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The more you use Google, the more valuable Google becomes. The search giant thrives on user creativity. But can Google be trusted to protect innovators? Stanford law professor Lawrence Lessig says Don't be evil may be the Google motto, but the bottom line belongs to shareholders. Lawrence Lessig is a columnist for Wired magazine and founder of the Creative Commons online copyright project. He spoke on November 2, 2007 as part of the Danz lecture series at the University of Washington in Seattle.

Drawing heavily on the Creative Commons, this episode mixes sound bytes from Cory Doctorow's recent interview on The Viking Youth Power Hour with music from Fumbata and Dawglibs Licensed under the Creative Commons Attribution 3.0 license.

Rockin with their netlabel since 2004! Sven Swift and Sim Sullen Interview with DIY-Netlabel 12rec | With their fabulous 50th release it s time to visit the Do-It-Yourself Netlabel 12rec from Germany. Phlow met Sim Sullen and Sven Swift on the digital highway to have a chat about the strategies, attitude and why they enjoy exploiting themselves in the name of music! Together we unravel some old 12rec-screenshots, watch once more our most favorite netlabel-video-clip to date and listen to their new compilation. 12rec Netlabel is a two-headed squirrel. Most of you know already Sven Swift for his in-depth-reviews on Phlow-Magazine.com and his headstrong compilations he contributes to the world-wide netlabel-phenomena. In comparison Sim Sullen seems more quiet, but the head behind travels a lot through germany, fotographing creative commons- and web 2.0-conferences. I celebrated already together with them at Netlabel Festival Zürich in 2006 - and guess, what can I tell you about this netlabel-duet? Amusing, freaky and truly dedicated Simon and Sven, how did you guys meet and how did you get the idea of coordinating a Netlabel together? Sven: Sim and me know each other from school days. We both grew up in a small city at the outer brims of the Ruhr Area in Northern Germany. We had a band and spend a lot of time photoshopping, doing flyers and stuff. We were listening to 60 s Jazz and electronic music which none of our friends did - I think that forced us together The first recordings of our band Majestik12 were published on tape, but for the second album we decided to go online. That was out first glimpse of what the web can do for us. The opportunity to share music via the net were pretty exciting for us these days imagine that, kids! One or two years later, a friend that just had started his studies at the KHM in Cologne came up with different demos fellow students had blessed him with. These were Sichtbeton, Yokölast and Jasmin. Simon already got in contact with the Netaudio scene, and listening to all this awesome left-field music we agreed to found a Netlabel as well. Click on the thumbnails to see, how the 12rec-website looked like in 2004, 2005, 2006 and 2007! On the one hand, 12rec. seems to be a very serious project. On the other hand, I had the feeling that sometimes plain fun is your agenda. Is there a main concept behind 12rec., have you got a special intention or message while releasing free music or is it just a fun project? Sven: Both is true, actually. It s definitely important to us that people recognize the Creative Commons license we re working with; that listeners are aware of the fact that our music is free, in a political sense, if you dare. And we re glad to be a label rather than one of these faceless file hosters! Despite our stylistic versatility, people know that there is no bullshit up at 12rec. Maybe the label concept sounds dated in times of UGC but this bit of nostalgia is something I can definitely live with. But neither Sim nor me are out for recruiting pees for the Netaudio fuzz. The main agenda is good music - good music, good artwork and a few well-written, humours words about the music. Are seriousity and humour contrary values? Don t hope so! On the next page you get a private peek on how the 12rec-boys produce their wonderful CDs and why they like to enjoy exploiting themselves!

The Free Music Archive aims to be a curated warehouse of music from all genres that is licensed by the artist, label or other rights holder for free use under a Creative Commons license. The Archive is a project of free form community radio station WFMU, and station manager Ken Freedman tells us more about it.

The Free Music Archive aims to be a curated warehouse of music from all genres that is licensed by the artist, label or other rights holder for free use under a Creative Commons license. The Archive is a project of free form community radio station WFMU, and station manager Ken Freedman tells us more about it. Listen/Podcast: mediageek 18 July 2008 broadcast quality mp3 Listen Now: Go get Adobe Flash Player!

