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The trailers for The Blind Side triggered my "oh geez, another sports-related Triumph of the Human Spirit" cynicism, and I might not have seen the film at all if I hadn't been assigned to review it. That would have been my loss, and I experienced the lovely surprise of having a movie turn out far more enjoyable than I expected. The Blind Side has no twists or gimmicks other than being a very good example of a sports-related family film, with quality performances and writing. The movie's title is a football reference, which the voiceover of Leigh Anne Touhy (Sandra Bullock) explains at the beginning. Michael Oher (Quenton Aaron) is sweating out a tough but unspecified situation in an office, when we flash back a few years and meet him as Big Mike. An African-American staff member at a mostly white Christian private school is trying to get his athletic son into the school, and the school's coach also spots some athletic potential in Big Mike, granting him a scholarship. Big Mike has terrible trouble keeping up in school, and when his friend's family stops helping him out, he is virtually homeless -- sleeping in the school gym, eating popcorn left there after events, wearing the same thin clothes daily.Filed under: Sports, New Releases, Warner Brothers, Theatrical Reviews, Family FilmsContinue reading Review: The Blind Side Permalink | Email this | Comments

The Coen Brothers return to their roots. Chris Weitz on Pre-Raphaelites and vampires. Oren Peli discusses Paranormal Activity. Pasquale Iannone reviews Mid-August Lunch. Jane Graham presents a brief guide to censorship.

Even the most egocentric or self-important film critic realizes that his opinions and insights aren't going to be agreed with or respected by everyone, but movies like New Moon offer a special challenge in both honesty and humility. Like with any other beloved literary franchise brought to the silver screen, there's already an impassioned fan base eager to see it realized regardless of its quality, and there's also an inherent distrust among them of nonfans who will eventually be analyzing the object of their affection. In which case, a critic must not only manage his own response to the film, perhaps filtering it through some designated demographic or specific audience that's potentially different than him, but gauge the reaction he'll get when he puts pen to paper, if only to be aware of the relevance of his reaction to what the filmmakers were trying to achieve and what those fans really want. Even if he's also got to be completely honest and unmerciful, too. By virtually all technical measures, The Twilight Saga: New Moon is a superior effort to its predecessor - well-shot, efficiently told, and by all accounts faithful in tone and execution to its source material. But what filmmaker Chris Weitz makes up for in directorial proficiency he lacks in conveying emotional authenticity, which is why it fulfills the expectations of fans and followers of the franchise but nevertheless still falls short of forming something transcendent and meaningful to everyone else.Filed under: Drama, Sci-Fi & Fantasy, New Releases, Theatrical ReviewsContinue reading Review: The Twilight Saga: New Moon Permalink | Email this | Comments

I've been meaning to purchase and wear this t-shirt since I learned of its existence a couple of months ago, but I figured I'd better let the Twilight: New Moon hysteria die down first. It would appear, after all, that openly declaring one's hostility toward the Twilight franchise on one's person, even with a statement as unquestionably correct as "Vampires Don't Sparkle," is just asking for trouble. You do not want to mess with a gaggle of rabid Robert Pattinson fans. I do not hate the Twilight franchise, actually, though I would like to suggest that the Twilighteers may live to regret sinking so much time and emotion into something so utterly banal. But I seem to be one of the few who occupy the middle ground. Twilight might be the most divisive love-it-or-hate-it phenomenon of the last few years. Not everyone adores Harry Potter, but most people have at least a grudging respect for it; Twilight has as many haters as fawning admirers. You gotta admit that if you can use a movie to start an argument, it's at least good for something. Here are seven other movies that seem to disproportionately divide the moviegoing population into adoring fans and angry detractors. 1. Titanic - To get the obvious out of the way. It's amazing to me how often people make offhand derisive mentions of Titanic, as if its awfulness were well-established and self-evident. As with Twilight, of course, the surprisingly widespread disdain of this movie is a backlash against its army of obsessive partisans (and from a similar demographic to boot) -- the folks who showed up on local news shows in 1997 bragging about having seen it 16 times in the theater, etc. The fact that Titanic is a fantastic film -- and not really (or at least not only) for the reasons many of its fans think -- tends to get lost in the shuffle, sadly.Filed under: Horror, Independent, Sci-Fi & Fantasy, New Releases, Cinematical SevenContinue reading Cinematical Seven: Movies That Start Fights Permalink | Email this | Comments

