Generative Videos

Rocketboom Tech s Ellie Rountree talks about generative music and interviews laptop musician Luke DuBois about his work in this medium. Story links: Generative Art, Luke DuBois Assets: Mozart, Golan Levin. This episode was created in collaboration with Intel!

Rocketboom Tech s Ellie Rountree talks about generative music and interviews laptop musician Luke DuBois about his work in this medium. Story links: Generative Art, Luke DuBois Assets: Mozart, Golan Levin. This episode was created in collaboration with Intel!

Rocketboom Tech s Ellie Rountree talks about generative music and interviews laptop musician Luke DuBois about his work in this medium. Story links: Generative Art, Luke DuBois Assets: Mozart, Golan Levin. This episode was created in collaboration with Intel!

Rocketboom Tech s Ellie Rountree talks about generative music and interviews laptop musician Luke DuBois about his work in this medium. Story links: Generative Art, Luke DuBois Assets: Mozart, Golan Levin. This episode was created in collaboration with Intel!

This proof-of-concept video was produced to demonstrate that the Slipmat computer music language can be integrated with the popular Processing visualization language.

Computer art abstract videoloops (personal) and personal music

Inside-The-Oscillator is a sound-installation by Edo Paulus.

Scrollbars is an installation by Jan Robert Leegte and Edo Paulus.

A performance by Amy Cox and Edo Paulus

Resonating-With-Light is a sound-installation by Edo Paulus.

Resonating-With-secondlifeWind, a virtual sound-installation by Edo Paulus (aka Edo Autopoiesis) in Second Life.

This is a 3 minute excerpt of a 60 minute generative art video. It was created using genetic software coded by the artist. The software system used is called GA1 and is described in a paper that was presented at the Generative Art Conference in Milan Italy in 2000. More information is available at: http://philipgalanter.com. This piece is intended for installation using floor to ceiling projection and high fidelity sound. This online rendering has reduced resolution and fidelity.

A fun work I did recently. Little Ants, busy working together, randomly moving the notes around a bar of music whilst it is playing. This might become the first in a set of works, looking at using the movement of, and interaction between digital creatures to create musical works. Here is a screen-captured movie of what it looks like...

part of a performance by Jasch - generative audio and video soundscapes to immerse yourself in sunday 01/10/2006, Electrofringe 2006, Newcastle, Australia http://www.thisisnotart.org/http://www.thisisnotart.org/Members/ben/jasch-codespace/ http://www.jasch.ch/ Codespace integrates realtime drawing and motion-images with electronic sounds that evoke an abstract place where organical and crystalline shapes pulsate and flow. Generative (rule-based) processes or algorithms and realtime action by the artist are applied to basic shapes which in conjuction with finely graded colours comprise a rich palette of textures and shapes. empty dark space is inhabited by fast moving abstract shapes, structures with an architectural quality develop over extended periods of time. The piece evolves from dark and minimalist atmospheres to abstract densities, like a digital painting performed before the viewer s eyes. Memory of the images accumulates, obtaining qualities like a painting or etching. Reduction and concentration of elements helps to maintain the crucial focus, build the tension and give insights into the enigmatic and invisible world built of code.