Guney Videos

siyahkan rapt-la myromix rcd dj ritmix adiyamanyer6 S.K Music Vs Gokhan Guney Aramızda Daglarmi Var sagopa kajmer ceza arabesk rap damar parca sana gelsin vefasız karsılık göremedim aq.Author: kaptan002 Tags: siyahkan rapt-la myromix rcd ritmix adiyamanyer6 Music Gokhan Guney Aramızda Daglarmi Var sagopa kajmer ceza arabesk rap damar parca sana gelsin vefasız karsılık göremedim Posted: 25 October 2009 Rating: 0.0 Votes: 0

Author: Aluxton69 Tags: vahdet guney tipis 2009 yeni aluxton turc turk turkce turkish turque music muzik musique clip klip video turquie turkiye turkey song sarki chanson Posted: 04 October 2009 Rating: 0.0 Votes: 0

Almost every winter it snow's in Tabriz. The city looks even more beautiful with snow everywhere.

İyi Eglenceler Bu ve bunun gibi bircok seyi bula bilceginiz bir yer sohbet,chat,muhabbet,magazin,haber www.lisem.netAuthor: ca111 Tags: Yusuf Guney Git Bedenim Buralardan Posted: 20 August 2009 Rating: 5.0 Votes: 1

Author: Aluxton69 Tags: yusuf guney git bedenim buralardan 2009 aluxton turc turk turkce turkish turque music muzik musique clip klip video turquie turkiye turkey song sarki chanson Posted: 20 August 2009 Rating: 0.0 Votes: 0

Author: Aluxton69 Tags: yusuf guney askim aslarindan bulasin yeni aluxton turc turk turkce turkish turque music muzik musique clip klip video turquie turkiye turkey orginal orjinal Posted: 11 May 2009 Rating: 5.0 Votes: 1

