Diy Filmmaking Videos

Good actors never really retire, they just find new and easier ways to work. Sean Connery loudly proclaimed his intention to retire from the silver screen, but he's decided to make a bit of a return. According to The Hollywood Reporter, Connery will lend his voice to the CGI animated movie Sir Billi, an independent film created by husband-and-wife team Sascha and Tessa Hartmann. Connery is an executive producer on the project, and has been heavily involved with its production. The movie will have Connery playing "a retired, skateboarding veterinarian" who rescues an illegal fugitive who just happens to be a beaver. (I now wish this could cross over into The Beaver.) The Hartmanns have been working on the project for five years, and it's now set for a 2010 release. The final touch is apparently a Shirley Bassey tune, and THR reports that she's signed up to record a song titled The Guardian of the Highlands for the film. Let me repeat that: Bassey singing a song called The Guardian of the Highlands. It's now my favorite song of all time, and I haven't even heard it. So, if you've been lying awake wondering what Connery has been up to, now you know. He's been overseeing a charming Scottish cartoon, and lending his slurry brogue to a skateboarding veterinarian. But I don't this heralds a return to acting -- remember, Connery was able to literally phone in this performance and head back to the golf course, enjoying the fruits of retirement. Filed under: Animation, Independent, Casting, Family Films, DIY/Filmmaking, Newsstand Permalink | Email this | Comments

The klaxons are sounding for the Nautilus and Captain Nemo's origin story. Variety reports that Disney has quietly shelved the project, and McG has been released from duty in order to seek better fortune ashore. The project was scheduled to begin production this February, and was on a fast track under Dick Cook. But as you probably remember, Cook was shown the door a few months ago. Many of Disney's big projects seem to be left dangling as stars like Johnny Depp decide whether they're sailing or staying ashore. 20,000 Leagues Under the Sea: Captain Nemo is just the latest, though Disney insists big popcorn flicks will still be a focus for them. Leagues had already been a revolving door of rumors, with Will Smith said to be in the running to play Nemo. Justin Marks was originally penning the script, but was replaced by Randall Wallace this past July. Variety reports that the project was being penned by Bill Marsilli, so presumably Wallace was off as well. While it's not unusual to have three screenwriters on a project, it doesn't sound like this submarine had a reliable captain. Perhaps the Nautilus will sail again as a proper steampunk picture that explores his romantic Indian past, and not a slapdash summerfest.Filed under: Action, Classics, Sci-Fi & Fantasy, Executive shifts, Disney, Scripts, DIY/Filmmaking, Newsstand, Remakes and Sequels Permalink | Email this | Comments

Comics never really die. They become cult classics, cherished until they're revived, republished, and optioned by Disney. Such is the tale of Alien Legion, which is soon to enjoy a revival that'll have many a comic fan claiming they were there from the beginning. (I won't be one of them -- I'll openly confess that it passed me right by.) Creator Carl Potts described Alien Legion as "the Foreign Legion in space," and it's probably best described as melting pot of military and sci-fi, as Star Trek, Star Wars and The Dirty Dozen all influenced its vision of intergalactic soldiers banding together for honor, fortune, and adventure. It was one of Marvel's longest running series under their Epic Comics' banner, and it's been one that fans have continued to champion. Now it's being republished in a beautiful Dark Horse omnibus (which means out-of-the-loop losers like myself can finally read it), and getting four brand new issues from Dark Horse starting in 2010. It's also on its way to the big screen. USA Today sat down all its creators, and Potts revealed that Jerry Bruckheimer and Disney were currently developing a feature film out of the series. Derek Haas and Michael Brandt are currently working on the third draft of the script, and Disney is undoubtedly hoping it could become another blockbuster franchise. I'd love to see the Mouse House actually develop a viable sci-fi franchise of their own, and Alien Legion is certainly a very promising series. Let's hope its cult of fans are rewarded with a good adaptation after all their years of devotion, and they don't resent the rest of us for coming to the party so late.Filed under: Action, Sci-Fi & Fantasy, Deals, Disney, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek Permalink | Email this | Comments

