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FilmmakingCentral Episode 111 AFM

FilmmakingCentral Episode 111 AFM

from Filmmaking Central - The Process of Filmmaking on November 09, 2009
Duration: 0
Greetings! Wow I am back podcasting from a long much needed hiatus! I have to admit I was a little nervous getting in front of the mic! This is episode 111!Today I discuss my recent visit to the American Film Market! Make sure you join the newsletter so you will get an invite to our live [...]
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Our Monday Morning Post #1

Our Monday Morning Post #1

from Take Zer0 on November 09, 2009
Duration: 0
[inline] [/inline] | Download this Video | Good morning! Welcome to one of our very first vlogs. Unlike regular episodes, these are unscripted thing-a-ma-jigs that simply allow us to keep in touch with the internet. If you're expecting self-conscious rants or candid confessions, prepare to be absolutely satisfied. Maybe. I (Peter) will post every Monday. Sean's day is Friday. Over and out. Points of interest: 1. The Third Man (out of print) 2. Save the Cat! 3. George Lucas on Campbell
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Low Budget - Part 11 "Paying Actors"

Low Budget - Part 11 "Paying Actors"

from recent posts tagged webisode - blip.tv (beta) on November 01, 2009
Duration: 372
With the music video and after-party behind them, the boys have to resolve a delicate payment negotiation to shoot the remaining scenes in "Invasion Q". See the full film at http://www.LowBudgetComedy.com
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Post-Halloween Post: Catching Up

Post-Halloween Post: Catching Up

from Take Zer0 on November 01, 2009
Duration: 0
[inline] [/inline] | Download this Video | Music by Leszek Cichonski | Peter here: sorry kids, no shorts this Halloween. Oh we tried and tried, but our creative juices have all but dried from the well-springs of our minds. In it's place is an actor reel. Yes, these actors are new to L.A., flavored by European accents; but they ain't bad. From an outline provided by our actress, I wrote the script in three pages; about one page too many. The shorter the reel, the more likely casting directors will bother. I managed to pare down the cut to a swift two minutes. To some agents this is still one minute too many. The location is a private bar in L.A. We had to wrap in three hours, minus the combined hour it took to set-up and then clean-up. Outside, it was a Sunday night in full swing; if Sean and I had social lives we might have envied the twenty-to-thirtysomethings downstairs in the public bar, busting seams of laughter, flirting and spilling drinks as baseball looped on the screens. We might've, but we didn't. Maybe in another lifetime, when my fixation isn't in the telling of a barfly pimped out by her lowlife boyfriend. One main criticism I have of the reel is that the exposure is uneven. There's a story to that: as we were hauling the equipment out of the Scion, a block away from the bar, Sean lifted out the pre-assembled softbox and out tumbled the lighting head. It had come loose from the fixture. I heard a sound like crunched glass. Sean muttered "Oh no!" The lighting head had tumbled onto the asphalt and landed on it's fifty-dollar bulb. A minute prior, I was telling Sean how the three-point lighting should be arranged. "Guess we'll have to make due with two," he added, not without a hint of irony. Thankfully, the reel helped our two actors land an agency. Taking a break from shooting in the car: three days till Halloween. That's the kind of news you hope for. But enough about boring old actor reels. Bet you're all wondering about Take Zer0. While I'm not typing this from a homeless shelter (yet), we've all run afoul of hard times. (I'm at a coffeeshop typing this on my iPhone, sipping coffee paid with quarters and dimes I scavenged around the house) The autonomy Sean and I shared in earlier times---like a full tank of gas to drive where we pleased---is a liberty we're very, very nostalgic for. Thus we have decided that when we do make videos it will be for professional reasons. Believe us when we say that when we've made a few bucks to get ahead, we'll be sure to cook up a few new videos for you all. But creativity is king. As Joke and Biagio allude to in their blog, creation is the key to success. Those of you who remember Jaemin Yi will be happy to know that he intends to write and direct a feature film. At least that's what Sean tells me. And Drew (remember Drew?) has finally posted a video after a long hiatus. As for Sean and I, well, the truth is that we did try to shoot a short for Halloween. I wrote it quickly, and regrettably I think it needed at least one revision. And then we didn't have time to finish the shoot. It's a ghost story, of sorts. Here's a screen cap of Anna (that's Sean in the foreground checking his watch, which figures into the story). What is she looking at? Why is she anxious? What is Sean doing? Well, I guess this phrase was going to be inevitable: Hope you all had a safe and happy Halloween! What did you all do? I sat around and revisted They Live (what I consider an influential low-budget genre film) and Freaks. And so, until next time...
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EP1 - Prologue

EP1 - Prologue

from popular posts - blip.tv (beta) on October 22, 2009
Duration: 235
http://www.daylightfades.com - Meet Old School Pictures, independent filmmakers in Memphis, TN. Brad Ellis, Allen Gardner, Mark Norris and Matt Weatherly make up the group and they tell us how they met and share some of their early work. They also give reaction to their Indie Memphis winner "Act One" and what's to come with "Daylight Fades."
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EP2 - Pre-Production

EP2 - Pre-Production

from popular posts - blip.tv (beta) on October 22, 2009
Duration: 287
http://www.daylightfades.com - Meet Ryan Watt, Executive Producer for "Daylight Fades." Both Brad Ellis and Ryan explain what is involved in pre-production of a independent feature film, including location scouting and room & board.
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