Kurdish Videos

Author: KuriNL1 Keywords: Dashni Murad Kurdish With Basshunter Now You're Gone Amazing mix Added: November 16, 2009

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Author: avindar82 Keywords: zaxo duhok semel akre amedi hewler slemany arbil kurdistan zakho zaxoly zaxoyi duhoky vin tv xalo jalo xelo jelo kurd celo 2009 2010 kurdish film comedy Added: October 27, 2009

Author: avindar82 Keywords: zaxo duhok semel akre amedi hewler slemany arbil kurdistan zakho zaxoly zaxoyi duhoky vin tv xalo jalo xelo jelo kurd celo 2009 2010 kurdish film comedy Added: October 27, 2009

Author: avindar82 Keywords: zaxo duhok semel akre amedi hewler slemany arbil kurdistan zakho zaxoly zaxoyi duhoky vin tv xalo jalo xelo jelo kurd celo 2009 2010 steran awaz huzan abdulqehar islam delal karwan kammil hessen sharif cotyar mihemed erdawan eyaz yousif kurdish kurdisch mela adris comedy haci heval ibrahim blind Added: October 11, 2009

Author: avindar82 Keywords: zaxo duhok semel akre amedi hewler slemany arbil kurdistan zakho zaxoly zaxoyi duhoky vin tv xalo jalo xelo jelo kurd celo 2009 2010 steran awaz huzan abdulqehar islam delal karwan kammil hessen sharif cotyar mihemed erdawan eyaz yousif kurdish kurdisch mela adris comedy haci heval ibrahim blind salar Added: October 8, 2009

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http://iraqimaqam.blogspot.com Iraqi Maqam المقام العراقي Yusuf Omar and al-Chalghi al-Baghdadi Maqam Bayat This principal maqam is based on the bayat mode which is found in songs from the south of the country and in bedouin, Kurdish and Turcoman singing. Of the seven fundamental maqamat, the Bayat is the one which has the greatest number of derived maqamat. Of stunning beauty, it is sung without rhythmic accompaniment on a poem in qasida form. * The first part begins with a rhythmic instrumental introduction followed by a non-rhythmic introduction in bayat mode on the santur and djoze (1:45). - Tahrir in bayat mode sung to the words eleday day yademen . (2:13) - Instrumental piece on the santur to the tahrir melody. (2:38) - Three verses of the qasida in bayat mode. (3:00) - Taqsim (instrumental improvisation) on the djoze and santur. (5:46) - Part of a verse in bayat mode followed by a Kurdish vocal piece Lauk (in tchahargah mode) to oyé vocal effects. (6:25) - Taqsim on the santur and djoze. (7:15) - A verse in bayat followed by a fragment in saba mode. (7:42) - Jalsa concluding the first part in descending from G to D. (8:10) The second part includes two meyana. - First meyana sung to eleley vocal effects. (8:30) - A sung piece in 'ajam mode. (8:40) - Lauk in nahawand mode. (9:02) - Second meyana to the words jahanem, deleddjan (9:20) - Taqsim on the santur and djoze. (9:42) - A vocal piece ''Ajam returning to bayat mode. (9:50) - A verse in bayat. (continued in part 2) - Teslim to the Persian words yademen, deledjan, djahanem, faryademen . (part 2) - Peste. (part 2) The qasida is by an anonymous author: How much longer must this broken heart wait? How much longer to fight back the tears in those eyes? How much longer to weep at being separated from those close to me With neither rest nor respite. I hold myself back, then I rush towards them, And I no longer have the strength to pull the string of patience. They laid down as suns have set, Full moon scarcely perceived in the shadows of palanquins. Waiting, I look at the stars of the night and watch over their dreams, But will dreams visit the one who no longer sleeps? - Peste (in second video) * Commentary by Scheherazade Qassim Hassan Vocals: Yusuf Omar (d. 1987) Santur: Abdallah Ali Joza: Shaoubi Ibrahim al-A'dhami (d. 1991) Joza: Hassan Ali al-Naqib (d. 1986) Tabla: Abdul Razzaq Majid Raqq: Kan'an Mohammed Salih Daff zinjari: Dhia' Mahmoud Ahmed Choir: Ali al-Dabbou, Abdul Wahid Zaidan, Falih Jawhar, Abdul Qadir