MGM Studios' financial troubles will soon be coming to a sad end. Back in September, it was reported that MGM was in such poor shape that they might be forced to auction off their assets, including James Bond and The Hobbit. That day has come to pass. Variety reports that MGM Studios is officially on the auction block. MGM has been given a month of breathing space from their interest payments, time they plan on using to begin "a process to explore various strategic alternatives including operating as a standalone entity, forming strategic partnerships and evaluating a potential sale of the company." But all hopes of survival may rest on what they sell off from their glorious history, including a library of 4,000 titles, the logo, the United Artists company, James Bond, and half ownership in The Hobbit. Time Warner, News Corp, and Lionsgate are said to be interested in all of the above. As their library scatters to the four winds, it'll be really interesting to see what remakes and reboots it spawns. Remember, Robocop was on the MGM remake slate, and surely some hungry studio will snap that up. The Cannon Films and ITV Global Entertainment collections are just ripe for harvesting. Perhaps you'll finally see a Lifeforce movie, or a remake of Capricorn One, or an aspiring Tarantino type will buy up all those American International Picture rights and revive motorcycle gang movies. Sure, we all want to know who will wind up with James Bond, but it'll be far more fascinating if someone tries to remake Psych-Out. * *It's possible this is considered one of AIP's "early" films, though it's unclear where that cut off date is.Filed under: Deals, Executive shifts, Lionsgate Films, MGM, Warner Brothers, RumorMonger, Distribution, DIY/Filmmaking, Newsstand, James Bond Permalink | Email this | Comments

In this month's Fantastic Mr. Fox, Wes Anderson makes his first foray into animation with an adaptation of Roald Dahl's story about an upwardly mobile fox (George Clooney) whose drive to steal chickens threatens his family and community. While it's Anderson's first non-live action project, Mr. Fox nonetheless shares qualities with his other films, including a meticulous attention to detail, stylish design, and idiosyncratic characters. So how did the live-action auteur tackle the challenges of stop-motion filmmaking, especially considering that he spent much of the production in an entirely different country than his crew? HitFix has a fun little glimpse of the director at work that shows us how Anderson collaborated with his animation team to bring the characters of Fantastic Mr. Fox to life. From his base in Paris, Anderson shot video storyboards of scenes and character movements by acting out scenes and blocking himself. He then emailed the videos to his crew in London, who took their visual cues from Anderson's performances. The end results, when viewed side-by-side with Anderson's versions, are near identical. Hit the jump and watch Anderson as Mr. Fox, Kristofferson, Ash, and other characters from The Fantastic Mr. Fox. Filed under: Animation, New Releases, Celebrities and Controversy, New in Theaters, DIY/Filmmaking, Trailers and ClipsContinue reading Watch This: Wes Anderson Acts Out 'Mr. Fox' Storyboards Permalink | Email this | Comments

This week, Backyard FX shows you how to create a Bald Cap from scratch that is better than the kind you can purchase.  This effect can also be applied towards other uses and needs.Indy Mogul's Backyard FX I features cheap, DIY filmmaking tips and tutorials including special effects, props, and camera equipment.  Build episodes on Mondays and Original Short test films on Tuesdays featuring the build.  

Once upon a time, Sgt. Rock was in the hands of Guy Ritchie, and many an Easy Company fan was upset. But you'll undoubtedly wish that Ritchie and Joel Silver had made it to the finish line, because Sgt. Rock will not make it to the big screen in a form you'll recognize. According to The Hollywood Reporter, he has a new director in Francis Lawrence and a whole new space-time continuum. Joel Silver is still on board as producer, and he's bringing Akiva Goldsman on board to help. They've hired newcomer Chad St. John to pen the script. As you may or may not know, Sgt. Rock is a WWII soldier. He's always fought in WWII. The poor guy has never even gotten to leave the European theater. (It was rumored in Swamp Thing that he was transferred to the Pacific, but never confirmed.) Any attempt at a movie adaptation has always gone forward with this central idea of keeping him in his element. But budget, politics, and popularity has always been an issue, and no one believes you can make The Dirty Dozen in this day and age unless you're Quentin Tarantino. So Warner Bros has decided to bypass the drama, and put Sgt. Rock in the future. CG is cheaper than Nazis, and a nondescript soldier of the future is less problematic than an American fighting a good fight. (While no war is a good war, I do think we can all agree that fighting Nazis was a good thing.) Nothing else is known about this storyline, so I hate to jump to a knee-jerk conclusion as to who or what Sgt. Rock will face there, or whether he will be transported to the future from WWII. But I think this is an unfortunate thing to do to a character who resides in WWII for a very specific and honorable reason. The last thing he should become is a Universal Soldier or Terminator ripoff.Filed under: Action, Sci-Fi & Fantasy, Deals, Warner Brothers, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek, War Permalink | Email this | Comments

