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Filed under: Action, Classics, Drama, Foreign Language, New Releases, Box Office, Distribution Maybe you've seen them, maybe you haven't, but French thrillers are making a comeback in North America. That's good news for people uninterested in art houses solely for the sake of watching foreign films: You don't have to be a Francophile to appreciate smart, meticulously generated suspense, and that's exactly the appeal of several French movies hitting American theaters this year. A steady mixture of warm reviews and positive word-of-mouth appears to have helped Guillame Canet's breathlessly entertaining drama Tell No One land an impressive $240,858 at 18 locations. Earlier this year, veteran auteur Claude Lelouch, long known for his cinematic explorations of eroticism and lawbreaking, remained thematically consistent with a delightfully complex story of double-crossing novelists and dysfunctional families called Roman de Gare. The movie made over $25,000 on two New York screens when it opened in late April, and eventually pulled in more than $1.5 million after expanding to theaters around the country. It's not hard to argue that Tell No One and Roman de Gare put most recent American thrillers to shame. North America, once the haven of film noir, appears to be outsourcing. As journalist Erica Abeel recently observed in an interview with Canet, "French filmmakers are currently making the best old-style Hollywood thrillers." It's not the first time for a country that has a long history of borrowing from American cinema, and often improving on it. At the beginning of the French New Wave in the early 1960s, former Cahiers du Cinema critics like Jean Luc-Godard discovered Hollywood genre films and decided to make their own loopy versions. The results were often strangely philosophical and experiment works, ranging from Godard's Breathless to Fran ois Truffaut's ambitious Shoot the Piano Player.Continue reading What's the Deal With: French Thrillers in 2008 Permalink | Email this | Comments

click for video: Quicktime / .m4v for iPod / direct streaming for pc at Blip.tv “To concoct regular voodles destroys an infinite number of fine parallel story telling possibilities, but at the same time it suggests a multitude of distant and totally unexpected re-discoveries” Toggling between the use of montage and long-take in the depiction of reality, Sam Renseiw recently captured a modern Venus re-shuffling some postcards; Thus, establishing the under-60-seconds-haiku-voodle genre. View the short carabiniers like re-enactment of an almost forgotten filmic intermezzo by clicking here or on the links above. (patafilm # 612, 01'00'' 5.4Mb, Quicktime/mov - other versions at Blip.tv) Today's Bonus Lumiere Video features a surprising frontal animal parade in urban setting (Lum # 129 " duck passage", 00'23'', 2MB, Quicktime/mov) Today's Patalab Metaphor Video features an early attempt at haiku-voodling (patafilm 129, 01'16'',[05.04.2006 post] 4.5 MB, mov/quicktime)

An automatic writing on images and words. All I can show you is the artificiality of language. Poetry is the agent of the awakening because it's the organisation of words rallying up against their meanings.

click for video: Quicktime / .m4v for iPod / direct streaming for PC at Blip.tv "It's the voodle that made me discover life...with landscapes, people, houses, urban spaces, interiors, art-works... the whole generic quotidian and the particular festive within. I discovered it as if I were in Plato's cave and then there was a little window in it and a film being projected. So one day I said: 'Look, there is life; so I'm going to do voodles in order to discover life'." Still imbricated in the subtle magic of simple things and situations, Sam Renseiw expanded a single long-take from a recent birthday celebration dinner into a situationist voodle. View the unfolding of a painter's universe, with Stein's monologue portrait of Matisse by clicking here or on the links above. (patafilm # 609, 04'28'', 18.2MB, Quicktime/mov - other versions at Blip.tv) Today's Bonus Lumiere Video features a classical setting with a frozen dancer. (Lum # 126 "degas dancer", 00'45'', 3.5MB, Quicktime/mov) Today's Patalab Metaphor Video re-play supplement features another birthday situation (patafilm # 239, [29.08.2006 post]02'04'', 9.5Mb, Quicktime/mov)

"All you need for a movie is a girl and a gun." Jean-Luc Godard. Some people are simply lucky whereas others are not lucky. We take a peak into the relationship of a con man and his girlfriend as told through a single day. We are given access to a collage of scenes from this day detailing their relationship all told from their bed on one afternoon. Luck is the catalyst of both their relationship with the world and how they see each other. Is there such a thing as luck and will it save them?