Today I went to the Creative Commons offices to talk with Jon Phillips. Jon is the Community and Business Development Manager at CC. He helps explain the benefits of having Creative Commons integration with Seesmic.

Author: tribeofnoise Added: Mon, 14 Jul 2008 15:54:25 -0800 Duration: 384Check it out :-) www.tribeofnoise.com Enlightenment in the music industry! On the 14th of July, a new music platform will open and storm the Bastille of the music industry. Tribe of Noise is expected to kick up quite some dust by offering a lawful alternative for free music downloads.

Author: tribeofnoise Added: Mon, 14 Jul 2008 15:54:25 -0800 Duration: 384Check it out :-) www.tribeofnoise.com Enlightenment in the music industry! On the 14th of July, a new music platform will open and storm the Bastille of the music industry. Tribe of Noise is expected to kick up quite some dust by offering a lawful alternative for free music downloads.

Netlabels are Fortune Cookies | Here and than, I ask myself: What is so fascinating about netlabels, that I stayed in touch all over the years? Why am I so excited and keep digging into the wild woods of netlabelism? Isn t it exhausting digging through 5 Gigabytes of music to find only one row diamond? Yes, it is. But you have to cut the shit everywhere, sometimes a really huge pile. But when you find those nuggets, you re excited that musicians allow you to spread the music, the vibes and show them legally to your friends. But there are still more reasons why netlabels are amazing, read on! Why I like netlabels so much! Netlabels invite me to spread their music for free and let me make propaganda not only by mouth, but with music itself! If I do an interview with a netlabel or if I write about netlabel-music, I always can attach music to make my articles sound! A small vinyl label produces a limited copies of a release. If the release is sold out, it s sold out - Basta! A netlabel keeps its backcatalogue online - hopefully forever! Even dead netlabels still can be heard in their tomb over at archive.org! Free Culture and Gift Economies are an utopia, but more and more this movement is speeding up, thanks to the internet. Netlabels are a big part of this movement. Have I forgotten any important reasons? Please give the critics some proove And here are some - hopefully - excellent examples to proove my points: With each netlabel music compilation I am able to make propaganda for musicians and netlabels I like. Please download them :) Read articles about Netlabels like Camomille, Broque or Dharmasound and listen directly to their music! If a music label closes its gates, the music no more available. But sleeping netlabels like subsource.de don t operate but keep their identity live, visible and can still be experienced while dreaming. There are netlabels which had an impact, which where long gone. Thanks to the archive.org and scene.org-shrines they are still available like Textone, Tokyo Dawn or Please Do Something. Just read and listen on Phlow-Magazine.com, dig the wonderful nerdy netlabel directory over at netlabels.org or feed your download-manager with music from www.archive.org/details/netlabels. Once again: Have I forgotten any important reasons? Please tell me :) I update the list then!

Author: maurilive Added: Thu, 10 Jul 2008 15:41:17 -0800 Duration: 166Enjoy Amsterdam, one magic eurpean city.

Author: maurilive Added: Thu, 10 Jul 2008 15:41:17 -0800 Duration: 166Enjoy Amsterdam, one magic eurpean city.

Can you cook based on sounds? this episode explores that question. Licensed under the Creative Commons Attribution Sharealike 3.0 license.