Aşk-ı Virane sözleri : Aşk, bir kalbin içinde ağlıyor aşk Sızım sızım sızlatıyor, Ellerinden kaçılmıyor Virane ettin bıraktın aşk Bir deli kurşun misali zulmetti bana bu gönlün Yıkılmıştan da virane ettin, bunun sebebi sendin Unutmalı artık, bir anlamı yok Sevmeyi bilmeyen birini anlamak ne zor Sensizliği kabul eden bir kalpte mutlu olamazsın Bu katlanılmaz gururlarla sende başa çıkamazsın Giden o olsun, terk eden de Artık zaman hakikatle yüzleşmekte Aşk, bir kalbin içinde ağlıyor aşk Sızım sızım sızlatıyor, Ellerinden kaçılmıyor Virane ettin bıraktın aşk Bende aynı duygularla geldim geçtim bu yollardan Aşkın her katı halini yaşadım gördüm inan Şimdi zamanla geçer desem de avunmayacak yüreğim Ne kadar lanet etse de kalbin dinlemeyeceksin Bu deli gönlüm neler neler uğrunda harcadı her gün Bir an yılmadan unut demek olmaz Laf anlamaz bu kalp Bu aşkın içinde ne emekler saklıdır Aşk, bir kalbin içinde ağlıyor aşk Sızım sızım sızlatıyor, Ellerinden kaçılmıyor Virane ettin bıraktın aşk yuregim yaniyor: sozleri Ciğerin yansın, beni de yaktın Sen de yanasın, öldürdün. Kalbinden attın sen beni yar Yüreğim yanıyor, nerdesin? Her günüm hasretin zulmüyle başlar ahımı hakettin, ciğerin yansın. Elleri kaldırdım, yalvardım Allah'ım artık duy sesi Ben seni kendime çekmekten vazgeçtim Ve kızım affettim affettim Bu yaşam sana geri dönmez ki,son ver çek asla ölmez Dökmez yaşları,bu çocuk o çocuk değil Ama gözler herşeyi anlatıyor Bir tutundum herşey düşmüş Yardım,unuttum herkes küsmüş Yarın olur mu ki bana geri dönmüş İçtiğim son sigaram geri sönmüş Bilemem,ben senden geri gelmeni Bilemem,artık kim sana el verir? Yeniden başlamaksa çok zor Geliyor, diliyor bana yardım edin Platonik olmuş her bir sevgi bana Tanımam, kimseyi saklama yarına Varamadı farkına her düşülen beden Erken emekli olur bence bu ben Pencereden izlemesi kadar kolay olmadı bu yaşam Hiç basit değil İnsanı yoktur insanı sondur Hileye bence iyilik olması en kolay telafi Yok ki mecali, listede bulamam tek bir enayi Bence hayat taşıyor hala beni Sanıyordum atıcak yarı yolda bizi Sisli bu akşam yazdığım her dünü Karalar bu beden görse de ölümünü Kaç kere gittik bilemedi yüzümüzü Öngöremeyecek gidecek dünümüzü Beddua çıkmazdı şair dilimden, sabrımı tükettin, ciğerin yansın Adın dilimden düşmezdi, kapkara bir geceydi Sensizken yaptığım her şarkı kulaklarımdaydı Unutamadım (unutamadım) Seni gördüm, düşlerimi böldüm, sildim her şeyi ben bir anda Hatıralarımla yaşar oldum ben kalbime gömemedim ki, anla Şimdi ciğerimde bir yangın var, resmin baş ucumdayken Üzüntülerim bana arkadaş olsun bırakın, ben kendi halime yanarım Elimde menzili belli olmayan, bir beat ve de bir kalem var artık Bazen kendi kendimi acıtırım,bazen kıyamadım o yare bile Korkularım korkularınla yüzleşirken yüzüme bak,olur mu? Duygularım duygularını beklerken kalbimi dinle, olur mu? Bu seni senden çok isterken hep geri benden kaç, olur mu? Kalbim kalbine muhtaçken sen bana bunu çok gör, olur mu? Bak, son bir şiir bu sana içimdekileri sana anlatıcak Çok,zaman geçse bile bu şarkı bugünümü hatırlatacak Kalk,aklımı uykumdayken bari rahat bırak Hak,edemedin bu kalbi ciğerin yansın ve de hep yanacak Birikti uğrunda döktüğüm yaşlar al götür vicdansız ruhun yıkansın Zora dağlar dayanmaz,yok Buna kalbim elveremez,dur Zorla güzellik olamasa da kaç gönülden ne kopar,bilemem ki Sensiz yaşıyor muyum anlamadım,yaşadığın kadar yakınsın sonuna Ne kadar yaşarsan yaşa sevdiğin kadardır ömrün ömrü Ne zaman gelecek aşkın gemisi?Hayatın nedeni volta attı kalbim Sat sala bak karıştı,gün aşrı bir ben kaldım bunu da yalnız,sessiz Unutmak,insana Tanrı vergisi Bana sergilediği küstah sevgisi Herkes gitti, bir ben kaldım Limanda çöktü,geçidi çıkan iki hece Beraber kurardık emme hayaller gençliğimizin kurbanıydık İhanet itiraz yoktu,hesapta insanlığın arızası Yazdığın mektuplar saklı koynumda Kan ağlıyor mazim,hatıram yasta Bir zamanlar aşkla parlardı ahh o gözlerin Yeminler ederdik,her zorluğa göğüs gerer,gülüp geçerdik Bir bağ oluşturduk ki gün geçer,sıkılaşan Gün geçer,kendimi sende kaybederdim Ay ışığında yıkanırken geceler Sessizce boğuluyorum,yüzemiyorum bana uzanıver YUSUF GUNEY- ASKI VIRANE / YÜREGIM YANIYOR + RESIMLER yeni resimler yeni video yusuf guney taksim almanya bochum en yeni resimleriyle Author: Trabzonlum61 Keywords: YUSUF GUNEY- ASKI VIRANE YÜREGIM YANIYOR RESIMLER yeni resimler video yusuf guney taksim almanya bochum en resimleriyle Yusuf Güney Rafet El Roman aski virane ebru gündes ölümsüz asklar 2008 yepyeni murat basaran sarkilar orhan ölmez türkiye arabesk berdan mardini sertap erener hayat beklemez hadise eurovision son veda yalin demet akalin alisan Added: December 19, 2008

Film: "Re" (Yol/The path) Director: Yilmaz Guney A new series about kurdish cinema. This is the most grateful film of the most important director from Kurdistan (Guney is from Adana, turkish city with a large kurdish population). The film was awarded by the Cannes Palme D'or, an award that is considered more important than an Oscar by many people. Guney Directed the film from the jail, and He has the necessary help of co-director Serif Goren. The film is set in Kurdistan, and the fragment is from Diyarbakir. In Turkey may be you can't find this film (a lot of Guneys films were also burnt) but in some European Countries you can find it on DVD. Regards. Author: TrinityAaron745 Keywords: Yilmaz Guney Yol Re path kurdish cinema Kurdistan in Jail Added: November 28, 2008

Ergenekon Operasyonu'nun kilit ismi Tuncay G

Trailer for Climates (İklimler)the 4th feature film of Nuri Bilge Ceylan. The film was nominated for the Golden Palm at the 2006 Cannes Film Festival and won the FIPRESCI Award. Nuri Ceylan's first film shot in HD. Author: OzuKardozi Keywords: Climates Nuri Bilge Ceylan Ebru Nazan Kırılmış Ağrı turkish cinema yilmaz guney Added: May 27, 2008

