Digital Art Videos

Episode 184 - Series 35 - 2 of 3 - Wagner's Amiga - Compositions made in tracker software Renoise from Classical music samples.

Episode 183 - Series 35 - 1 of 3 - Wagner's Amiga - Compositions made in tracker software Renoise from Classical music samples.

Episode 182 - Series 34 - 6 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is a text file that only contains a single character, a number 1.

Episode 181 - Series 34 - 5 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is an error log.

Episode 180 - Series 34 - 4 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is a Power Point presentation.

Episode 179 - Series 33 - 3 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is a PDF file.

Episode 178 - Series 33 - 2 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is an MS Word file.

Episode 177 - Series 33 - 1 of 6 - Raw Data Become Cooked Emotions - Series of compositions made from samples of hacked files. This episode is a spreadsheet file.

jackson the british news media fallout 26.6.09. please visit www.musicfilmbroth.com for more high quality musical films from newcastle upon tyne

This is a recording of my painting process in Photoshop, the last of seven videos. If you enjoyed watching this one, please check out the rest!

Originally recorded December 6, 2002. George Legrady is an artist and Professor of Art Studio and Media Arts and Technology at UC Santa Barbara. Professor Legrady's presentation focuses on digital media arts exhibitions that use computer technology as a means of recording the audience's presence and movement within the gallery space. He discusses a presentation of projects, and issues to address in the design of such installations. Topics include: audience motion study, interface sensing technology, planning around limitations, designing the interface, creating the audio/visual/mechanical event. Professor Legrady addresses questions about audience activity such as, how does the space influence the action to be generated? He considers the audience as a group and actions such as clustering, swarming, flocking behavior, and sampling. He also presents work that interacts with the individual spectator through movement in the space, location, movement, timing. And works that modify behaviors such as calmness, nervousness, encounters, etc. Another aspect he considers involves cultural questions: How can the audience's movements be integrated as a process in the narrative development? And finally he speaks to the issue of what are the consequences of such environments in terms of the development of "intelligent spaces" in artistic exhibition?