Fugazi Videos

Ataxia - The SidesAmateur music video by me, using footage from Skateboard Kings. Cut and Edit with AVS4.Enjoy! :)Video:Skateboard Kings (1978)Audio:Ataxia - The Sides (from the album 'Automatic Writing' - 2004) Author: WarAward Tags: Ataxia The Sides Automatic Writing Music Video John Frusciante Joe Lally Josh Klinghoffer Fugazi RHCP Red Hot Chili Peppers Skateboard Kings Alva 1978 70s Old School 8mm Posted: 23 October 2009 Rating: 0.0 Votes: 0

PLAYLIST: 1) Nina Simone - Mississippi Goddamn (Interview) [excerpt, starts 0.12] 2) Nina Simone - Backlash Blues (Live) [starts 0.52] 3) Paul Hardcastle - 19 [excerpt, starts 3.32] 4) Leadbelly - The Bourgeois Blues [starts 6.08] 5) Billie Holiday - Strange Fruit [starts 9.26] 6) Bob Dylan - Hurricane [starts 12.11] 7) Fugazi - Five Corporations [starts 22.24] 8) The Smiths - Meat Is Murder [starts 24.50] 9) Marvin Gaye - Mercy, Mercy Me (The Ecology) [starts 30.37] 10) Public Enemy - Fight The Power [starts 36.07] 11) Bigg Jus - This Is Poor People's Day [starts 40.43] 12) Gang Of Four - To Hell With Poverty [starts 45.02] 13) Crass - Do They Owe Us A Living? [starts 48.25] 14) Robert Wyatt - Shipbuilding [starts 49.49] 15) Autechre - Flutter [excerpt, starts 55.11]

mp3: The Spruce Campbells So Tired Jason (Matthew) Kusowski of the Nuclear Children and co-head of local label Champions of the Arts has a new project called the Spruce Campbells, and it’s shaping up really nicely. The first few songs (recorded by Jay Alton) are dreamy, atmospheric pop lots of oohs and ahhs, strings, layered background vocals, etc. The new stuff also serves as the debut of Chelsea Moore on vocals, who provides a beautiful counterbalance to Matthew/Kusowski’s voice. She steals the show on the Fugazi cover above. Download it. On the Spruce Campbells’ Myspace you’ll find the rest of the new tunes, all of which will be on the upcoming album Mosques, Museums, Mausoleums, and Other Forms of Escape. They’re also working on a 20-minute, one-song rock musical. And another album.

Author: rubeniosharms Keywords: Marillion Steve Rothery incubus fugazi fender warmoth koch powertone II solo guitar gmajor g-major tc electronics roland Added: October 5, 2009

Here is the direct MP3 download for the EGC clambake for September 27, 2009. I play a song from Fugazi; the bulk of this show is an extended eulogy to the late great Thomas Peake; I play a song by my friends in Stovall and try not to weep my way out. You can subscribe to this podcast feed via RSS. To sponsor the show, contact BackBeat Media. Don t forget, you can fly your EGC flag by buying the stuff package. This show as a whole is Creative Commons licensed Attribution-NonCommercial 2.5. Bandwidth for this episode is provided by Cachefly. Links mentioned in this episode: Fugazi Buy the Fugazi album In On the Kill Taker Thomas Peake The nascent Thomas Peake podcast, the Peakecast! Stovall Buy Stovall s True Story Gentle Readers My FriendFeed Sign my Frappr Map!

www.fogcitywrestling.com Highlights from FCW 9. Awesome Kong, Todd Bridges, King Dabada, Hernandez, Savio Vega, Dylan Drake, and all of your Fog City favorites!! Soundtrack provided by Fugazi.

