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nnThe countdown to f8 has begun! The team here at Facebook is hard at work getting ready to see you to the San Francisco Design Center for f8 '08. And, we wanted to take some time in the next 8 days leading up to the event to share more information with you about all of the awesome things we have planned for you.Over the next 8 days we'll post a series of blog and video posts about f8. We want you to get to know some of the faces and names here on the Facebook team that will be speaking, presenting, and hanging out at the event. Sharing more information now means that you can have a better idea of what sessions you might want to attend at the event.Also, we wanted to be sure that everyone knows that the times on the keynote have changed from what we originally published. The keynote will be from 1:30 to 3pm — it's earlier than the original schedule, and we wouldn't want you to miss it. Up-to-date information will always be available on the f8 Page at http://facebook.com/f8.We'll be back tomorrow with more on f8, so check back in. See you soon! By davemorinnn Tags : California, Dave Morin, Josh Elman, Palo Alto, f8, facebook

Michael Rabin an the Philharmonia Orchestra conducted by Sir Adrian Boult Recorded in 1957 Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia Masterworks label, with a set of 11 of Paganini's Caprices for solo violin. The following year came Rabin's Carnegie Hall debut, at age 13, with the Vieuxtemps Concerto No. 5, in a performance that had him hailed in The New York Times as "already an accomplished artist...play[ing] with real grace and beauty of tone." No less a figure than the conductor George Szell declared Rabin the greatest violin talent that had come to his attention in the previous 30 years, and Dimitri Mitropoulos called Rabin "the genius violinist of tomorrow." In the 1950s, Rabin signed with Capitol-EMI, for which he recorded the most important part of his legacy, including the Paganini Violin Concerto No. 1, the first and second violin concertos of Wieniawski, and the Tchaikovsky, Mendelssohn, and Glazunov concertos. At the end of the 1950s, Rabin suddenly cut short his recording career, for reasons that were never clear. He continued to perform regularly in concerts around the world, and even made broadcast recitals during the 1960s revealed his talents undiminished. There were accounts of his emotional instability, and an unstable personal life -- he had a rough time adjusting to the change from child prodigy to adult virtuoso, though his talent showed no signs of abatement; during the late '60s there were stories of chronic drug use; he also displayed some unusual neuroses, including a fear of falling off the stage, but none of that should have affected his recording career while leaving his concert career intact. In any case, Rabin never entered a recording studio again after 1959, and in 1972, while still in the prime of his life died in a fall when he slipped on a parquet floor and struck his head on a chair Author: MichaelRabinMemoriam Keywords: rabin mendelsshon heifetz perlman stern kreisler elman hassid gitlis classical Added: June 12, 2008

Michael Rabin an the Philharmonia Orchestra conducted by Sir Adrian Boult Recorded in 1957 Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia Masterworks label, with a set of 11 of Paganini's Caprices for solo violin. The following year came Rabin's Carnegie Hall debut, at age 13, with the Vieuxtemps Concerto No. 5, in a performance that had him hailed in The New York Times as "already an accomplished artist...play[ing] with real grace and beauty of tone." No less a figure than the conductor George Szell declared Rabin the greatest violin talent that had come to his attention in the previous 30 years, and Dimitri Mitropoulos called Rabin "the genius violinist of tomorrow." In the 1950s, Rabin signed with Capitol-EMI, for which he recorded the most important part of his legacy, including the Paganini Violin Concerto No. 1, the first and second violin concertos of Wieniawski, and the Tchaikovsky, Mendelssohn, and Glazunov concertos. At the end of the 1950s, Rabin suddenly cut short his recording career, for reasons that were never clear. He continued to perform regularly in concerts around the world, and even made broadcast recitals during the 1960s revealed his talents undiminished. There were accounts of his emotional instability, and an unstable personal life -- he had a rough time adjusting to the change from child prodigy to adult virtuoso, though his talent showed no signs of abatement; during the late '60s there were stories of chronic drug use; he also displayed some unusual neuroses, including a fear of falling off the stage, but none of that should have affected his recording career while leaving his concert career intact. In any case, Rabin never entered a recording studio again after 1959, and in 1972, while still in the prime of his life died in a fall when he slipped on a parquet floor and struck his head on a chair Author: MichaelRabinMemoriam Keywords: rabin mendelsshon heifetz perlman stern kreisler elman hassid gitlis classical Added: June 12, 2008