Creative Commons

Despois da estensa entrevista a Projecto Mourente e a pausa radioce nica, regresamos con noticias e m is m sicas interesantes. Despedimos ao netlabel Holy Rook, que deixa a s a actividade; d mos a benvida ao regreso activo de Error! lo-fi e a s a nova web con lonxa en li a; descubrimos unha en rxica banda de reggae-ska do norte de Italia grazas ao novo compilado de NetBloc; o f o l vanos at Cascais desfrutar de b (fachada) e o seu pop erudito; e recuperamos unha faixa muito fixe dunha banda de Philadelphia xa desaparecida, os Rifle Nice. Non esquezades que ainda est en marcha o concurso de Kara.o.ke. Mueran Humanos. xito de una ex santaGreen.Means.Love. The World is overMen in route. Born to shineb (fachada). Sto. Ant nio (aos meninos)Rifle Nice. Come by it Naturally Enlaces relacionados: Holy Rook, Carmen Burguess, Tom s Nochteff; Green.Means.Love no myspace, Error! lo-fi; Men in route no jamendo.com, NetBloc; Merzbau; Rifle Nice no myspace, Jody Hamilton.

Sorry this is online a few days late... This is an episode made up of bits and pieces, in a word 'random'. Featuring music by John Maxwell Hobbs, Outside and Al Hotchkiss Licensed under the Creative Commons Attribution 3.0 License.

Author: tribeofnoise Added: Wed, 25 Jun 2008 08:24:34 -0800 Duration: 278Artists: Papi Moreno featuring Doc Delavie & Doc Marcus Song: DjRedo Website: tribeofnoise.com/PapiMoreno License: Creative Commons 3.0 By - Share Alike

Author: tribeofnoise Added: Wed, 25 Jun 2008 08:24:34 -0800 Duration: 278Artists: Papi Moreno featuring Doc Delavie & Doc Marcus Song: DjRedo Website: tribeofnoise.com/PapiMoreno License: Creative Commons 3.0 By - Share Alike

Otro tutorial: Inkscape

to insert in wiki blog handbook via an upload to blip.tv to generate attribution only copyright

Free Bird! "In Episode 38, we look into the future at the (hypothetical) continuation of the Meth Minute series... What animated adventures are (probably not) going to happen in the next 75 years of weekly cartoons? The possibilities are endless (and unlikely to ever happen)." The penultimate episode in the series, directed by Dan Meth. Additional art: Adam Rosette, Avi Tuchman, Claire Samuels, Joshua Jularbal. Voices: Brian Cooney, Dan Meth, Tom Forget, Joanna Brown, Mark Vitelli. "Nel 38° episodio, guardiamo alla (ipotetica) futura continuazione della serie The Meth Minute... Quali avventure animate (probabilmente non) ci regaleranno i prossimi 75 anni di cartoni settimanali? Le possibilità sono infinite (ed egualmente improbabili)." Il penultimo episodio della serie, diretto da Dan Meth. Artwork aggiuntivi: Adam Rosette, Avi Tuchman, Claire Samuels, Joshua Jularbal. Voci: Brian Cooney, Dan Meth, Tom Forget, Joanna Brown, Mark Vitelli. Licensed under a Creative Commons Attribution-Noncommercial 3.0 License. DOWNLOAD: Scarica The Meth Minute 39 Thousand. [Mirror (almost)] [Format: MPEG-4 - Size: 32 MB - Running Time: 3 min.] DOWNLOAD: Scarica The Meth Minute 39 Thousand. [Format: Ogg Video - Size: 19 MB - Running Time: 3 min.] DOWNLOAD: Scarica The Meth Minute 39 Thousand. [Format: Winmedia - Size: 34 MB - Running Time: 3 min.] WATCH: Guarda The Meth Minute 39 Thousand in finestra. [Format: Flash Video] LINK: Visita The Meth Minute 39. LINK: Visita Dan Meth. CODECS: Ogg - Windows Media - Flash