On the heels of speculation that Twilight was making abstinence fashionable comes a very amusing bit of hand-wringing from Details magazine. Reporting from the Ground Zero of Forks, Washington during Stephanie Meyer Day, Details discovered that it wasn't just impressionable teenagers pinning their hopes on Edward, married women were also carrying a torch for the eternal teenager: "Gentlemen, your wives have something they want to tell you. The polite way to put it is that the pressures and demands of running a home in the 21st century have a way of siphoning off the platelets from even the most red-blooded of romantic unions. To be blunt: Life is a grind, and our wives are bored sh*tless. Edward Cullen has, for millions of passion-starved better halves worldwide, become the undead embodiment of everything the contemporary schlub seems to have shed: danger, poetry, strength, speed, eternal devotion, and an insatiable hunger for the jugular." The modern man is finding it impossible to compete with Edward, and Details worries about the erotic dreams he's spawning in married women. The magazine listens dutifully to female confessions that range from enthusiastic to cagey, and lends sympathy to the wives whose husbands "don't get" Twilight or what it provides. "But with life so crazy, this is my escape - Twilight. Edward. Men get into that comfortable rut once the relationship is there. Life gets so busy ... Men and women both, they lose that need to impress each other."Filed under: New Releases, Celebrities and Controversy, Fandom, Newsstand, Fan RantContinue reading Does Pattinson's Edward Cullen Make Men Feel Inadequate? Permalink | Email this | Comments

I may not be the biggest devotee of movie musicals, but I've been keeping an eye on Rob Marshall's adaptation of Nine (the Tony Award-winning musical) since the production was first announced back in 2007. The thought of some of the coolest chicks in Hollywood with Daniel Day Lewis in a musical about 8 1/2? Well, count me in. Despite early casting changes and rumblings about Lewis' singing abilities, I've held out hope for the flick, and now that the film's Christmas release date is a little over a month away the early reviews are trickling in. First up is AICN who scored an early review from a source going by the name of Tobby (You can read the entire review over there, but be warned, it's a little spoilery) So let's start with the good news: according to this review, the film is pretty darn good. The reviewer had nothing but praise for Marion Cotillard as Lewis' wife, and even Fergie gets some love as the prostitute, Saraghina. As for Lewis in the role of the troubled director Guido Contini, it turns out those rumors of his lack of singing ability were just rumors, and he makes out pretty good in the review for the limited singing he does in the film (two songs) -- and I think we all knew his acting was never going to be the problem. Of course, the film is far from perfect and there are some rough patches according to this reviewier. Most of the scorn was directed towards Nicole Kidman's performance as Contini's muse, and unfortunately one of the other problems with the film is Kate Hudson (who plays an American Vogue reporter) in what was described as a throwaway role. Bad timing, perhaps, now that Hudson's musical number, Cinema Italiano, is the bulk of the latest trailer for the film. After the jump: Hudson's Go-Go debut and a musical layman's review of Cinema Italiano...Filed under: Music & Musicals, New Releases, Nicole Kidman, Trailers and ClipsContinue reading 'Nine' Buzz: Kate Hudson Music Video, Early Review Permalink | Email this | Comments