Trailer for Nuri Bulge Ceylan's Uzak (Distant).The film won the Grand Prix at Cannes film festival in 2003. Uzak tells the story of Yusuf (Mehmet Emin Toprak), a young factory worker who loses his job and travels to Istanbul to stay with his relative Mahmut (Muzaffer Özdemir) while looking for a job. Mahmut is a wealthy and intellectual photographer, whereas Yusuf is illiterate, uneducated, and unsophisticated. The two do not get on well. Yusuf assumes that he will easily find work as a sailor, but there are no jobs, and he has no sense of direction or energy Author: OzuKardozi Keywords: Uzak Nuri Bilge Ceylan Cannes film Festival yilmaz Guney Turkish Cinema Ozu Tarkovksy Muzaffer Özdemir İklimler art documentary filmmaker reel short trailer tutorial Added: April 22, 2008

Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. About Guney: Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Kurdish Kurdistan Turkey Turkish Cinema Childern Prison War Kurds French The Wall Cannes Yol Duvar art filmmaker reel interview documentary tutorial trailer Added: April 21, 2008

Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary experimental filmmaker reel interview tutorial Added: April 21, 2008

Rare behind the scene of Kurdish director Yilmaz Guney making his last film The Wall (Duvar) in France 1984 shortly before his death. Yılmaz Güney, (April 1, 1937 — September 9, 1984) was a Kurdish/Turkish film director,scenarist, novelist and actor of Zaza and Kurdish origin. Many of his works are devoted to the plight of ordinary, middle to low class people in Turkey. He described himself as an "assimilated Kurd". Yilmaz Guney was born in 1937 in a village near the southern city of Adana, Turkey. His father is a Zaza from Varto, Turkey and his mother is a Kurd from Siverek, Turkey. Güney studied law and economics at the universities in Ankara and Istanbul, but by the age of 21 he found himself actively involved in filmmaking. As Yeşilçam, the Turkish studio system, grew in strength, a handful of directors, including Atıf Yılmaz, began to use the cinema as a means of addressing the problems of the people. Only state-sanctioned melodramas, war films and play adaptations had previously played in Turkish theaters, but these new filmmakers began to fill the screens with more artistic, personal and relevant pictures of Turkish/Kurdish life. The most popular name to emerge from the Young Turkish Cinema was that of Yılmaz Güney. Güney was a gruff-looking young actor who earned the monicker "Çirkin Kral," ("the Ugly King"). After apprenticing as a screenwriter for and assistant to Atıf Yılmaz, Güney soon began appearing in as many as 20 films a year and became Turkey's most popular actor. Although the early 1960's brought some political reform to Turkey, Güney was imprisoned in 1961 for 18 months for publishing a "communist" novel. The country's political situation and Güney's relationship with the authorities only became more tense in the ensuing years. Not content with his star status atop the Turkish film industry, Güney began directing his own pictures in 1965 and, by 1968, had formed his own production company, Güney Filmcilik. Over the next few years, the titles of his films mirrored the feelings of the Kurdish people: Umut (1970); Agit (1972); Aci (1971) ; Umutsuzlar (1971). After 1972, however, Güney would spend most of his life in prison. Arrested for harboring anarchist students, Güney was jailed during preproduction on Zavallılar (1975) (completed in 1975), and before completing Endişe (1974), which was finished in 1974 by Güney's assistant, Şerif Gören. This was a cherished role that Gören would repeat over the next dozen years, directing several scripts that Güney wrote laboriously while behind bars. Released from prison in 1974 as part of a general amnesty, Güney was re-arrested that same year for killing the public prosecutor of Yumurtalık district in Adana, Turkey. During this stretch of incarceration, his most successful screenplays were Sürü (The Herd) (1978) and Düşman (1979), both directed by Zeki Ökten. "The Herd, in fact, is the history of the Kurdish people, but I could not even use the Kurdish language in this film; if we had used Kurdish, all those who took part in this film would have been sent to jail..." Güney said in his last interview with journalist Chris Kutschera. After escaping from prison in 1981 and fleeing to France, Güney won the Palme d'Or at the 1982 Cannes Film Festival for his film Yol, whose director in the field was once again Şerif Gören. It was not until 1983 that Güney resumed directing, telling a brutal tale of imprisoned children in his final film, Duvar (1983), made in France with the cooperation of the French government. Güney remains a highly controversial figure in Turkish and Kurdish political and art circles. His works are still highly regarded by cinema critics. Güney was an active member of the Türkiye Halk Kurtuluş Partisi-Cephesi (THKP-C) (Turkish People's Liberation Party-Front, TPLP-F), thus it is believed this is the reason for his exile, since there are thousands of supporters of the organization in many European countries, such as the UK, France, Germany and Switzerland, seeking for asylum. Yılmaz Güney died of stomach cancer in 1984, in Paris, France. Author: OzuKardozi Keywords: Yılmaz Güney Guney Duvar The Wall Kurds Kurdistan Kurdish Turkish Cinema Children Prison War Turkey Yol Cannes France art documentary filmmaker reel experimental interview tutorial trailer Added: April 21, 2008