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This truly astounding and never-before-seen dissection of the audio/voice transcript from the Apollo 10 mission (May, 1969) reveals what are some of the most AMAZING astronaut conversations of the entire Apollo lunar program. For almost four decades, the general public have been ENTIRELY UNAWARE of this incredible PROOF that has been buried right under your noses in the NASA archives, but that ignorance ends NOW. Recorded on the Lunar Module DSEA (the spacecraft's "black box" flight data recorder), these are the transcripts that NASA and the Apollo 10 astronauts, to this day, still simply refuse to talk about. Here you will follow Tom Stafford, Gene Cernan, and John Young as they become only the second crew in history to journey behind the lunar far side. During the period of "LOS" (Loss Of Signal) while they were out of radio contact with Earth, the crew of Apollo 10 encountered something truly incredible - they discovered "music" behind the Moon! This incredibly revealing "Apollo 10 - Music Behind The Moon" presentation is just one of the MANY pieces of PROOF I have uncovered during what has become the most comprehensive forensic investigation into the validity of the Apollo lunar landing program that has EVER been conducted before. Be sure to check my other presentations and stay tuned for MANY more to come, because when I make the claim that I have cracked this conspiracy wide open, I sincerely mean it! As you have just seen here (and in my other presentations as well), I will show you things that the public has NEVER seen before, and the reason that I can do this is because over the course of this half-decade's long investigative quest, I have learned not only WHAT the INCREDIBLE TRUTH REALLY IS - but also HOW that INCREDIBLE TRUTH was hidden from the world. Here are just some of the "chapters" that are now in development: - a look at some of the DIGITAL obfuscation and manipulation techniques applied to ALL the NASA public archive lunar imagery in order to hide, distort, replace or remove the truth from the scene. - forensic examinations of individual photographic frames. - Newly discovered proof regarding the faking of the Apollo lunar surface color TV footage - the truth about the LRV (the "Lunar Roving Vehicle") - the truth about the use of unmanned "cargo" LM(s) - A look at the "great geologic lie" used to convince the world that there was nothing up there to see but rocks, dust, and "impact craters". - a look at WHO was responsible for the original decision to cover-up the truth and WHY, as well as HOW the lie has been maintained for so long. - a look at the DSE and DSEA ("black box") transcripts of astronaut conversations while out of radio contact with Houston behind the lunar far side. - The truth about the NASA insignia, known as the "Meatball" (literally, it is "out of this world!") - a look at some of the undeclared Apollo-era "B-SOTA" (Beyond State Of The Art) technology that was employed. - a look at some of the FAKE lunar surface science experiments that were used to hide the truth - (and almost as an afterthought) EVEN MORE PROOF of extra-terrestrial life up there. *A BRIEF PRIMER ON THE DSEA* Throughout the Apollo program, the CSM and LM spacecraft carried what were known as DSE and DSEA "black box" flight data recorders. These instruments recorded the internal LM and CSM crew conversations while the astronauts were around the lunar far side and out of radio contact with Earth. Although NASA has never made the actual DSE/DSEA audio recordings public, transcripts of these far side conversations are available in the NASA archives, and as you will see, they offer up some truly OUT OF THIS WORLD surprises! *a word about the NASA imagery* ALL original NASA imagery I use was acquired from official U.S. Government archive sources (any ultra-high-resolution imagery was purchased in digital format directly from official NASA image providers). ALWAYS remember that all NASA lunar imagery, as it is presented to the public, is being shown in DRAMATICALLY altered and obfuscated form and in many cases does not come close to representing the true scene (this will become abundantly clear to you in later segments if it isn't already).