Last Days Videos

In this latest posting of PZ Radio I turn once again to Paul Washer and his outstanding teachings. In this sermon he talks about what is real Christianity versus what is being taught in many of the churches today. If you go to some sugar coated church that all it teaches is Joel Osteen / Rick Warren warm fuzzies, then you will not want to listen to this because it will pop your bubble of what you think Christianity is and your duties as a Christian. This is hard hitting preaching and it is a good one. Only message here is Paul Washer, the audio file is over an hour long so burn this one to CD and listen to it over and over again.

I am still trying to get all my audio gear and software going and trying to organize the ba-zillion cables I have all over the place. So I have a GREAT Paul Washer sermon on the problems with American churches today. This one is a hard hitting sermon and worth burning to CD so you can listen to it several times. Please use these shows to share with folk. This is solid teaching that is really missing from the church today and so many thirst for preaching out of the word of God. Next week we should be fully up to speed with PZ Radio. Remember, You're Listening To PZ Radio!

Brian Evenson is most recently the author of Fugue State and Last Days. Condition of Mr. Segundo: Latching onto toccata. Author: Brian Evenson Subjects Discussed: Knowing when a story concept has legs, ideas that never come to anything, the origins of A Pursuit, The Open Curtain, maintaining surprise, text sources vs. personal experience, writing fiction moments that hit two simultaneous emotions, grisly moments and descriptive detail, the reader s imagination, revision and rhythm, not showing work to people, the surprise of audience responses, Bjorn Verenson, certain similarities with characters in Ninety Over Ninety and publishing people, Morgan Entreiken, determining the precise moment in which a story ends, open endings and critical theory, story concepts as building blocks for novels, similarities between An Accounting and Last Days, conversations between stories, bureaucratic language, investigating religious communities, solitary figures being pursued by men vs. the recurrent theme of community, expanding on conclusions from Ryan Call s Collagist essay, literalisms and tributes to pulp, challenging the assumptions of human, translating, Antoine Volodine, how a line from The Savage Detectives inspired a short story, dwelling upon consciousness, intertextual aspects, absurdity and violence, characters who plunge into dark chambers to experience horror, being the dungeonmaster at 12, knowing the environment, Evenson s concern for numbers and scales, Flann O Brien s The Third Policeman, postmodernism and theft, and the satisfaction of genre literature. EXCERPT FROM SHOW: Correspondent: Do you need to have a source text more than, I suppose, a personal experience? I mean, I could inquire as to whether you had sex with a mime. I don t know whether you have or not. Evenson: No, no, I didn t. I did meet someone, after I read that story aloud, who had had sex with a mime. It made me think that maybe I could have gone even farther in that story than I did. But not a lot of it is from personal experience. I mean, I think the things that are from personal experience are not the things that you would expect. So in Younger and in Girls in Tents, you know, when I was a kid, I used to make tents out of blankets. Which I think a lot of kids did. Correspondent: I did myself. Evenson: Yeah. But my daughters never did. So there is a kind of personal thing there. There s a moment in one of my stories I think actually that it s in The Wavering Knife, in that collection in which someone is taking bread and squishing it until it makes a ball of bread. And that s something that s incredibly vivid to me from my childhood. But the main thrusts of the plot and those sorts of things are not personal experience so much. But they do respond to a lot of other things. Correspondent: But then you re also dealing with a lot of mutilation and violence. Evenson: Correspondent: Like, in particular, Last Days. I mean clearly, I see that you are a zero according to that particular scale. Evenson: Right, right, right. Correspondent: Unless there s something you re not showing me. Evenson: No, no, no. Correspondent: How do you get into that particular mind set to make a narrative along those lines real when you have not personally experienced it? Evenson: (laughs) Correspondent: There s the old famous story. Well, Stephen Crane never experienced or witnessed any kind of war. So how does reality come about for you? When do you know it s real when you haven t experienced it? Or are we underestimating verisimilitude and not always capitulating to that wonderful imagination? Evenson: Well, I really do think a lot about how things would feel. Even if I haven t experienced them. I really see myself as partly a I don t know quite how to describe it, but I want to create a world that the reader experiences as if they re living through it more than something that they can see as a representation on the page. And to do that, I spend a lot of time thinking how things would feel, how things would occur. What would happen to a limb if you did something to it in Last Days. And I read a fair amount and try and figure things out that way. But mostly it s just trying. What you say. The primacy of the imagination. Trying to imagine yourself into a space where you really are experiencing something on the page in a very visceral way. One of things that people say about my stories, both for better and for worse, is that there are stories that you don t forget and there are stories that you feel like you re suffering through them in some ways. While the character suffers. And as a writer, I think that s very much what I do. I try to put myself very much in the position of the characters in the story. So in Last Days, there s all these moments in the hospital bed. And trying to figure out how you see around the curtain if you have one kind of mirror and another kind of mirror. If you can t move this bar to your body, then what do you do? And I took a lot of time thinking very seriously about that and trying to figure out what would I do. (Image: Beowulf Sheehan)

In this timely message, Dr. Rogers explains how we are to live in these last days. As Pastor Rogers said in this sermon: If you're wrong about Christ, It doesn't matter what you're right about . When Jesus returns will you run to Him with boldness and joy, or will you turn your head in shame and run away? That day is quickly approaching. Accept Jesus Christ as your Lord and Savior today...it's the best decision you will ever make! For more informatin on this sermon, please visit: http://www.lwf.org _

In This Episode, the conclusion to our series, we discuss what happens when the Holy Spirit of God, who is restraining the forces of Antichrist, STOPS restraining?

In This Episode we discuss the fact that there is SO much talk about this New World Order. But exactly what is the purpose of it according to the Scriptures

In This Episode we discuss how the North American Union (N.A.U.) is being formed, and its role in Prophecy.

In This Episode we discuss Alice Bailey s writings, Theosophy, the book Mankind at the Turning Point, and the 10 Super Nations that make up the Final World Empire

In This Episode we discuss the Best of Times and The Worst of Times of the Christian Ecclesia today, and Albert Pike.

In This Episode we discuss the use of ritual magick in the manifestation of demons, and the ineffable names.

In This Episode we discuss how Almighty Sovereign God Commands Evil Spirits

In This Episode we discuss The Witch at Endor, and Can Demons Manifest Themselves into Our Dimension.

In This Episode we discuss the divisions that Satan has established in his organization.

Episode 2. In this episode we discuss a time when Satan did NOT exist

Episode 1. We establish where do Satan, fallen angels, and demons reside

The Last Days : A New study on The Last Days and the involvement of Satan, Fallen Angels, and Demons, with a fresh look at the roles they are to play. This is the preview.