Con alg n d a de atraso traemos unha estensa e interesante entrevista con Carlos Valc rcel, alma nai de Projecto Mourente, que hai poucas semanas lanzou o seu segundo disco: Kara.o.ke. Maravillosa conversa de case de d as horas, que resumimos metade con canci ns engadidas, para descubrirmos alg ns dos segredos da produci n deste agardado lanzamento e algunhas curiosidades e revelaci ns deste grande artista amador.brimos tam n un concurso!! Sorteamos un cd de Kara.o.ke asinado polo propio Carlos Valc rcel entre todos os que respondan correctamente pregunta: Que e onde est Mourente? (e para que vexades que somos bos, imos axudarvos cunha pista, que podedes atopar aqu .) Desculpai o ruido de fondo que met an uns alumnos que preparaban un traballo deixado para ltima hora nas mesas do lado. Outras veces que pasamos por El nido del cuco non hab a tanto balbordo. Agardamos ter mellor son noutras entrevista. Projecto Mourente. Demasiado PopiProjecto Mourente. Controla-teProjecto Mourente. Cobro em BProjecto Mourente. Vamos queimar Par s Enlaces relacionados: Projento Mourente; A Regueifa.

In a similar style to episode 8 (Mechanical Man) this episode mixes material from 1930s radio play i The Shadow /i with 21st century Creative Commons music. Featuring music from Sapheric Panoply, John Maxwell Hobbs, and Temple of Flesh Licensed under the Creative Commons Attribution Non-Commercial Sharealike 3.0 license.

Take no prisoners! NOTES: I'm hosting a Half HD clip, but not the Full HD clip. Use the torrent link to download it, if you can. The AVI file plays in VLC. If you need to play it in a Video for Windows player, manually change the four letter code to XVID, or install Ffdshow Tryouts. Torrent and direct links to other file formats are available as well. This said, let's talk about the second Open Movie project from the Blender Foundation, following the 2006 film Elephants Dream. It's the furry story of a giant rabbit with a heart bigger than himself, some nasty rodents and an extremely comical revenge. The film has been developed by the Peach team: director Sacha Goedegebure, AKA Sago, art director Andy Goralczyk, lead artist Enrico Valenza, AKA EnV, rigger and animator Nathan Vegdahl, AKA Cessen, animator William Reynish, technical directors Brecht van Lommel and Campbell Barton, AKA Ideasman42, and finally Jan Morgenstern who did music and sound design. Oh, and don't forget the producer, Ton Roosendaal. A separate team is also developing a video game called Apricot apparently set in the same world as Big Buck Bunny. Oh, the movie has obviously been made entirely using Blender software, the free open source 3D content creation suite. Purchasing the DVD of the movie you'll also get all the files used in the making of it. And you'll be free to use them in your own projects, even commercial ones. That's open source! NOTE: Ospito una clip Half HD, ma non quella Full HD. Se potete, usate il .torrent per il download. Il file AVI si apre con VLC. Se dovete aprirlo in un player Video for Windows, cambiate manualmente il FourCC in XVID, oppure installate Ffdshow Tryouts. Sono altresì disponibili torrent e link diretti per altri formati di file. Ciò detto, veniamo al secondo progetto di Open Movie della Blender Foundation, che fa seguito ad Elephants Dream del 2006. Si tratta della storia di un coniglio gigante dal cuore grande, di alcuni malefici roditori, e di una comicissima rivincita. Il film è stato sviluppato dalla squadra Peach: il regista Sacha Goedegebure, alias Sago, il direttore artistico Andy Goralczyk, l'artista capo Enrico Valenza, alias EnV, l'animatore e rigger Nathan Vegdahl, alias Cessen, l'animatore William Reynish, i direttori tecnici Brecht van Lommel e Campbell Barton, alias Ideasman42, ed Jan Morgenstern per musica e progetto del suono, ed il produttore Ton Roosendaal. Un team diverso sta sviluppando un video gioco chiamato Apricot ambientato, a prima vista, nel mondo di Big Buck Bunny. Oh, chiaramente il film è stato interamente realizzato utilizzando Blender, la suite open source per la creazione di contenuti 3D. Comprando il DVD del film troverete anche tutti i file usati nella realizzazione. E sarete liberi di usarli nei vostri progetti personali, persino in quelli commerciali. Questo è l'open source! Released under a Creative Commons Attribution 3.0 license. (c) copyright Blender Foundation | www.bigbuckbunny.org CLIPS (1920x1080): Tutti i link per scaricare Big Buck Bunny. [Formats: AVI, MPEG-4, Ogg Vorbis] DOWNLOAD (1280x720): Scarica Big Buck Bunny. [Format: MPEG-4 - Size: 250 MB - Running Time: 10 min.] WATCH (ALT.): Guarda Big Buck Bunny su Vimeo. [Format: Flash Video] DOWNLOAD (768x432): Scarica Big Buck Bunny. [Format: MPEG-4 - Size: 118 - Running Time: 10 min.] WATCH (LOW RES): Guarda Big Buck Bunny in finestra. [Format: Flash Video] DVD: Compra il cofanetto Big Buck Bunny DVD set. LINK: Visita Big Buck Bunny. LINK: Visita Wavemage, sito di Jan Morgenstern. LINK: Visita Artificial3D, sito di Andy Goralczyk. LINK: Visita Enrico Valenza. LINK: Visita William Reynish. CODECS: Flash