Occasionally you'll hear a movie branded as "criticproof," which I take to be a derisive term implying that the masses will flock even though the movie in question is garbage If there's an entire genre that may now get described as "criticproof" it's the disaster movie. No amount of bad reviews could keep people away from watching Roland Emmerich destroy the world anew in 2012, which made $65 million domestically and $225 million worldwide. The domestic numbers are comparable to The Day After Tomorrow which, among other things, ran 40 minutes shorter. The foreign numbers are even stronger. Those who've seen the movie shouldn't be surprised. Think of it what you will (it's probably my favorite Emmerich film, which is not saying a lot), but it's pretty incomparable as special effects spectacle. 2012 had the box office pretty well to itself this weekend. Its only new competition in even semi-wide release was Pirate Radio, which largely flopped despite the enthusiastic pimping of the Love Actually connection -- under $3 million on 880 screens. Faring better was Precious, which expanded to just under 200 screens and earned $6 million. With Precious and Paranormal Activity, this is proving to be a good season for slow roll-out platform releases; Precious seems to be doing a nice job of building awards buzz, too. As expected, A Christmas Carol turned out to be durable, still running way ahead of The Polar Express, and looking to get a bump from the Thanksgiving holiday in a couple weeks. Look for this one to stick around the top 5 for a little while. On the other hand, the reign of 2012 meant big hits for the holdover genre films, including The Fourth Kind, The Box, and Paranormal Activity. The box office chart after the jump. Filed under: New Releases, Box OfficeContinue reading Weekend Box Office: '2012' Feeds Appetite for Destruction Permalink | Email this | Comments

Despite all the jokes about Roland Emmerich's love for blowing up cities, how the hell Lloyd Dobbler will save the world, and of course, the infamous line "Download my blog," 2012 earned $225 million worldwide in its opening weekend. I dislike adding "porn" or "-sploitation" to descriptive phrases (torture porn, poorsploitation, etc. etc.), but if anything could be called an exploitation of our natural fear of an upcoming worldwide crisis, it would be 2012. Eerie shots of crowds praying en masse and major landmarks crumbling are juxtaposed with smaller stories, like the family struggling to stay together, a personal crisis set off by an ethical conundrum, and, of course, the prophet-kook in the woods who's happy to see his greatest suspicions verified. Orson Welles's radio broadcast of The War of the Worlds sent Americans running for their bomb shelters in 1938, and once everyone realized it was just a radio show (and recovered from their terror), a new type of horror was born: the fear of massive worldwide destruction. Every US generation thinks it's going to be the last. If it's not the Cold War, it's the Middle East, and if it's not aliens, it's the ice caps. But it's also a reality; it's mind-boggling to turn on the news and see footage of a tsunami that's killed about 230,000 people and injured and displaced so many more.Filed under: Action, Drama, New Releases, Sony, Critical Thought, New in TheatersContinue reading Discuss: Why Are Movies Like '2012' So Interesting? Permalink | Email this | Comments

Barry Norman discusses the film career of his father Leslie Norman. Isabelle Huppert and Kim Newman on Michael Haneke's The White Ribbon. Documentary maker Ondi Timoner reveals what it's like to live in public

In this month's Fantastic Mr. Fox, Wes Anderson makes his first foray into animation with an adaptation of Roald Dahl's story about an upwardly mobile fox (George Clooney) whose drive to steal chickens threatens his family and community. While it's Anderson's first non-live action project, Mr. Fox nonetheless shares qualities with his other films, including a meticulous attention to detail, stylish design, and idiosyncratic characters. So how did the live-action auteur tackle the challenges of stop-motion filmmaking, especially considering that he spent much of the production in an entirely different country than his crew? HitFix has a fun little glimpse of the director at work that shows us how Anderson collaborated with his animation team to bring the characters of Fantastic Mr. Fox to life. From his base in Paris, Anderson shot video storyboards of scenes and character movements by acting out scenes and blocking himself. He then emailed the videos to his crew in London, who took their visual cues from Anderson's performances. The end results, when viewed side-by-side with Anderson's versions, are near identical. Hit the jump and watch Anderson as Mr. Fox, Kristofferson, Ash, and other characters from The Fantastic Mr. Fox. Filed under: Animation, New Releases, Celebrities and Controversy, New in Theaters, DIY/Filmmaking, Trailers and ClipsContinue reading Watch This: Wes Anderson Acts Out 'Mr. Fox' Storyboards Permalink | Email this | Comments