Il film scatenò molte polemiche e si mosse persino il Papa che il 4 maggio 1985 recitò un rosario di riparazione. A Cannes, dove stava presentando il suo ultimo film, Detective, Godard ricevette una torta in faccia da parte di un certo Noël Godin (Noël in Italiano significa Natale), un situazionista Belga, che volle protestare contro il regista "passato al nemico" (1). Godard affermò che il Papa, in quanto vero autore del soggetto, aveva tutto il diritto di protestare, chiedendo allo stesso tempo che il film, almeno in casa del Papa (Italia) venisse ritirato, ma il distributore italiano si rifiutò. Je vous salue, Marie in realtà non è affatto provocatorio e neppure blasfemo, anzi, se qualcuno volesse vederlo come un gesto d'amore verso il mistero della fede potrebbe benissimo accettare il film come un omaggio alla religione. Author: Sicreesnoconduzcas Keywords: je vous salue marie ti saluto maria jean luc godard censura irriverente papa recita rosario blasfemo polemica bestemmia Added: June 24, 2008

Mon prmeier film Ca va faire mal Attention à la suiteAuthor: LoftStoryQuimper Tags: Cinéma nouvelle vague godard truffaut génie Boris Rannou Posted: 18 June 2008 Rating: 5.0 Votes: 1

www.cinematographique.blogspot.comAuthor: generique-cinema Tags: GENERIQUE CINEMA - LE MEPRIS 1963 JEAN-LUC GODARD Posted: 13 June 2008 Rating: 5.0 Votes: 1

Mevlana (Rumi) said 'from emotion, thought and enthusiasm I beget my being' nearly 830 years ago. Today 9 echoes, remembers, confides in Mevlana. His version of the Map of the Universe is incomparably accurate both in word + image, sound + image correlations. Despite the 8 centuries between his book Mesnevi and Map of the Universe in sound . Yes, he has mapped the Universe. A low-fi acoustic performance of a part from the 9th song of the album; Hypnotic serves as the base of a few poems from Mevlana, translated in today's terms.

Court métrage réalisé en marge du tournage d'engrenages saison 2 - (10 mn)Author: bianconizzz Tags: Fred bianconi engrenages saison 2 Canal canal plus Thierry godard humour fitoussi proust comédien réalisateur Posted: 07 June 2008 Rating: 5.0 Votes: 1

Serge Godard a fait un premier bilan de son nouveau mandat de maire de Clermont-Ferrand. Il a ainsi pr sent l avancement des 23 mesures prioritaires annonc es lors de sa campagne...Pendant la campagne municipale, Serge Godard avait dress la liste des 23 premi res mesures de son nouveau mandat. Il s tait aussi engag dans une nouvelle relation avec les citoyens avec plus de proximit et de transparence. Aujourd hui, c est dans ce soucis d informations qu il avait convi la presse pour faire un premier bilan en compagnie d une partie de ses adjoints.Il a donc repris une par une les 23 premi res mesures annonc es pendant sa campagne. Globalement, Serge Godard se satisfait de ces premi res semaines avec de nombreux projets tr s avanc s selon lui. Certains comme le service de location de v los n est encore qu l tude, m me si le Maire a pr cis que ce serait bien un service de location de v los lectriques.Le point qui semble poser probl me est le tarif r duit dans les transports en commun en faveur des tudiants. La mesure bloquerait sur le co t de la mesure. La mise en place du Wifi dans les lieux publics serait aussi plus compliqu e que pr vue et demande des tudes juridiques et techniques compl mentaires.Serge Godard a promis de renouveler ces r unions r guli rement en y associant bient t les observatoires compos s de citoyens qui vont tre cr s. Le prochain point serait ainsi fait courant septembre.Bien entendu, ces 23 mesures ne sont qu une premi re tape. Son programme comportant pr s de 140 mesures, Serge Godard annoncera r guli rement au cours de son mandat de nouveaux lots de mesures pour les mois venir.