Byron and Bellatina interact with a possum. Featuring other randomness and music by Blue Valentime, Vegetation and Al Hotchkiss. Licensed under the Creative Commons Attribution Non-Commercial Sharealike license 3.0

Regresamos despois da nosa viaxe por Arxentina endemoniados cun novo disco libre dos Nine Inch Nails; descubrimos aos portugueses Les Triple, presentamos o terceiro disco de Mahalab, un trio de S o Paulo que buscar curar o mundo coa m sica; traemos un novo netlabel especializado no jazz e a s a primeira referencia: Surpriscording do saxofonista Hugo Droopy Contini.e despedimonos cunha banda belga, Papa Dada, que topamos grazas ao podcast Eclectia. NIN. Demon seedLes Triple. Devil is on my 666 houseMahalab. PortasDroopy Contini. Dewey SquarePapa Dada. Art Gallery Enlaces relacionados: Portugual Underground; Raw Bounce Records; Jamendo.com; Eclectia.

The CC Mixter Remix-Project by Calendar Girl | Tamara Barnett-Herrin - better known as calendar girl - started a fantastic project back in October 2006. The idea was simple: Write each month a song and release the original material under a creative commons licence. Than ask other producers and musicians to remix the songs. Now one and a half year laters Calendar Girl looks back on the results: more than 300 remixes! And like she promised she publishes a record with 12 fantastic songs. A story on how to use the web to interact with other musicians worldwide. “I write one song a month. You remix and feedback. We make a record.” When and how did you get your idea of your Calendar Songs-Project? I d been writing demos in my bedroom for a couple of years, but I kept finding myself very frustrated by the process of never having anything finished . And I felt I was working in a vacum. I could play my music to friends and family but getting it out there - whatever that means - felt so impossible. I never want music to become a chore, or to find myself complaining about making music, how hard it is, etc., etc. It became clear to me that this process of making demos can also at the same time make you very bitter! So I tried to think of a way for my music to find another route into the ether And obviously putting it online was the best solution. But of course, MySpace isn t everything So I kind of fashioned the idea of writing new songs for a website, where I could draw people in by inviting them to remix my songs. I wanted the site to have the air of a challenge to it, something where you could come back to check up on my progress, so I challenged myself to write a new songs each month that had to be inspired by that month. That way I gave people a reason to come back to the site after their first visit, like I wonder if she made it this month . It all went online in October 2006. It took about two months to put it together from when I had the idea. If you speak in terms of music-engineering, there is a saying Garbage in, Garbage out! . It means, if you record music badly, you can t do anything to make it sound better. What kind of equipment did you use to produce your songs? Are they all recorded at home? I m not sure I agree with that saying. I would rather listen to a bad recording of a good song than an amazing recording of a terrible song. And I put all my faith in people having the same attitude as me, because I know I can t make the most perfect recordings. I record at home into Garage Band, I m terribly lazy, I haven t even made soundproofing! All the A Cappellas sound like my bedroom! But I made a decision to it this way - to really concentrate on writing instead of spending all my time getting the best equipment and teaching myself how to master it. Maybe I m a bit of a purist but I like things that sound like what they are.

