itself purely on the photo-real effects, the world of Pandora, and the name of James Cameron. Why do they need Bones? Filed under: Action, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Movie Marketing, Fan RantContinue reading Fun or Lame: Fox's 'Bones' Becomes One Big 'Avatar' Promo Permalink | Email this | Comments

Few of us have had the chance to read Rick Remender's upcoming series, The Last Days of American Crime, but it's already tapped for the big-screen treatment. To sweeten the deal, American Crime already has a face. An Australian one. Mania is reporting that Sam Worthington has signed on to play the series' star criminal, Graham Brick. American Crime is set in a near-future where the government has found a way to kill the criminal impulse in its citizens. That's good for everyone but the criminals, and chaos erupts as the unsavory element goes mad trying to get in one last job. One of these men is Graham Brick, who is in the midst of planning a big heist, and gets to watch all his best laid plans fall apart in a bloody fashion. I read the preview Radical handed out at Comic-Con this year, and like all previews, it was too short to really get a handle on the story. But the art was incredible, it was ridiculously violent, and it had that slimy feeling of Sin City. You can check out three pages here, and Radical has 15 pages up on MySpace. The first issue is scheduled to hit stands in December. Remender will be penning the screenplay himself, and Radical will be producing it under their film shingle. We'll supposedly be getting a studio, a director, and more cast-members very soon, but it's tough to get excited without having read issue #1. Still, if this is really the mix of James Ellroy and David Mamet's Heist that Remender promises, Crime will be something to look out for. Filed under: Action, Sci-Fi & Fantasy, Thrillers, Casting, Deals, Noir, Scripts, Newsstand, Comic/Superhero/Geek Permalink | Email this | Comments

As voiced by Dwayne "the artist formerly known as The Rock" Johnson, astronaut Chuck Baker is the paragon of all-American achievement -- that is, until he conquers a far off world with an unexpected population, one inexplicably steeped in our '50s-era culture and terrified by the prospect of an alien invader in human form. More unfortunately for us, Chuck has landed smack-dab in the middle of Planet 51, a short-sighted assembly of sci-fi references and scatalogical humor that should nonetheless placate undemanding tots and, by extension, their undiscerning parents for ninety minutes or so.Filed under: Action, Animation, Comedy, Sci-Fi & Fantasy, Sony, Theatrical ReviewsContinue reading Review: Planet 51 Permalink | Email this | Comments

There is a new trailer out for Percy Jackson & the Olympians: The Lightning Thief, 20th Century Fox' bid to get in on the financial treasures to be mined from film adaptation of young-adult fantasy novels, and for most people it should serve as the first real glimpse into what kind of an imaginary world Chris Columbus, after having ushered in the first two Harry Potter films, is bringing to life on the big screen. I know little about the series of fantasy-adventure novels by Rick Riordan, so it's nice to now have some clarification beyond the film's early teasers, which were merely announcing the title. In this feature trailer you'll actually get a cursory look into the life of the titular Percy Jackson (Logan Lerman, who played Christian Bale's eldest son in 3:10 to Yuma), a teen who is unknowingly a descendant of the Greek God Poseidon, as well as glimpses of the film's nice array of adult actors countering the mostly young cast. We've got a look at Pierce Brosnan as Percy's guide to Greek mythology, as well as glimpses of Rosario Dawson as Persephone and Uma Thurman sporting an unhealthy amount of snakes around her head as Medusa, one of the several antagonists Percy will have to cross in order to recover a lightning bolt he is accused of having stolen from Zeus. The film will be making its bow on February 10th, which means that between this and Clash of the Titans, Greek mythology is going to be undergoing a welcome, mini-resurgence in the first quarter of next year. So if you thought the trailer for the latter, which features plenty of big budget action and CGI beasties wasn't up your fantasy alley, give this trailer, embedded below, for Percy Jackson & the Olympians a try.Filed under: Sci-Fi & Fantasy, 20th Century Fox, Trailers and ClipsContinue reading New 'Percy Jackson' Trailer Reveals Uma Thurman's Snake Head Permalink | Email this | Comments