Michael Rabin an the Philharmonia Orchestra conducted by Sir Adrian Boult Recorded in 1957 Michael Rabin managed to be one of the most talented and tragic violin virtuosi of his generation. Hailed as a child prodigy, his talent matured gracefully into an adult level, but he failed to follow in his emotional growth, resulting in a cutting short of his career. He never reached the age of 36, yet remains one of the most fondly remembered of virtuoso violinists for listeners and fellow musicians such as Pinchas Zukerman, with whom he shared a teacher. Rabin's father was a violinist in the New York Philharmonic, and his mother a Juilliard-trained pianist. When he was a year old, Rabin was able to beat perfect time, and at three he demonstrated his possession of perfect pitch; by five he was studying the piano, and not long after, while visiting a doctor whose hobby was the violin, Rabin took up a miniature version of the instrument that was in the office and began tuning and playing it, refusing to return it. His father began teaching him the instrument soon after, but before their fifth lesson, the elder Rabin realized that his son's musicianship exceeded his own. Ultimately Rabin studied with Ivan Galamian, the future teacher of Itzhak Perlman and Pinchas Zukerman. Rabin made his first professional appearance in 1947, at age ten, with the Havana Philharmonic under Artur Rodzinski, performing the Wieniawski Concerto No. 1. He made his recording debut two years later, on the Columbia Masterworks label, with a set of 11 of Paganini's Caprices for solo violin. The following year came Rabin's Carnegie Hall debut, at age 13, with the Vieuxtemps Concerto No. 5, in a performance that had him hailed in The New York Times as "already an accomplished artist...play[ing] with real grace and beauty of tone." No less a figure than the conductor George Szell declared Rabin the greatest violin talent that had come to his attention in the previous 30 years, and Dimitri Mitropoulos called Rabin "the genius violinist of tomorrow." In the 1950s, Rabin signed with Capitol-EMI, for which he recorded the most important part of his legacy, including the Paganini Violin Concerto No. 1, the first and second violin concertos of Wieniawski, and the Tchaikovsky, Mendelssohn, and Glazunov concertos. At the end of the 1950s, Rabin suddenly cut short his recording career, for reasons that were never clear. He continued to perform regularly in concerts around the world, and even made broadcast recitals during the 1960s revealed his talents undiminished. There were accounts of his emotional instability, and an unstable personal life -- he had a rough time adjusting to the change from child prodigy to adult virtuoso, though his talent showed no signs of abatement; during the late '60s there were stories of chronic drug use; he also displayed some unusual neuroses, including a fear of falling off the stage, but none of that should have affected his recording career while leaving his concert career intact. In any case, Rabin never entered a recording studio again after 1959, and in 1972, while still in the prime of his life died in a fall when he slipped on a parquet floor and struck his head on a chair Author: MichaelRabinMemoriam Keywords: rabin mendelsshon heifetz perlman stern kreisler elman hassid gitlis classical Added: June 12, 2008

Author: imcd999 Added: Thu, 06 Mar 2008 07:25:40 -0800 Duration: 158In this video Mr. Pradeep Aggarwal teaches you the relaxing techniques. Learn how Mr. Aggarwal puts a person into the deep state of hypnosis ie hypnotic trance, so that his whole body is asleep except his face. Watch this amazing yet powerful video. You won't believe unless you watch it!!! By watching this video you can learn How to hypnotize others and practice Self Hypnosis, Physical and Mental Relaxation, information about Instant Hypnosis, Instant Induction, Hypnotic anesthesia, and Hypnotic coma. To know more visit http://www.pradeepaggarwal.com http://www.hypnosisglobal.com http://www.hypnosisvideoworld.com

In this video Mr. Pradeep Aggarwal teaches you the relaxing techniques. Learn how Mr. Aggarwal puts a person into the deep state of hypnosis ie hypnotic trance, so that his whole body is asleep except his face. Watch this amazing yet powerful video. You won't believe unless you watch it!!!