Good news, Twilight fans. You have the first official news for the third Twilight installment, courtesy of our own Jen Yamato, FearNet and the New Moon junket.* The magically-coiffed Robert Pattinson has confirmed that Breaking Dawn will begin filming in Fall 2010, and that it's penciled into his schedule for next year. Of course, Dawn remains unconfirmed by Summit. The most controversial installment of the Twilight series, rumors swirl that the studio is hesitant to take it to the big screen. If it is made, it seems likely that it could be split into two films a'la Harry Potter and the Deathly Hallows. Personally, I don't see Summit risking the money they'd make on #4, and they'll find a way to steer around the gorier aspects of the book. But now you know when to look for it, though you still have the madness of Eclipse pre-production to get through. Pattinson also dished on the movie I want to mark on my calender (Sorry, I dig boots and spurs more than vampires), a Western called Unbound Captives. The directorial debut of Madeleine Stowe, it stars Hugh Jackman, Rachel Weisz, and Pattinson. The young heartthrob revealed that it's tenatively scheduled to begin shooting in early 2010, and he sounds enthusiastic for a role that'll be miles away from Edward Cullen. "I'm playing a kid who is kidnapped by Comanches when he was four years old, and he is brought up by them. His mother spends her entire life trying to find me and my sister. When she finds us, we can't remember who she is and can't remember anything about the Western culture she grew up in. I speak Comanche the whole movie. You can't really speak more differently from Edward." [Special thanks also goes to Collider who apparently pried the Breaking Dawn date out of Mr. Pattinson]Filed under: Action, Drama, Independent, Romance, New Releases, RumorMonger, DIY/Filmmaking, Newsstand, Remakes and Sequels, Western Permalink | Email this | Comments

After a year of speculation (Will it be James Bond? Will it be Maximum City? Trainspotting 2?), Danny Boyle has finally settled on his next project. Variety reports that it will be 127 Hours, the tale of mountain climber Aron Ralston. Boyle has been loosely attached to the project since June when the LA Times reported that Boyle and Fox Searchlight had signed a long term, best friends forever deal. Boyle has already penned a treatment, and Simon Beaufoy is in talks to write the script. In this age of flashmob media stories, you might have forgotten the tale of Ralston. Like your humble authoress and Balloon Boy, Ralston hails from Colorado. He became famous for a Utah climbing accident in 2003, when an 800 lb boulder shifted and crushed his hand. Ralston was forced to choose between life and limb, and in a stomach-turning story heard around the world, he amputated his own hand with a pocketknife. In the media frenzy that followed, Ralston was hailed as a hero and as an idiot, because he had chosen to go climbing alone and without notifying anyone. It was particularly intense locally, and I still remember the heroism debate Ralston sparked in my American Culture class. (It even inspired one student's final project!) Since those heady days of early fame, Ralston has enjoyed success with his autobiography, continues to climb, and is a motivational speaker. The director is already on the casting hunt for the part of Ralston, which Variety declares will be "a plum job" because it will force an actor to work solo for most of the shoot. Below the jump, I've embedded a video of Ralston describing his amputation. Watch it to prepare for two hours of unflinching detail, and sound off on who you think should be lucky enough to act out a very painful 127 Hours. Filed under: Action, Drama, Independent, Sports, Deals, Scripts, Fox Searchlight, DIY/Filmmaking, NewsstandContinue reading Danny Boyle Knows Where He'll Spend '127 Hours' Permalink | Email this | Comments

While tooling around online I came across a post over at Brobible on the 15 Best Man Caves on the Internet. A Man Cave, for those who do not know, is usually an area somewhere in the house (normally the garage or a spare room) designated for the guys to hang out in and do "guy things" like watch tons of sports or, in the case of one Australian homeowner, tons of The Dark Knight. I'm not exactly sure how much this cost, though Gizmag tells us the screening room won the highly commended prize in the 'above $100,000' category at CEDIA Asia Pacific annual awards, so more than likely this sucker cost a pretty penny to produce. The room took about 20 days to piece together, while the installation of equipment and acoustic took another 8 days. Apart from very cool-looking and comfortable seats, as well as a big screen, the room also features a full wet bar and a bathroom that can be accessed via a remote-controlled sliding door. From Gizmag: "Entry to the 'secret location' is via a remote-controlled pneumatic sliding door (unfortunately, not bat poles). A touch of the panel outside and the door opens, the lights turn on to a predetermined level, the projector and scaler come to life, and the processor goes into action. So, by the time you've chosen your movie and had your first mouthful of popcorn, everything is humming along, just like a well-oiled Batmobile." Check out some images below and more stats on the equipment over at Gizmag. If you had the dough, would you put something like this in your home? Gallery: The Ultimate Batman-Related Man Cave Filed under: Fandom, Exhibition, DIY/Filmmaking, Home Entertainment Permalink | Email this | Comments