Whether as a fast-talking high schooler in a film noir (Brick) or a disfigured soldier in a big budget blockbuster (G.I. Joe: The Rise of Cobra), Joseph Gordon-Levitt has proven himself to be one of the most talented young actors. His new movie, Uncertainty, takes the viewer on a journey into two different worlds, where a flip of a coin takes a young couple (Gordon-Levitt and Lynn Collins) into an innocuous visit to her family and decisions about their future and another takes them into a strange criminal underworld where everyone is after a cell phone they found in a cab. Directed by David Siegel and Scott McGehee, Uncertainty was filmed on the fly with hand-held cameras in S16m and HD as the couple race towards their different futures. In this interview, we discuss the freedom of improvising within a structured world, his favorite movies, and what he can't say about G.I. Joe sequels or Christopher Nolan's Inception. Cinematical: Can you discuss the beginning of the movie a bit? I was confused if it was symbolic or literal or what. Joseph Gordon-Levitt: What do you think was happening? Cinematical: Well, I went back and I watched it again and wasn't sure. Joseph Gordon-Levitt: I don't want to be evasive or anything... You know, it's the kind of movie that's meant to stimulate a conversation or provoke your own creative thoughts about it, so I hesitate to say, "Well, what it means is blah blah blah." First of all, because it means something different to everybody. And second of all, I would never want anybody to say, "Well, I read an interview where the actor said that it means blah blah blah, so it means that and it doesn't mean anything else. 'Cause to me that's the beauty of movies, is that it can mean really whatever you want. The act of watching a movie, I think, is a creative act; it's not just input. All of us, as audience members, we're telling the story the way that we see it.Filed under: Action, Drama, Independent, New Releases, New in Theaters, InterviewsContinue reading Interview: Joseph Gordon-Levitt on 'Uncertainty', 'Inception' and His Favorite Movies Permalink | Email this | Comments

Tethered to reality by only a slender thread, Pirate Radio quickly cuts loose and floats off into its own imaginary layer of the Earth's atmosphere, where only good-hearted, pleasant-thinking, die-hard romantics can survive. Welcome home, Richard Curtis, where have you been? Writer/director Curtis rose to fame on the basis of his screenplay for Four Weddings and a Funeral, featuring an ensemble of quirky yet appealing men and women chasing love and happiness, followed, notably, by his script for Notting Hill, but he's been writing off-kilter comedy sketches and episodic television for many years. Pirate Radio proves that his gift for writing witty one-liners and creating funny situations remains intact. His skills as a film director and shaper of material are a little more fuzzy and undefined, however. As with Love, Actually, his previous directorial effort, Pirate Radio (AKA The Boat That Rocked) is filled with episodes that feel randomly assembled, knit together by proximity and happenstance more than narrative necessity. For all the laughter and positive feelings that Pirate Radio generates, it's a lightweight treatment of a potentially heavyweight subject.Filed under: Comedy, Music & Musicals, New Releases, Theatrical Reviews, Focus FeaturesContinue reading Review: Pirate Radio Permalink | Email this | Comments