I've been meaning to purchase and wear this t-shirt since I learned of its existence a couple of months ago, but I figured I'd better let the Twilight: New Moon hysteria die down first. It would appear, after all, that openly declaring one's hostility toward the Twilight franchise on one's person, even with a statement as unquestionably correct as "Vampires Don't Sparkle," is just asking for trouble. You do not want to mess with a gaggle of rabid Robert Pattinson fans. I do not hate the Twilight franchise, actually, though I would like to suggest that the Twilighteers may live to regret sinking so much time and emotion into something so utterly banal. But I seem to be one of the few who occupy the middle ground. Twilight might be the most divisive love-it-or-hate-it phenomenon of the last few years. Not everyone adores Harry Potter, but most people have at least a grudging respect for it; Twilight has as many haters as fawning admirers. You gotta admit that if you can use a movie to start an argument, it's at least good for something. Here are seven other movies that seem to disproportionately divide the moviegoing population into adoring fans and angry detractors. 1. Titanic - To get the obvious out of the way. It's amazing to me how often people make offhand derisive mentions of Titanic, as if its awfulness were well-established and self-evident. As with Twilight, of course, the surprisingly widespread disdain of this movie is a backlash against its army of obsessive partisans (and from a similar demographic to boot) -- the folks who showed up on local news shows in 1997 bragging about having seen it 16 times in the theater, etc. The fact that Titanic is a fantastic film -- and not really (or at least not only) for the reasons many of its fans think -- tends to get lost in the shuffle, sadly.Filed under: Horror, Independent, Sci-Fi & Fantasy, New Releases, Cinematical SevenContinue reading Cinematical Seven: Movies That Start Fights Permalink | Email this | Comments

Carl Rinsch is a name perhaps best known to those in the advertisement world, but the commercial director has been poised to break into the feature film world for some time now. His name had been attached to direct Fox's reboot/prequel to Ridley Scott's Alien, until it became apparent that Scott wanted to direct as well as produce. All is not lost, however, as now Rinsch has been tapped to turn Keanu Reeves into a Samurai in 47 Ronin. The project is being set up at Universal with a script from Chris Morgan, who has been earning the studio hand over fist lately with his scripts for the last two Fast and believe me, you'll want to see the Evolution of Tech one, it's a stunner.Filed under: Sci-Fi & Fantasy, Casting, UniversalContinue reading Carl Rinsch to Direct Keanu in the Samurai Film '47 Ronin' Permalink | Email this | Comments

Star Trek In rebooting the franchise, J.J. Abrams faced the daunting challenge of pleasing long-time Trekkies and roping in new viewers who think 'Live long and prosper' is a slogan for an insurance company. This is not your father's Star Trek, but he'd probably like it too (begrudgingly). Buy it. Also on Blu-ray (see Todd Gilchrist's review for more on that edition.) Add to Netflix queue | Buy at Amazon Bruno I'm not a big fan of the 'ridicule the clueless' school of humor, so I turn to Cinematical's review by Todd Gilchrist: "curiously ineffective, a sort of middling effort that fails to liberate itself from the stereotypes that provide the character's foundations, even if it also doesn't deliberately or harmfully reinforce them." Skip it. Also on Blu-ray. Add to Netflix queue | Buy at Amazon My Sister's Keeper Despite a relentless barrage of scenes evidently designed with the sole goal of jerking tears, Nick Cassavetes' My Sister's Keeper did not make me cry. It is, however, one of the most glorious-looking terminal cancer pictures I've ever seen. Cameron Diaz, Jason Patric, Abigail Breslin, and Alec Baldwin star in a film I found entirely unsatisfying. (See my review for more.) In addition, fans of the novel by Jodi Picoult may not appreciate the changed ending. Skip it. Also on Blu-ray. Add to Netflix queue | Buy at Amazon Also out: How to Be (with Robert Pattinson), Wild Child (with Emma Roberts). After the jump: Indies on DVD, more Blu-ray, and Collector's Corner.Filed under: Drama, Sci-Fi & Fantasy, New on DVD, Home EntertainmentContinue reading Spin-ematical: New on DVD for 11/17 Permalink | Email this | Comments