I didn't think it was possible for any movie to be too big for Michael Bay, especially not a Transformers movie. But judging from this candid DVD extra, even Bay thinks Transformers: Revenge of the Fallen veered on excessive, and he's promising to scale back when he tackles #3. As we speak, Bay is combing through the Transformers lore that Hasbro has sent him and pondering who or what will be smashing crap up in another installment. Just the way he says "Transformers lore" makes me want a story centered on Bay exploring ancient catacombs to uncover the missing Transformers arcana with Megan Fox as his sidekick. (She'll be packing a Ph.D in Hasbro lore because she's not afraid to be smart and sexy.) As Bay ponders how to go sideways from Revenge (his words, not mine), he does have a few ideas in mind. He wants more Bumblebee, and to explore the powerful relationship he has with Sam. He wants more characters, and more emotion. He wants it to be "more undercover" and "less exposed" which might be difficult for our transforming pals when they destroyed the Great Pyramid of Giza. At the end of the video, Bay decides to abandon plot ideas and offer a cash reward. Then he says "Just joking!" because come on, the man has to eat, and Fallen didn't make a kajillion dollars, just a few hundred million. However, maybe a few of you more skilled in Transformers lore than he is can make use of the address, and write him with what you want to see in #3. Check out the video of slippery promises below the jump.Filed under: Action, Sci-Fi & Fantasy, Paramount, RumorMonger, Fandom, DIY/Filmmaking, Home Entertainment, Remakes and Sequels, Trailers and ClipsContinue reading Michael Bay on 'Transformers 3': Less Action, More Emotion Permalink | Email this | Comments

Comics legend Warren Ellis is all over Hollywood these days. He has Red in development at Summit, Gravel was just recently optioned by the top-notch crew at Legendary Pictures, and Ocean is in the works with Hollywood Gang, for whom Ellis is also penning a King Arthur script. Now Variety reports that Ellis' miniseries Black Summer has been optioned by the fledgling banner Vigilante Entertainment. Ryne Pearson is set to adapt it for the big screen. Black Summer kicked off in 2007, and walks some familiar Watchmen ground as it examines the darker implications of vigilante heroes. It centers around a superhero team called the Seven Guns, a group of ordinary humans who have willingly undergone severe surgery to become superhuman vigilantes. They take to the streets of a West Coast city to battle a corrupt city government, its equally sleazy police force, and greedy private security forces. But by the time we meet them, those days are gone. But one member, John Horus, decides to go after the man he feels is committing the biggest illegal act of all -- the President of the United States. His violent decision puts the rest of the Guns in danger, In typical Ellis fashion, the blood begins spraying and the bodies drop, and everything becomes very politically murky. If you'd like to see some previews or check out some interviews with Ellis, it's all been neatly collected at Avatar Press' site. This project is in pre-pre production right now, so it's hard to get too excited as to how (or if!) it will end up on the big screen. But it's great to see more and more of Ellis' work being picked up for adaptations. Let's hope it meets better fate than most of Alan Moore's work. Filed under: Action, Independent, Deals, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek Permalink | Email this | Comments

