Rondo Videos

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MozartAuthor: MANOUKIAN_Richard Tags: Rondo alla turca Mozart guitare électrique manoukian richard solo chorus thème rock amadeus Posted: 06 September 2009 Rating: 0.0 Votes: 0

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Hey hey guys, there's a new video 4U here! ^_^ This time I've arranged a SUPER version of the beautiful third movement of the Mozart's K 331 Opera, popularly known as the Turkish March - Rondo alla Turca ...with a little musical surprise inside! :-D As always, THANK YOU very very very much for your mega-support, your emails, your comments, your subscriptions and sorry if I don't reply everyone ok? Check out this and other drum videos, infos about me, my drumkit and much more at my personal website: http://www.andreavadrucci.com

the Uncut talk about the NBA and how the Celtics are off to the best start in NBA history....but the Cavaliers and Lakers are not to far behind

The title pretty much says it all. This is the last movement of Mozart's 4th Horn Concerto. It makes me think about hunting, hence the picture.

The title pretty much says it all. This is the last movement of Mozart's 4th Horn Concerto. It makes me think about hunting, hence the picture.

Segment from SIU 07-08 Episode 4.

http://www.guitart.eu - ART Guitar Center with pARTyzant . pARTyzanT Rondo alla Turca ( W.A.Mozart )

a short documentary. Produced at the Rondo Community Outreach Library Neighborhood Video Camp, 2007.

Woody Allen once said that Mozart's Symphony 41 proved the existence of God. Certainly, a symphony of such grandness and scale had, until the summer of 1788, never before been seen in the musical universe. Its implications for the direction of music in the future, and its influence on future composers is immeasurable. What makes Mozart's Jupiter symphony worthy to share the name of the most powerful god of the Roman world? The answer to this question comes in the Molto Allegro, and more specifically in its coda, (8:09-8:36). In the coda, Mozart takes the five musical themes or melodies that had been developed throughout the final movement, and does something that no one has ever achieved to the extent that he did, not even the illustrious Beethoven. What Mozart does is take these five themes and combines them to create a fugato in five-part counterpoint. That is, he takes the five melodies and simultaneously plays them in a variety of combinations and permutations. Imagine five separate melodies, all with their own notes, being played simultaneously, but each constantly changing. It's impossible for the human ear to focus on the enormous amount of notes that this simultaneous playing and constant changing entails. The effect is that the music seems to encompass an infinite amount of sound. With lesser two or three-part fugues, it is occasionally possible to sense everything that is going on. Once you get to four voices, it's nearly impossible to detect all of the nuances of the melodies. With five, well, only God could completely grasp its profundity. This is Jeffrey Tate and the English Chamber Orchestra performing the Molto Allegro of Mozart's Symphony 41 in C Major. A far greater introduction to this piece than I provide can be found at NPR's website, if you follow this link: http://www.npr.org/templates/story/story.php?storyId=5173337 In the audio clip, you will get the chance to hear the five melodies that Mozart used in the coda individually.