Jason Reitman, whose next film Up in the Air comes out on December 4th, posted a very funny image on Twitter recently - a pie chart detailing the different things that people have asked him in recent interviews. The top three were about George Clooney (111 people), the economy (96 people), and his next project (78 people). The fourth is a little more confusing, as it just reads "Real People," so apparently 77 people asked him about real people. Maybe they wanted to know if the people being laid off in the movie were real people? Who's to say what goes through the murky depths of the mind of a journalist? I humbly ask Jason Reitman to make a pie chart of his answers. Here's what I picture it to look like. 111 people: "Clooney is such a prankster! But he's also a great serious actor. He's the Cary Grant of our times. Sometimes we have moustache contests." 96 people: "The economy sucks. Seriously though, I've never been laid off, but if I had to be laid off, I'd hope George Clooney would do it." 78 people: "My next project will be with George Clooney. Actually, it will be catching up on all the sleep I lost talking to you people and answering the same damn questions over and over again." In one jpeg, Reitman manages to sum up the exhausting paces that filmmakers, actors, musicians, et al are put through to get their names and faces and projects out there, the laziness of some journalists, and the terror that faces every journalist that wants to be good at what they do and engender an interesting discussion that is hopefully pleasant and/or illuminating (but at the very least not boring) for everyone involved, including the reader. If you could ask Jason Reitman anything, what would it be?Filed under: Comedy, Drama, New Releases, Paramount, Fandom, Movie Marketing, George Clooney, Images Permalink | Email this | Comments

Sometimes there's a down side to being considered a comedic genius. Right now in the world of TV comedy, Tina Fey and Steve Carell are the 'Prom Queen and King', and with all that popularity comes the price of raised expectations. The couples comedy Date Night, starring Fey and Carell as a married couple looking to spice up their romance, was bound to be scrutinized. So now that the first trailer has arrived (via Apple), reactions have been mixed. But I think there's hope for this film, if for no other reason than the fact that Fey and Carell are some of the most talented comedians working right now (although I'm still holding out for Fey to start writing some more movies of her own). Date Night was directed by Shawn Levy (of Night at The Museum fame) and written by Josh Klausner, who only has a couple of credits as a writer (mainly for Shrek films). But Klausner has also worked with the Farrelly brothers, so he must know his way around a joke, right? I guess that's why I'm willing to give Date Night the benefit of the doubt, because on paper, all the elements are there for a good comedy -- the least of which is a strong supporting cast of funny folks like James Franco, Mila Kunis, Jason Segel, and Kristen Wiig. Maybe I'm grasping at straws, but the film has also yet to be rated, so there's always a chance the funnier bits weren't 'ready for prime time'. So watch the trailer and tell me what you think. Am I just kidding myself, or is there a chance that Date Night will surprise us all and turn out to be a pretty funny flick? Watch the trailer after the jump...Filed under: Comedy, New Releases, Movie Marketing, Trailers and ClipsContinue reading Tina Fey and Steve Carell's 'Date Night' Has a Trailer Read | Permalink | Email this | Comments

Oprah is pushing both Precious and the book it's based on, Push by Sapphire, on her show, and I'm seriously curious to know what her audience will think about it. How many people will be able to watch a film told from the point of view of an illiterate high schooler who is raped by her father, physically (and, in the book, sexually) abused by her mother, hates herself for not being white, has given birth to one child with Down's Syndrome who's nicknamed Mongo (short for Mongoloid), and is pregnant for a second time with her father's child? Let's assume that Oprah's reach is strong enough and far enough to get her demographic to plunk down their eight to 12 dollars to see Precious - the Oprah Effect in full effect. (You can find out where and when Precious is playing near you on the official movie website.) I'm not talking about critics and journalists or the people in big cities who like to participate in a friendly Oscar pool or want to be up on what was in the New York Times. They're already seeing the movie in droves; it made $1.8M in limited release its opening weekend. The latest numbers I could find on her demographic are from 2007, back when people were wondering if Oprah could help get a president elected. (Answer: Yes, she can.) According to Nielsen via MSNBC, "Oprah's audience is predominantly female, white, and over the age of 55. Nationally 7.4 million people watch Oprah daily -- about 2.6% of American households. Four percent of American women (about 5.7 million) watch her daily, compared with 1.2% of men (1.7 million people). Overall, 2% of all 18- to 49-year-olds watch Oprah."Filed under: Drama, Independent, New Releases, Lionsgate Films, Box Office, Distribution, Movie MarketingContinue reading Discuss: What Will Everyone Else Think About 'Precious'? Permalink | Email this | Comments