The klaxons are sounding for the Nautilus and Captain Nemo's origin story. Variety reports that Disney has quietly shelved the project, and McG has been released from duty in order to seek better fortune ashore. The project was scheduled to begin production this February, and was on a fast track under Dick Cook. But as you probably remember, Cook was shown the door a few months ago. Many of Disney's big projects seem to be left dangling as stars like Johnny Depp decide whether they're sailing or staying ashore. 20,000 Leagues Under the Sea: Captain Nemo is just the latest, though Disney insists big popcorn flicks will still be a focus for them. Leagues had already been a revolving door of rumors, with Will Smith said to be in the running to play Nemo. Justin Marks was originally penning the script, but was replaced by Randall Wallace this past July. Variety reports that the project was being penned by Bill Marsilli, so presumably Wallace was off as well. While it's not unusual to have three screenwriters on a project, it doesn't sound like this submarine had a reliable captain. Perhaps the Nautilus will sail again as a proper steampunk picture that explores his romantic Indian past, and not a slapdash summerfest.Filed under: Action, Classics, Sci-Fi & Fantasy, Executive shifts, Disney, Scripts, DIY/Filmmaking, Newsstand, Remakes and Sequels Permalink | Email this | Comments

Comics never really die. They become cult classics, cherished until they're revived, republished, and optioned by Disney. Such is the tale of Alien Legion, which is soon to enjoy a revival that'll have many a comic fan claiming they were there from the beginning. (I won't be one of them -- I'll openly confess that it passed me right by.) Creator Carl Potts described Alien Legion as "the Foreign Legion in space," and it's probably best described as melting pot of military and sci-fi, as Star Trek, Star Wars and The Dirty Dozen all influenced its vision of intergalactic soldiers banding together for honor, fortune, and adventure. It was one of Marvel's longest running series under their Epic Comics' banner, and it's been one that fans have continued to champion. Now it's being republished in a beautiful Dark Horse omnibus (which means out-of-the-loop losers like myself can finally read it), and getting four brand new issues from Dark Horse starting in 2010. It's also on its way to the big screen. USA Today sat down all its creators, and Potts revealed that Jerry Bruckheimer and Disney were currently developing a feature film out of the series. Derek Haas and Michael Brandt are currently working on the third draft of the script, and Disney is undoubtedly hoping it could become another blockbuster franchise. I'd love to see the Mouse House actually develop a viable sci-fi franchise of their own, and Alien Legion is certainly a very promising series. Let's hope its cult of fans are rewarded with a good adaptation after all their years of devotion, and they don't resent the rest of us for coming to the party so late.Filed under: Action, Sci-Fi & Fantasy, Deals, Disney, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek Permalink | Email this | Comments

Terminator is in trouble. Halcyon is on the verge of bankruptcy and the only real commodity they have are the rights to make new Terminator films, which they plan on selling for a big chunk of money to pay off their even bigger chunk of debt. Enter Joss Whedon with an open letter plea to buy the rights to Terminator, acknowledging that while his offer of $10,000 may have been a bit low, he would do the franchise right, returning it to the cinematic Sci-Fi glory it once knew. Yet while no one took Joss Whedon's humorous open letter without a grain of salt, the folks at Dark Horse comics did take another Terminator-related Whedon pitch seriously. Except this one is from another side of the family gene pool. Zack Whedon wrote on Techland (via ComicsAlliance): "I am currently working on a six issue Terminator series for Dark Horse. I just turned in the first script and I'm very excited about it. I love Terminator. I think that movie is so good. Holy Toledo is it good ...." Read the rest over at SciFi SquadFiled under: Sci-Fi & Fantasy, Fandom, Newsstand Permalink | Email this | Comments