This was probably the greatest podcast we have ever put out. Who would've thought on our 10th episode we interview music legend, THE legendary, underground music pioneer Ian Mackaye. Ian Mackaye has been in a huge amount of bands starting off in hardcore group Teen Idles to the greatest punk band in the world Minor Threat. After, in Alternative Rock group Embrace, Post-Hardcore band Egg Hunt, soon to the very expiremental Pailhead with the dudes in Ministry making a hardcore punk/industrial metal genre, and returning in 1992 with his fellow bandmates to release material from Skewbald. Ian Mackaye has left a landmark on music in general. His words and actions have inspired me throughout my whole life (maybe not Matt's but certainly mine.) Whenever I feel like a piece of shit or go through a rough day one listen to Minor Threat will cure me right away. Fugazi is one of the most experimental bands to come out of the punk scene (not to mention one of the greatest.) Embrace was one of the earliest pioneers for post-hardcore music, and currently playing some of the most intellectual music to date with his lovely wife, Amy Farina in The Evens. Dischord records is my personal favorite label or all time (note: this is Shawn, Matt likes his A-F Records) and has carried on the DIY ethics like no other. Dischord has put out some of the most influential records to date with no help from greedy promoters. I hope you enjoy this one. We have much MUCH more surprises from here. Music Videos or T-Shirts anyone?

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Fuck You Pussy dudes who still know how to party, south philly punk style! Disgraceland 4.20.08 Part 1 of 6

This week: 1. The short road to $106 2. Bush's incredulity 3. Carbon tax rebates 4. Logger's Wit 5. Elve's in Seattle 6. Insurgency in the NYC 7. Fugazi 8. Destroying the corporate machine subscribe via Miro Player or iTunes support this podcast by purchasing books and DVD's from our store.

the greatest Marillion song, with an extraordinary Fish!!! Vodka intimate, an affair with isolation in a Blackheath cell, extinguishing the fires in a private hell, provoking the heartache to renew the licence of a bleeding heart poet in a fragile capsule propping up the crust of the glitter conscience wrapped in the christening shawl of a hangover, baptised in the tears from the real, tears from the real drowning in the liquid seize on the Piccadilly line, rat race, scuttling through the damp electric labyrinth, caress Ophelias hand with breathstroke ambition, an albatross in the marrytime tradition, sheathed within the walkman wear the halo of distortion, aural contraceptive aborting pregnant conversation, she turned the harpoon and it pierced my heart she hung herself around my neck. From the Time-Life-Guardians in their conscience bubbles, safe and dry in my sea of troubles, nine to five with suitable ties, cast adrift as their sideshow, peepshow, stereo hero, becalm, bestill, bewitch, drowning, drowning in the real. The Thief of Baghdad hides in Islingtown now praying deportation for his sacred cow, a legacy of romance from a twilight world the dowry of a relative mystery girl. A Vietnamese flower, a dockland union, a mistress of release from a magazine's thighs, Magdalenes contracts more than favours the feeding hands of western promise hold her by the throat, a son of a swastika of '45 parading a peroxide standard, graffiti disciples testaments of hatred, aerosol wands whisper where the searchlights trim the barbed wire hedges, this is Brixton chess. A knight for Embankment folds his newspaper castle, a creature of habit, begs the boatman's coin, he'll fade with old soldiers in the grease stained roll call, and linger with the heartburn of Good Friday's last supper son watches father scan obituary columns in search of absent school friends, while his generation digests high fibre ignorance, cowering behind curtains and the taped up painted windows. Decriminalised genocide, provided door to door Belsens Pandora's box of holocausts gracefully cruising satellite infested heavens, waiting, wai-wai-waiting, the season of the button, the penultimate migration, radioactive perfumes, for the fashionably, for the terminally insane, insane, d-d-do you realise? D-d-do you realise? D-d-do you realise, this world is totally fugazi? where are the prophets, where are the visionaries, where are the poets, to breach the dawn of the sentimental mercenary.

How great bands got their names. The origin series on Bionicbuddha.com

This episode features a quick review of Jamie Saft dubs on museum montage, a look back to my 1991 share in Brooklyn with records that came out that year and played on the turntable. Everyone in the photographs have moved on to much better and brighter things. The pictures are from my Brooklyn photo album on Flickr. I used 35mm B&W film and processed right at home. My rig back then was a student Minolta and a toy plastic Action Tracker camera. I still take plenty of photographs. I didn't spend time retouching the scanned B&W negatives. All the media was shared within the Mac iLife suite. My vlog and home movies would not have been possible without an easy to use Mac.