Up If there is one disc sure to fly off shelves this week, it's this one. The Pixar film made instant fans out of most viewers, and agonizingly ripped the rest of our hearts out with the love story opening. In her review, Jette Kernion said Up is "a very good movie that defies demographic categorization." By now, your minds are probably made, but if not: Buy it. Also on Blu-ray. Add to Netflix queue | Buy at Amazon The Ugly Truth How do you follow up comments about Knocked Up being a little bit sexist? By producing and starring in a film that teaches a smart and successful woman the "ugly truth" of life from a notorious chauvinist, naturally. In his review, Jeffrey M. Anderson wrote that this romcom "actually knows next to nothing about dating advice, the behaviors of men and women, or much of anything else romantically human." Skip it and save yourself. Also on Blu-ray. Add to Netflix queue | Buy at Amazon Watchmen: The Ultimate Cut We all knew this was coming -- the step above the director's cut, the disc for uberfans of the graphic novel -- a version of the film with all of The Black Freighter interspersed as it was in print. Grab this, and you should have everything you need from the big-screen cinematic experience. If you adore all things Watchmen, Buy it. Also on Blu-ray. Buy at Amazon The Accidental Husband When he wasn't spending time in Watchmen's blood and carnage, Jeffrey Dean Morgan was becoming Uma Thurman's Accidental Husband. Another one of those floofy romcoms, this flick takes Uma back to her Cats and Dogs days, but this time, she gets the radio show and the man. I imagine. Do you care? Skip it. Add to Netflix queue | Buy at Amazon Also out: Robsessed, Love Finds a Home, A Christmas Proposal, The Christmas Clause, Spread, Summer's Moon, The Echo, Hurt, The Gambler, the Girl and the Gunslinger, The Line, Bad Guys Filed under: New Releases, DVD Reviews, New on DVD, Home EntertainmentContinue reading Spin-ematical: New on DVD for 11/10 Permalink | Email this | Comments

Between 1902 and 1904, French film director Georges Melies made Le Voyage Dans La Lune, the world s first science fiction film. In this CD + DVD project, composer/conductor Robert Ian Winstin has asked four different composers including himself, Professor Louie Hurwitz, James Guymon and Don Myers to each write their own original soundtracks for this film. The result is four soundtracks that couldn t be more different - and more effective. Album details Catalogue No.: ERM Media Film Subscribe to Podcast: Enhanced* | Regular | iTunes Store Download this Episode: AAC* | MP3 * enhanced version of the podcast contains chapter markers and cover art. About Raymond Bisha

We're told at the beginning of The Men Who Stare at Goats that "more of this is true than you would believe." But the story of the U.S. Army's attempts to harness psychic powers to create super-soldiers is so bizarre it almost HAS to be true, in accordance with the "how could anyone make this up?" principle. In fact, I believe more of this admittedly fictionalized story than I do of The Fourth Kind, which claims to be 100 percent true. Surely there's a lesson in there. Based on Jon Ronson's nonfiction book, The Men Who Stare at Goats stars Ewan McGregor as Bob Wilton, a journalist covering the Iraq War in 2003. Bob meets a man named Lyn Cassady (George Clooney), a private contractor with an unusual past: He claims to have worked for the government as a psychic spy. Bob once met a man, back home in Michigan (played by Stephen Root), who made the same claims, and who named Lyn Cassady as one of his colleagues. You can see why the military would be interested in psychic spying. Surveillance is a lot less dangerous when you can do it entirely with your mind, rather than having to actually sneak up and eavesdrop on people. And if we could harness things like telekinesis, well, forget about it! We'd beat the Russkies for sure!Filed under: New Releases, Theatrical Reviews, George ClooneyContinue reading Review: The Men Who Stare at Goats Permalink | Email this | Comments