THIS IS TO PARALLEL LIFE. 1924 MANUSCRIPT. THE BASHING SOLITUDE OF THE SILHOUTTE THAT DOESN'T BELONG TO ME, IT BELONGS TO YOU, IT IS THE HUMAN FORM.Edna Purveyance and her colleague are after a manuscript from 1924 which Anarchy Espionage believes is linked to the Map of the Universe. 9 sends in a secret message via 'Testimonies', a dream etched in the light of classic gangster film Le cercle Rouge and the cardinal poet of sound and image Jean Luc Godard explains the sentiment that ploughs my heart. - 9 - . . .

MASCULINE FEMININE: Introduction by author RICHARD BRODY (Recorded May 25, 2008)

There is no description of this movie. Author: Keoma02 Keywords: lionhead The_Movies deutsch animation machinima Bergmann Leone Godard Kunst short film Added: May 23, 2008

CHARACTER INTRODUCTION. A SUB SERIES OF DRAMA. Here, the fictional situations will be set up to echo the reality and vice versa. This is the way I will be documenting whatever is happening. All characters that appear in these sequential videos are real people. Anarchy Espionage.

After the Fox Author: quixotando Keywords: peter sellers vittorio de sica victor mature martin balsam neil simon neo-realism satire godard fellini Added: May 20, 2008

After the Fox Author: quixotando Keywords: peter sellers vittorio de sica victor mature martin balsam neil simon neo-realism satire godard fellini Added: May 20, 2008

Festival di Cannes - 21a edizione - 1968 Author: perdiego Keywords: truffaut godard polanski cannes 1968 Added: May 19, 2008

LA CHINOISE: Introduction by author RICHARD BRODY (Recorded May 14, 2008)

On a random excursion in incomparable Soho, New York, I stumbled across a prominent typical gallery. Lovely how it all unfolds in front of my eyes. - Where are you? - I am outside an art gallery. - What do you see? - I see the reflection of my feet on the ground. and I see paintings as well as a man facing the computer. - What kind of paintings? - Art history tells me that was an abstract painting. - How does the art history come to know this? - They had a reference. It is because exactly a hundred years ago someone started doing this in France. - Then ask a bigger history and get to the bottom of this! - Yes, the arrival of abstract painting was natural after the invention of photography, Cezanne, the typewriter, cinema, the radio receiver, the airplane, theory of relativity, neon light. - Then why are they still doing the same shit, as if the world is amnesiac? - I know, who gives a rat's arse to these variations on the theme of artistic inability to innovate. They call this era post-modern. Wrong, it should be called Post-mortem! I see death on every wall, every screen, every speaker. - So, who is representing life? - Life is present in the works of real artists. Children. Those who stay as children, those who make things, break things, who grasp life with both hands. - Who are you? - I am the one who speaks on behalf of human conscience. I have got these ignorant, self-important twats under my thumb. And I own everything my kin has produced so far. - Who is your kin? - Poets whose work are practically fists in the face of mediocrity, idolatry, ignorance. - Who is the man speaking in the video about revolutionary work? - Max Ernst. - Art history would like to call him a painter, though, he is a poet. - What would Max Ernst be doing, if he was your age and lived right now? - Naturally, the revolutionary work. He would not be painting for a show in a fucking gallery. He would show the world how to demean and dislocate galleries, museums, collectors, whose filthy hands hang great works of human spirit on expensive white walls. Today the revolutionary work will reclaim the intellectual property of humanity from these arseholes. - HOw do you separate artistic and autistic in this culture? - Art world is an insanely insular crowd, an autistic crowd. Autism is a brain development disorder that impairs social interaction and communication, and causes restricted and repetitive behavior. Anyone who attaches this much of importance to form is bound to be irrelevant to the progressive mind. The real art have always lived elsewhere, just like culture, right in the thick of life. In character, most of these pests, who call themselves artists are deeply insecure creatures, playing their role of incoherent captivities in their search for truth, meaning, identity, fame, fortune, the glory pledge of New York Times, The Guardian, whoever else that cares to pat them on the back for their incompetent drivel. This art is the artificial medium for the cultivation of bacteria, nothing else, and it's bound to be destroyed when it's insignificance is realised across time. Time will tell, that this is another dark era, like the middle ages. - Is everyone confused? - Everyone is confused because everything has a dual meaning, and only when you see both sides you will attain the awakening. Culture: a) the customs, arts, social institutions, and achievements of a particular nation, people, or other social group. b) The cultivation of bacteria, tissue cells, etc., in an artificial medium containing nutrients : the cells proliferate readily in culture. Here I am in front of an important gallery of all galleries, those cages of unperturbed shrines of self-adoration where crafts of unintelligence are admitted to walls instead of gallows. The tone of my message is uncompromising because it comes from a source as old as mankind. I am the adversary to mankind's amnesia. That's the vocation of a poet. Being the young blood in the continuation of the permanent counter force against these macabre gangsters who fancy themselves as doers and thinkers, tinkering between four walls, my job is to slap them across their face for their unjustifiable arrogance. - What does art mean to you? - Personal ways of making up with your spirit. By no means, I am not against art and crafts. It has always been and it will always be there as a property of humanity. It's going to be difficult to liberate people from what is known as institutional art today. Indeed, it's institutional because it's fully dysfunctional and helpless. - So how come this microscopic community have so much power? - It is because over centuries they have been collecting and buying objects of art. There is an economical tendency to value the past. - Who are the patrons of arts? - Kings, barons, aristocrats of all sorts for centuries since the ancient times have paid for these things. Today, basically, the most inferior people on earth, the ones with a lot of money somehow. And in the 20th century, this system was completely destroyed by the youth, dada and surrealists, my kind. Because by then, art had become the medium of communication across centuries charting the map of the universe, in other words, a visual code to show where human mind has been and would be going to next. You see everything is connected and there are no mysteries in life. - What is your responsibility as the possessor of this map? - To lay it on the table for a great long look for everyone to match, exactly, what they feel in their bone and marrow about these abstract discussions of subjectivity, I like art, I don't, what is art, what is important? - Do you have any doubts in your methods? - The truth is always so blinding near. There are certain things that I have no doubt about. At it's each turn the society will find someone like me waiting.