I'm in Savannah, Georgia to spend a week as a guest blogger for the Savannah Film Festival, an eight-day fest hosted in the historic Southern town by the Savannah College of Art and Design (SCAD). [Read my entries in the "Voices from the Fest" section on the festival website.] As the town prepares to kick off the 12th annual festivities with the Iraq film, or rather post-Iraq film, The Messenger, I'm wondering how SFF's growing success might reflect or even influence the rise of film festivals that similarly fall somewhere in between the biggies (Cannes, Sundance, Toronto, Venice) and the little guys. For starters, a brief look at SFF's line-up and star-studded guest list. The festival begins today, October 31, with The Messenger, a Sundance entry that has Oscar possibilities but more likely will make a run at the Indie Spirit Awards. Stars Woody Harrelson and Ben Foster will be in attendance. (I will be attempting to run into them at the local Starbucks or wherever it is that Hollywood actors hang out when they visit other cities.) Another Oscar hopeful, the Emily Blunt-starring period biopic The Young Victoria, is screening the following day. And then there are the almost certain Oscar pictures: George Clooney in The Men Who Stare At Goats; Lone Scherfig's An Education; Michael Haneke's Cannes winner The White Ribbon; Kathryn Bigelow's The Hurt Locker, with star Jeremy Renner in attendance; and Precious: Based on the Novel Push by Sapphire, which will bring both director Lee Daniels and his star Gabourey Sidibe to town. Read on for more about this year's Savannah Film Festival. Filed under: Independent, Festival Reports, Exhibition, DIY/Filmmaking, Newsstand, Oscar Watch, Other Festivals, Cinematical IndieContinue reading Savannah Film Fest: Where Indie Meets Oscar Permalink | Email this | Comments

In the glorious, not-too-distant future, your cinema screen will soon play host to a legion of rippling abs, biceps glistening with oil, and pelvic thrusts set to a synthesized beat. No, it's not the sequel to 300. It's the rags-to-crazy tale of Steve Banerjee, the creator of Chippendales. According to Variety, Banerjee's strange and violent tale is set become a biopic directed by Tony Scott, with a screenplay by Lisa Schrager. Banerjee's story is one of success, excess, paranoia, and murder. He emigrated to the U.S. from India, and operated a humble Mobile gas station. But he decided that flesh sold better than gas, and bought a failing L.A. club named the Destiny II. He initially traded in female strippers and mud wrestling before realizing that women liked to tuck dollar bills into a well-fit pair of briefs. With some help from Las Vegas musical veterans Steve Merrit and Mark Donnelly, Banerjee created Chippendales. All those gleaming torsos made him very wealthy, but it also made him paranoid. Banerjee began putting contract hits out on those "threatening" his franchise. Former business partner (and Chippendales dancer / choreographer) Nick DeNoia was murdered on Banerjee's orders, others dodged the bullet due to a well-placed FBI informant. Arrested and charged with attempted arson, racketeering, and murder for hire, he never made it to trial due to committing suicide. Though you might expect this to be shot as flashily as Domino, Scott reportedly intends to return to his True Romance restraint. While that's a blessing, I hope he allows one or two moments of yellow-drenched and sweaty insanity at the end. If there's any movie begging for a bit of painful visuals, it's this one.Filed under: Drama, Independent, Thrillers, Deals, DIY/Filmmaking, Newsstand Permalink | Email this | Comments

You kids today, with your Marvel Studios and your top-notch directors. Many of you are too young to remember just what ugly treatments comic books received in the 1980s and 1990s. Oh sure, there was Tim Burton's Batman, but treatments like David Hasselhoff's Nick Fury: Agent of SHIELD were the norm. When a Thor movie was kicked around, the only requirement was muscles and blonde hair. In the 1990s, there was one man that fit that description: Fabio. A funny little flashback has surfaced on Colleen Doran's blog, which has prompted a delightful trip back in time at Mania. In 1997, Fabio decided that he wanted to play Thor, so he approached animation director Seth Kearsley, and they cooked up a storyline with the help of Henry Gilroy. As Mania points out, this was not a Marvel movie , but it casually borrowed a few elements. The result, pictured to your right, was an unholy blend of Marvel's Thor and Captain Marvel / Shazam where Thor was punished for his arrogance by being shoved into the powerless body of a young boy. Despite its cheese and lack of Hollywood backing, it managed to recruit a lot of comic book talent for its designs, including Hellboy creator Mike Mignola. They were also desperately seeking Charlton Heston to voice Odin, and were in negotiations with Pamela Anderson to voice the Valkyrie Brunhild. But it died off, never to be seen again ... until the Internet could laugh about it.Filed under: Animation, RumorMonger, Fandom, Scripts, DIY/Filmmaking, Comic/Superhero/GeekContinue reading Once Upon A Time, Fabio Was 'Thor' Permalink | Email this | Comments