Fritz Kreisler: Caprice Viennoise Live from the Progetto Argerich. Lugano 2004. Biography Praised by musicians, audiences, and music critics as a rising "tour de force" in the classical music scene, Géza Hosszu-Legocky's critical acclaim culminated with the nomination of two Grammy® Awards, including the "Best Classical Music Album 2005" and "Best Chamber Music Recording 2005" for his recording of the Schumann Violin Sonata in A minor and other chamber music works with an all-star cast including Martha Argerich, Maxim Vengerov, Lilya Zilberstein, and Gabriela Montero on EMI Classics recorded in 2004. In 2003, he released his first EMI Classics recording performing traditional Hungarian Gypsy music with his ensemble "The 5 DeVils". Known for his passionate and fiery interpretations of classical, jazz, and Hungarian gypsy music, he first made his public debut at the age of 9 on Austrian Television "ORF". Since then, he has performed with the National Hungarian Orchestra of Budapest and performed in Argentina, France, Germany, Spain, Japan, Italy, and the USA. As a guest soloist, he has been invited to perform with the major orchestras and ensembles throughout the world including the Orchestre Philharmonique de Radio France with Myung-Whun Chung, NHK Orchestra in Tokyo with Charles Dutoit, and the Kremerata Baltica with Gidon Kremer. His regular chamber music partners include Martha Argerich, Gautier Capucon, Renaud Capucon, Nelson Freire, Ivry Gitlis, Ida Haendel, Gabriela Montero, Vadim Repin, and Giorgia Tomassi. He continues to perform regularly at the top music festivals around the world including Aspen Festival (USA), Beppu Festival (Japan), Buenos Aires Festival (Argentina), Ludwigsburg Festival (Germany), Lugano Festival (Italy), Ruhr Piano Festival (Germany), Saratoga Festival (USA), Taipei Festival (Taiwan), Verbier Music Festival (Switzerland), and many others. In 1999 and 2000, he performed in sold-out concerts at the prestigious Verbier Festival with Roby Lakatos and Friends which also included artists such as Ida Haendel, Vadim Repin, and Sayaka Shoji. In 2003, he was invited by the Violin Festival in Cassis (France) to perform with Martha Argerich, Ruggiero Ricci, and Ivry Gitlis. At the 2005 Saratoga Festival, Géza made his recital debut with Martha Argerich to thunderous standing ovations. He continues to perform in recitals and concerts in the world's most renowned concert halls including Salle de Pleyel (Paris), Teatro Color (Buenos Aires), Théâtre des Champes Elysees (Paris), and Auditorium du Louvre (Paris). 2001 was a year of significant attention for Géza. He was among only the selected few young artists from around the world invited to participate in the prestigious Dorothy Delay Symposium and Master Classes at the Juilliard School of Music in the class of violinist Robert McDuffie. Upon hearing him, McDuffie immediately engaged him to perform at the Aspen Music Festival in an international concert broadcast on NPR, reaching over three million listeners worldwide. Offstage, Géza has made a cameo appearance as a gypsy violinist in Francois Girard's 1998 Academy-award winning film The Red Violin. In 2001, he and Martha Argerich were profiled in Georges Gachot's feature film Conversations Nocturnes. This documentary was exhibited at the world's major international film festivals, including the Cannes Film Festival and won numerous awards including the PRIX ITALIA 2002 Documentary on "Music and Arts". In addition to classical music, Géza has a passion for performing traditional Hungarian gypsy music and created his award-winning ensemble "The 5 DeVils" and have performed at the major festivals in South America and Europe. Géza was born in 1985 and is a top honours student at the Vienna Academy of Music. His teachers and coaches have included Ruggiero Ricci, Ivry Gitlis, Ida Haendel, Tibor Varga, Dora Schwarzberg, and Marina Sokorova. He holds a dual Swiss and American citizenship and currently resides in Lausanne, Switzerland. For more information, you are welcome to visit Geza's Official Home Page here: http://gezahosszulegocky.com/home.html Author: GezaHosszuLegocky Keywords: hosszu legocky tomassi kreisler caprice viennoise violinist encore heifetz hassid menuhin rabin elman classical world music folk Added: January 15, 2008

California Dreamin' is: - a great song by Mamas and The Papas - a great remix by the Royal Gigolos - a great movie by Cristian Nemescu, starring Armand Assante, Jamie Elman, Maria Dinulescu, Razvan Vasilescu. The movie California Dreamin'(Nesfarsit) took the Un certain regard award at the Cannes Film Festival 2007. If you want to see a clip of the movie Premiere and the Un certain regard Gala, go to: http://www.cinemagia.ro/news.php?news_id=4954 Author: florinanc Keywords: California Dreamin' Cannes Cristian Nemescu Armand Assante Jamie Elman Added: June 4, 2007

This is me and my friend Jamie Elman walking the Red Carpet of Oceans 13 in Cannes. Jamie is the star of a film called California Dreamin' which Won UN Certain Regard competition. Author: tritt2g Keywords: Jamie Elman Matthew Tritt oceans 13 Added: June 3, 2007