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Filed under: Horror, Warner Brothers, Home Entertainment, Remakes and Sequels If it had any other title, Lost Boys 2: The Tribe wouldn't provoke any outrage. But if it had any other title, would anybody give it a second glance? I harbored a ray of hope, but it doesn't take very long to realize that Lost Boys 2: The Tribe was always destined for the direct to video garbage heap. The 1987 original, photographed by the superbly talented Michael Chapman, was super stylish and jammed with juicy performances, cynical wisecracks, and post-modern tweaks to cinematic vampire legends. The best idea was placing fanged lords of the night in a sun-soaked California coastal town populated by aging hippies and freaks, not to mention a boardwalk, rollercoaster, and great, crashing surf. As a budget sequel, LB2 has to make do with less attractive, less flattering video imagery and the rockier Canadian coastline standing in for "Santa Carla" * (actually, Santa Cruz, California). The script by Hans Rodionoff makes some half-hearted attempts to tie in the original (antlers and motorcycles, anyone?), but is bereft of any new twists of its own. Director P. J. Pesce makes certain to include the obligatory amount of gore required to justify the so-called "uncut" version, with notable attention to ripped throats and spilled intestines, along with bared body parts displayed by lovelies such as Moneca Delain. LB2 has precisely two good moments -- one in the opening scene, provided by Tom Savini -- stranded within 94 minutes of running time.Continue reading Horror Sequel Outrage: 'Lost Boys 2: The Tribe' Permalink | Email this | Comments

Filed under: Action, Lionsgate Films, Movie Marketing, Remakes and Sequels, Images You know, I've seen a lot of 'behind the scenes' photographs over the years, but these latest from Crank 2: High Voltage win the "what the heck is going on here?" award, hands down. The LA Times is now hosting 19 new images from the set of the follow-up to the 2006 action film. In fact, I have to be honest with you: I can't for the life of me figure out why directors Mark Neveldine and Brian Taylor would need a giant foam head of Jason Statham -- but now that it has my interest piqued, it had better be good. This time around, our favorite hit man Chev Chelios (Statham) has to chase down a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a bum ticker. But that's not all: on top of everything else, Chev has to keep his heart running on jolts of electricity (where's James Bond's dashboard defibrillator when you need it?). Joining in on the fun are Amy Smart (who we saw on set a few months ago in a 'questionable' costume), Dwight Yoakum, Bai Ling, and a cameo from '80s cautionary tale, Corey Haim (and for his sake I hope things went better on the set here than they did on Lost Boys 2). Crank 2: High Voltage is expected arrive in theaters in 2009 -- maybe by then we'll know what all those big foam heads were about. Read | Permalink | Email this | Comments

Suffer through this week's Friday Filibuster, along with Dave, who battles the malicious will of a hot dog he had for dinner, and a thoroughly fatigued Mac, barely holding it together after a hard-hitting week of small town journalism.ÂOh and the show?ÂThe usual nonsense: crossdressing, man-eating gobs of goo, Trekkie fetish fantasies, Corey Haim's adolescent wardrobe.ÂEnjoy! Email your comments, questions, or suggestions to Dave and Mac.

MCC takes you through the best moments of Sunday night television including the season 2 premiere of the Two Coreys, Gene Simmons Family Jewels, Living Lohan, and Denise Richards It's Complicated.

Killola will be here, braindead, at 4pm PST. Bring your friends, bring your webcams, bring your gnarly freestyling skills. Leave your CAPS LOCK keys at home. Author: killola Keywords: Killola Judge Judy New Cats Shakespeare Jeff Lynne Corey Haim and Verdugo. Aired Live: 2007-08-17 16:02:36

Daily Video for Wednesday, March 7th, 2007 Explorations: -Death of a hero -Pneumonia...which I have -Vault Footage: Plotlines Notes: Opening music from a William Lauderdale performance