Lucasfilm Videos

George Lucas tells the story about how he ended up with the merchandising rights and the rights to the sequels for STAR WARS: A NEW HOPE. CONNECT WITH AFI: http://AFI.com http://twitter.com/AmericanFilm http://facebook.com/AmericanFilmInstitute

A remake of one of the most beloved adventure games ever cannot possibly leave JRT unmoved: Johnny Reviews The Secret of Monkey Island SE! Featuring pirates, secrets and ambient sound effects.

Henry Selick, writer Coraline: The Nightmare Before Christmas, the spooky story of a girl who finds a better version of her life through a secret door. Composer Kevin Kiner was nominated for his music in Star Wars The Clone Wars: Rising Malevolence, a Lucasfilm Animation Ltd. Kevin Kiner s command of musical styles makes him a Hollywood go-to composer. Kevin has also been honored with Emmy nominations for Johnny Quest and Stuart Little. Tatia Rosenthal, the director of $9.99, was nominated for best directing in an animated feature production. Born in Tel Aviv, Tatia s short stop motion animations have won numerous awards.

Henry Selick, writer & director of “Coraline: The Nightmare Before Christmas,” the “spooky” story of a girl who finds a better version of her life through a secret door. Composer Kevin Kiner was nominated for his music in “Star Wars The Clone Wars: Rising Malevolence,” a Lucasfilm Animation Ltd. Kevin Kiner’s command of musical styles makes him a Hollywood go-to composer. Kevin has also been honored with Emmy nominations for “Johnny Quest” and “Stuart Little.” Tatia Rosenthal, the director of $9.99, was nominated for best directing in an animated feature production. Born in Tel Aviv, Tatia’s short stop motion animations have won numerous awards.Author: actorsreporter Tags: Desiree Anderson Brett Howell Henry Selick Coraline The Nightmare Before Christmas Kevin Kiner Star Wars Clone Wars: Rising Malevolence Lucasfilm Animation Ltd Tatia Rosenthal 999 Posted: 30 August 2009 Rating: 0.0 Votes: 0

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Today we present Part I of a three-part interview with Matthew Wood, supervising sound editor at George Lucas? Skywalker Sound. Matthew is one of a unique new breed of craftspeople who have not only embraced digital technology but who, since early in his career, have contributed to its evolution. Starting out at Skywalker as a teenager, he?s had the amazing opportunity to see the technology develop from ground zero. From his beginnings as a QA tech on the first of its kind Sound Droid, he has had a chance to work on almost every digital editing technology used at the Ranch. In this first segment I cover the basics. What exactly does a sound supervisor do? We go on to talk about how he approaches each project creatively, how technology has changed since he started out 16 years ago, and who were his mentors? We also talk about his current tools of choice and why those products best address his workflow. Stay tuned for Parts II and III where we get more into what goes on up at Skywalker and his experiences working on his most recent projects, ?Star Wars: The Clone Wars? and Disney/Pixar?s ?WALL-E?.

Part II of my interview with Skywalker Sound supervising sound editor Matthew Wood. In this segment we focus on Matthew?s work on Disney/Pixar?s WALL-E. Matthew worked closely with his mentor, the lengendary Ben Burtt, on the project, who supervised the sound design and also played the voice of the lead character, WALL-E. We go on to talk about how he managed multiple projects of such a large scale (he was simultaneously doing WALL-E and Star Wars: The Clone Wars) and some of the cutting edge tools he learned, including Symbolic Sound?s Capabara Kyma. Matthew also give us some insight into working in animation and the unique approach he and Ben were able to take to create the audio environment for the film. Enjoy!

I balance myself on a cliff ledge to bring you my review of Indiana Jones and the Fate of Atlantis, the Graphic Adventure. I've been putting this off for three years, now it's time. The second and final part will be uploaded within the next few days.

Indyfans at the 2008 San Diego Comic Con Convention :30

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