Author: KOCHVideo Added: Tue, 06 May 2008 11:19:37 -0800 Duration: 112Alone in an abandoned TV studio, two militants have a discourse on language. Referring to spoken word as the enemy, the two deconstruct the meanings of sounds and images, attempting to experience the joy of learning. www.kochlorberfilms.com

Created and directed by Dawn Marie Knopf over Godard's "Band a Part / Band of Outsiders". With Dawn, Florencia Varela, Cherry Pickman, Josh Bettinger and Roberto Taddei.

Ecoutez... Je ne suis pas fou, mais juste fatigué parfois... Quand j'ai fait cette vidéo, je sortai d'une journée d'exams, donc j'espere que personne n'appellera les psys... Pourquoi j'ai fait ca? Bah, j'ai revu ghost il y a pas longtemps, et je me suis dit ghost, ghost, a rime avec poste... faut que je fasse une connerie!!!Author: bloodymadwolf Tags: jacques hersant poste ghost langue timbre salive colle pub nuls lettre courrier voiture mobilette trotinette magix pc amateur parodie humour film ciné auteur godard nouvelle vague francais Posted: 29 April 2008 Rating: 3.7 Votes: 3

Modern Malady: ROCK'N TOMB 1. Rolling Stones don't gather moss flogging their corpse. Rolling Stones in 1968 by Jean Luc Godard vs. Rolling corpses in 2006 by Martin Scorcese. What a circus.

This film is a parody of the self-conscious cinema of Godard and angry-young-male-narratives of the British New Wave. The only way to know what its about is to watch it. And even then, we don't guarantee clarity. Running Time: 18:00

Short experimental docu-voodle tripthyc featuring: A) excerpt fottage from the exhibition "Art Frames" at SMK,B) night views from the "Petitgas" hat shop window display and C) Ingvar Cronhammer's installation "Cabaret". Fine soundtrack overlay from Claire Fitch / magnatune with voice-over excerpts from Jean-luc Godard. [Sam Renseiw: video 582 for patalab02.blogspot.com] semal 08 project week 12 cross-post.