Dear Sony, As I am sure you are aware, you own the film rights to any adaptation of Metal Gear Solid, the outstanding brainchild of video game auteur Hideo Kojima. I have no doubt that since the property became a gaming icon after Konami brought it to the Playstation in 1998 many have tried to get a film adaptation off the ground. I'm sure you've heard pitch after pitch, and maybe even solicited some of your own, so I appreciate that no ground has been made on turning the beloved series - arguably the most cinematic game of all time - toward the big screen. Yet I fear that with a big budget adaptation of Prince of Persia on the horizon, you might start getting antsy about making a big budget video game movie of your own; and if that's the case, please do not take up Paul W.S. Anderson on his desire to be the man who brings Solid Snake to movie theaters around the world. For the love of all that is sacred to gamers, please, please, please do not allow that to happen. I could rattle off a handful of different directors better equipped to bring the sweeping world of espionage, intrigue, double-twists, and giant robots than the man who simultaneously rendered two beloved franchises irrelevant with Alien vs. Predator. Now I'm not opposed to making Metal Gear Solid into a movie. Though Kojima's storylines for MGS have become more twisted and entangled than a snake orgy at this point, I have no doubt that a competent screenwriter could make an excellent script out of the series' latest episodes. But it's going to take a director with real vision to transform Solid Snake from a game icon into the film God he deserves, and Anderson just doesn't have the minerals to do that.Filed under: Action, Sci-Fi & Fantasy, Sony, Fandom, Comic/Superhero/GeekContinue reading Fan Rant: Please Don't Let Paul W.S. Anderson Direct 'Metal Gear Solid' Permalink | Email this | Comments

While it came as little surprise to the fans of Stephenie Meyers' original books, the success of Twilight caught Hollywood and the rest of the world by storm when the first adaptation arrived in theaters late last year. A big part of the credit for the movie's crossover success must be attributed to screenwriter Melissa Rosenberg, who rendered the romance of Bella and Edward in dimensions that more than die-hards (or more accurately, Twi-hards) could understand and appreciate. The Twilight sequel New Moon comes to theaters next Friday and offers even more tortured teenage romance than before, as well as a wealth of mythology about vampires, werewolves and other monsters that inhabit the series' supernatural universe. Cinematical recently spoke to screenwriter Rosenberg at the film's press day in Los Angeles; in addition to discussing the process of putting together a satisfying sequel, she talked about subjecting Bella to the universal disappointment of a bad break-up, and examined what audiences might take away from this latest installment in the series. Cinematical: Is there an emotional core or some central theme that was guiding you through writing New Moon, or do you see this more as an installment in a larger narrative?Filed under: Romance, Sci-Fi & Fantasy, InterviewsContinue reading Interview: 'New Moon' Screenwriter Melissa Rosenberg Permalink | Email this | Comments

The most common retort one gets when talking negatively of a film clearly intended to be consumed with a tub of popcorn and a brain switch in the off position is "Why can't you just enjoy the movie?" And I get that. I am the kind of viewer who can absolutely just sit back and let sights and sounds wash over them. But what some fail to understand is that even with the brain turned off, even with disbelief firmly suspended, some movies stink so ferociously that the stench wafts off of the screen, snapping even the most resistant critic to full alertness like a slap in the face by a glove spiked with smelling salts. 2012 is not immune to analysis simply because it is an openly absurd movie. Sure, it's about the end of the world taking place three years from now. Sure, it features some astounding special effects. Sure, it is in every way, shape, and form a popcorn tub movie. And sure, you know from the trailer alone whether or not you're game for yet another disaster porn movie from The Day After Tomorrow and Independence Day director Roland Emmerich. But what the willing don't inherently know, and this is the most crucial piece of information one can be equipped with before hand, is that 2012 is 158 minutes long. Granted, one would expect the end of the world to take more than 90 minutes, but the biggest failing of 2012 is that it barely has enough story to span half an hour, yet alone two more beyond that. Sign up for all the California-sinking, supervolcano-erupting mayhem you want, but what you're signing up for comes packaged with banal, one-dimensional characters who are only ever allowed to spew groan-inducing dialogue like so many fireballs from a, well, supervolcano. And considering the spectacle is unfortunately a fraction of the length, the audience is given more than enough time to wonder how so much mediocrity came to be from such talented people.Filed under: Action, Sci-Fi & Fantasy, Sony, Theatrical ReviewsContinue reading Review: 2012 Permalink | Email this | Comments