The time has come, the walrus said, to speak of many things... And in this episode we do. A number of clips I had lying around my harddrive thrown together to make a new epiosde. Enjoy. Featuring music by A Cup of Tea, Ghost of Glasnomnia, Adams God and John Maxwell Hobbs. Licensed under the Creative Commons Attribution Non-Commercial Sharealike licence.

Estamos de volta! Despois da estrea en Radio Oce nica (obrigado Sak) regresamos para viaxar, desta vez si, at a Arxentina. Primeira achega especial a un pa s cheo de m sicas diversas e mergullado tam n no conflito do c non dixital. Deitamos pistas que vos servir n para iniciarvos nos hetereox neos cami os da m sica baixo licenzas abertas na terra berce do tango. Lara la. Cuando se escondeModular. FlasheandoCursi y Melanc lico. Seremos un lugarLastraX. FarlandsMullieris. La bestia popMister America. Superaci n (oda) Enlaces relacionados: Zona Indie, escolma Canciones Pegajosas; PlanetaX; Lastrax no myspace; NullRepublik; Argentinafolclore.com; o blog de Mister America.

Press A to cock block "Episode 33 of The Meth Minute asks the question: what if the entire cartoon series so far had been a 1980's video game?". 8-Bit specialists Ben Ross (visuals) and Niko Anesti (music) were asked to step in and explore this scenario. "L'episodio 33 di The Meth Minute si pone la domanda: e se l'intera serie di cartoni fosse stata un videogioco anni '80?". Gli specialisti degli 8 bit, Ben Ross (video) e Niko Anesti (audio) sono stati incaricati di esplorare questo scenario. Licensed under a Creative Commons Attribution-Noncommercial 3.0 License. DOWNLOAD: Scarica 8-bit. [Mirror (almost)] [Format: MPEG-4 - Size: 22 MB - Running Time: 3 min.] DOWNLOAD (ALT.): Scarica 8-bit. [Format: Winmedia - Size: 32 MB - Running Time: 3 min.] WATCH (ALT.): Guarda 8-bit in finestra. [Format: Flash Video] LINK: Visita The Meth Minute 39. CODECS: Windows Media - Flash

A raccoon walks alone in the woods, to the haunting sounds of Behind the Bushes by The Knife, from their album Deep Cuts. Doljer is a short movie by Adam Proctor made with Blender, the open source 3D content creation suite. Not only the film, but every file used in the making of the project (except for the music) have been released for free. Get a copy from here. Un procione transita solitario nel bosco, al suono inquietante di Behind the Bushes dei The Knife, dal loro album Deep Cuts. Doljer è un corto animato di Adam Proctor, realizzato con Blender, il software open source per la grafica 3D. Non solo il film, ma tutti i file usati nella sua realizzazione (tranne la musica) sono disponibili per il download libero, qui. Released under a Creative Commons license. Some rights reserved. via Directors Notes DOWNLOAD (960x540): Scarica Doljer. [Format: AVI - Size: 54 MB - Running Time: 5 min.] DOWNLOAD (ZIP): Scarica Doljer zippato. [Format: ZIP + Quicktime - Size: 54 MB - Running Time: 5 min.] DOWNLOAD (768x432): Scarica Doljer. [Format: MPEG-4 - Size: 39 MB - Running Time: 4 min.] DOWNLOAD (640x360): Scarica Doljer da Directors Notes. [Format: Quicktime - Size: 57 MB - Running Time: 5 min.] WATCH (LOW RES): Guarda Doljer in finestra. [Format: Flash Video] INTERVIEW: Intervista ad Adam Proctor su Directors Notes. [Formats: MP3, Flash] BLENDER FILES: Scarica i file di progetto, doljer_files.zip LINK: Visita Whas'name?. LINK: Visita Meanwiki. LINK: Visita Blender Nation. CODECS: XviD - Apple Quicktime - Flash