There's big news from Asgard tonight! According to The Hollywood Reporter, the legendary Sir Anthony Hopkins has joined the cast of Thor. This isn't one of these tightly kept casting announcements either, as THR reports that he and no one else is playing Odin. (Incidentally, there's no mention of Robert DeNiro and Jude Law among the confirmed cast members, so I'm guessing that was just a fever dream of a rumor.) If you're not up on your Thor or Nordic mythology, Odin is the father of Thor and the ruler of Asgard. He's your typical white-bearded god sort, fond of wine, women, and wisdom. He's not immortal (none of the gods of Asgard are), but ages slowly, and possesses amazing powers of strength and wisdom. He famously sacrifices his eye for the foresight to prevent Ragnarok, a sadly futile act, but you can't blame a god for trying. While a lot of people were hoping that the Brian Blessed would be Odin (and my own money was on the recently signed Stellan Skarsgard), you can't really get much better than Sir Hopkins. He'll add just the right amount of gravitas, but he's an actor who can still have fun in a role. I can't wait to see him go up against Loki, and watching him smack down Thor for his arrogance is going to be pure theater. Cheers, Kenneth Branagh! Filed under: Action, Sci-Fi & Fantasy, Casting, Paramount, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek Permalink | Email this | Comments

Last March, the trades confirmed that Peter Berg was the latest director brave enough (or foolish enough) to tackle a new adaptation of Frank Herbert's legendary Dune. News has been scarce since, though just last month Berg was assuring MTV that he was still involved, and that he was trying to crunch Josh Zetumer's 200-page script into something manageable "without offending the purists." Other than some intriguing Robert Pattinson casting rumors, there hasn't been much for fans to really discuss or rant about. But an intriguing story has popped up on Pajiba. Their inside source claims that Berg has dropped out of the Dune remake, and that Paramount is scrambling for a new director. The search is fraught with difficulty for Paramount, according to Pajiba's source. "The search, however, has run into two issues: 1) they're looking for a director who can put the movie together for under $175 million, which sounds manageable, but they don't want anything resembling the crap effects of the '84 film, and 2) they want a director who already has a preexisting passion for the novel and is enthusiastic about the project." But the search has allegedly landed on two splashy newcomers: Neil Marshall and and Neill Blomkamp. Marshall is said to be the frontrunner, championed by producer Kevin Misher. But the studio lukewarm on Marshall's resume and likes Blomkamp, who they feel has the "vision" for the film. This is all rumor and speculation at this point, and nowhere is it stated why Berg dropped out of the remake. (A schedule conflict would be likely. Berg has one heck of a full plate.) There's also something a little too dreamy about those mentions of Blomkamp and Marshall. I'm very, very curious to see how this little rumor is played out, and if it could lead to a Dune adaptation that's palatable and faithful to Herbert.Filed under: Action, Classics, Sci-Fi & Fantasy, Paramount, RumorMonger, Scripts, DIY/Filmmaking, Newsstand, Remakes and Sequels Permalink | Email this | Comments

Some super-fan made a crazy audio/video remix of scenes and sounds from Pulp Fiction that you have to check out. It's so good that it could be confused with an underground techno mash-up. The remix uses multiple split-screens with the sounds from the scenes remixed to a beat, like Jules's delicious shake, Butch's getaway, Jimmie Dimmick slapping soap into Jules's hand, Zed slapping the Gimp's head and shushing his victims, and Marsellus Wallace grunting behind a ballgag. The detail on this is impressive, especially the remixing of the different scenes. The person's YouTube channel is otherwise made up of music performances, so I'm very curious if there's a collaborator involved or what. There's a lot of Pulp Fiction mashups on YouTube that pale in comparison, although this one is pretty cool. The music mashup culture is a fascinating one; it seems more underground than the video mashups, probably because of how easy it is to share things via YouTube and perhaps how much more litigious the music industry is. Personally, I love music mashup artists like A Plus D and think that creating new forms of art through pre-existing work, like the source files offered by Sita Sings the Blues creator Nina Paley, will become more acceptable as artists realize the potential of sharing their work. Then again... everyone's got bills to pay. Watch the Pulp Fiction Remix after the jump ...Filed under: Fandom, DIY/Filmmaking, Quentin TarantinoContinue reading Watch and Listen: 'Pulp Fiction' Remix Permalink | Email this | Comments

The final build for the Death's Last Stop special is a Chemical Burn effect.  Need to make someone's skin bubble, ooze and burn? We've got it covered!