Christmas came a little early allowing the animated 3D film A Christmas Carol to lead the box office, but not by as large a margin as many had expected. The Box was the only one of last week's wide releases to miss the top five, landing in sixth place. Here's the top five: 1. A Christmas Carol: $30 million 2. Michael Jackson's This Is It: $13 million 3. The Men Who Stare at Goats: $12.67 million 4. The Fourth Kind: $12.2 million 5. Paranormal Activity: $8.2 million We've got two new flicks fighting for your dollars this week: 2012 What's It All About: They say the world will end with not a bang but a whimper, but director Roland Emmerich seems pretty sure it will happen with several kabooms and a motherload of digital effects. John Cusack stars as a man determined to keep his family alive during a global cataclysm predicted by the Mayan calendar. Why It Might Do Well: Emmerich has already destroyed the world in Independence Day and The Day After Tomorrow, so he must be getting pretty good at it by now. Why It Might Not Do Well: Maybe Emmerich has played his apocalypse card once too often. Number of Theaters: 3,000 Prediction: $54 million Pirate Radio What's It All About: In the 1960s eight DJ's set up shop on a ship off the coast of England and broadcast rock and roll to the masses, much to the chagrin of the British government. Why It Might Do Well: Phillip Seymour Hoffman is joined by Nick Frost and Bill Nighy, and the classic rock soundtrack sounds amazing. Why It Might Not Do Well: It's a smaller release, so it won't be breaking the bank. Number of Theaters: 900 Prediction: $6 million Here's how I think next weekend will go: 1. 2012 2. A Christmas Carol 3. Michael Jackson's This Is It 4. The Men Who Stare at Goats 5. The Fourth Kind Filed under: Action, Music & Musicals, Sci-Fi & Fantasy, Box Office PredictionsContinue reading Box Office: 2012 Pirates on a Dead Man's Chest Permalink | Email this | Comments

I typically end up missing out on most kid films during their theatrical runs (there just isn't enough time to catch all the G-Forces of the world), but I recently caught up with the money-making monster that is Ice Age: Dawn of the Dinosaurs from the comfort of my own couch. Between watching baby dinosaurs swallow other baby Ice Age critters and thinking about winter's approach, my mind soon drifted towards some of my favorite ice-set moments in film. I don't know what it is, but having nice, frozen centerpieces in a flick always lure me in. Though I do have my limits, as you won't be finding any of the brain pain that is 10,000 BC on here. Note, these are in no order of importance.Filed under: Horror, Sci-Fi & Fantasy, Comic/Superhero/Geek, ListsContinue reading Quick List: Five Favorite Ice-Bound Movie Moments Permalink | Email this | Comments

In a scant twelve years, Louis Leterrier has gone from being a production assistant on Alien: Resurrection to directing what has just, with a single trailer, become one of my most anticipated films of 2010: Warner Brothers' remake of Clash of the Titans. Sure, he has progressively proven himself a champion of the fantastic, evolving from The Transporter series to last year's The Incredible Hulk, but as much as I've been impressed by his eye for spectacle thus far, I wasn't ready for how fun his take on Titans looks. It's just our first look, but I couldn't stop smiling by the end of this teaser. And yet, I don't know why I should be so surprised. The original is, after all, a landmark fantasy film packed with Ray Harryhausen's indelible stop-motion imagery. Add on Leterrier commanding a great cast ranging from Liam Neeson to Ralph Fiennes to Sam Worthington, and a script whose bones were written by Raiders of the Lost Ark screenwriter Lawrence Kasdan before WB brought in the duo of Phil Hay and Matt Manfredi to flesh things out. Perhaps the shock of seeing this trailer came from just how indelible Harryhausen's Titans actually were. I knew it would undergo an extreme visual overhaul, but in the back of my mind I was still expecting stop-motion giants, not Troy by way of God of War. There's nothing stop-motion about this new re-envisioning of the wars between Gods and men. Purists will not be on board with the amount of digital wizardry, but any fan of seeing mythological worlds brought to life should be in love with the energy Leterrier has infused in his Clash of the Titans. You can see for yourself after the jump, then click over to Moviefone to grab it in a variety of HD flavors. Additionally, we've got some fantastic screenshots in the gallery below. Gallery: Clash of the Titans Filed under: Sci-Fi & Fantasy, Warner Brothers, Movie Marketing, Comic/Superhero/Geek, Trailers and ClipsContinue reading 'Clash of the Titans' Trailer Now Online! Permalink | Email this | Comments