Conversation Videos

Paul Glabicki "Object conversation" - (1984) Una serie de objetos de origen (tijeras, una barra, piano, ring de boxeo, escaleras, un reloj de arena, un arco) se presentan, que se define, ha demostrado, discutido, hablado, yuxtapuestas y la progresiva re-inventado en el transcurso de una de varias capas visual y auditiva "conversaci n". La pel cula juega con el lenguaje, la memoria del espectador, las hip tesis sobre "familiar" los objetos, las asociaciones y de g nero, juegos de palabras, formas jerogl ficas y consciente y los procesos inconscientes del pensamiento y percepci n. "La pel cula reprocesa los estudios de primer cuadro de movimiento por fot grafo Eadweard Muybridge y elabora sobre las alusiones a los or genes del propio medio, as como sobre la relaci n entre la imagen, la palabra hablada y el texto .... deseza de percepci n del espectador se ejerce como elementos ... aparecen moment neamente en un estado y luego reaparecer en otra parte de la pantalla en otro." [Black Maria Film &

Georgia Gwinnet College Talent Show - Some high-lites! Enjoy!

BY BOB ANDELMAN Hank Rosenfeld found the kind of book writing job that guys like me salivate over. He met Irving Brecher, a brilliant and funny writer from the Golden Age of Hollywood comedy, and spent hours recording stories from Irv about everyone from Groucho Marx and the Marx Brothers to Judy Garland and Jackie Gleason. AUDIO EXCERPT: "Irv loved that movie, Meet Me in St. Louis. He had to read the entire script to Judy Garland because L.B. Mayer said, 'She doesn't want to do the picture!' She didn't want to be outshone in the movie by the little girl's part. But Judy used to come over to his house and sing. So he sold every line in the script to her like it was Shakespeare." “The Wicked Wit of the West,” as Groucho called him, lived a long and productive live, starting out writing one-liners for Milton Berle in the 1930s, two Marx Brothers films, punching up the humor in The Wizard Of Oz, writing and convincing Judy Garland to star in Meet Me in St. Louis, creating the long running radio and TV sitcom, “The Life of Riley,” and writing the original film version of Bye Bye Birdie for Dick Van Dyke and Ann-Margaret. Lucky for us, Brecher maintained a magnificent memory of the events of his life and spent his last years telling his stories to Hank Rosenfeld. Rosenfeld produced a book that is mostly Brecher’s memoir with some bits of Rosenfeld thrown in. The Wicked Wit of the West is a terrific read for any fan of comedy, particularly the Marx Brothers/Milton Berle/Jackie Gleason variety. It gets my highest possible recommendation. Open in your default player Detach into a separate window You can LISTEN to this interview with HANK ROSENFELD, author of THE WICKED WIT OF THE WEST, by clicking the BlogTalkRadio.com audio player above! Copyright 2009 Bob Andelman. Click here for copyright permissions!

From the series "tales of mere existance" comment if you like it, there`s a lot moreRated 4.1982 / 5 | 185 views | 5 comments Click here to watch the video Submitted By: Kenny McCormick Tags: tales of mere existance conversation mom

BY BOB ANDELMAN I was stuck in the car a few weeks ago, waiting to pick my wife up at work, tuning around the Sirius Satellite Radio dial, looking for a few laughs. I had already heard the Howard Stern show earlier in the day and went a few clicks past him and landed on the Blue Collar comedy channel. The voice I heard—the inflection, particularly—sounded like Steve Martin. It wasn’t him, but the performer had me laughing the way I used to laugh 30 years ago upon hearing new material from Martin. This was a fellow named James P. Connolly and he had me in stitches with his routine about how men—when it came to sizing up women—were either ass, breast or leg men. I won’t try to tell his jokes here, but it was so funny I put it on pause and replayed it for my wife when she got in the car. AUDIO EXCERPT: "When I was in Desert Storm, we were there for a little over a year, and the day we were leaving, they issued us desert boots. It was like a game show parting gift... When I go back to entertain the troops now, I strap those babies on because they probably cost the government $7,425—per boot." Mrs. Media is not usually in the mood for standup comedy—from me or anyone else—when she gets out of work, but this time I insisted she listen. Three minutes later, she was laughing as hard as I was and I was convulsing all over again. So I did something I never did before—I tracked down a comedian I heard on Sirius and invited him on the show based on maybe five minutes of material. Connolly is not an unknown, having performed at the Comedy Store and the Improv, hosted “Movie Obsessions” on VH1 and appearing frequently on the nationally syndicated “Bob and Tom Radio Show.” He’s also released a CD, “The Master Plan,” which you can order on his website. Open in your default player Detach into a separate window You can LISTEN to this interview with comedian JAMES P. CONNOLLY by clicking the BlogTalkRadio.com audio player above! Copyright 2009 Bob Andelman. Click here for copyright permissions!

Cabaret performer Wes Snelling co-hosted with Jon Faine, as they explored the world of Drag, with Miss Paris, Dee Dee Dazzler, and Bumpy Favell.

BY BOB ANDELMAN I was a little nervous when I received an email from Jane Friedman, the publisher of Writer’s Digest magazine and books. She was responding to my interview with one of her authors, Mike Sacks, the author of And Here’s the Kicker: Conversations with 21 Top Humor Writers on Their Craft. Sacks was unhappy with a number of things about the way Writer's Digest published his book and wasn’t shy abut discussing it. I thought Friedman was going to give me an earful about what a sack Sacks was and how neither of us understood anything about publishing decisions. Much to both of our surprise, she actually agreed with a number of the things we discussed and was interested in continuing the conversation. I was only too happy to do so; this show, after all, has hosted conversations with the editors and publishers of Smithsonian, Playboy, Success, Cooking Light and many others. AUDIO EXCERPT: "You could see the change in our magazine as well as the books we published over the last 10 years. We actually felt this affect long before we saw it coming up in the industry as far as newspapers and magazines closing. Our books and articles on freelance work, newspaper journalism, magazine journalism, those sales were falling off dramatically. But what was selling was anything related to novel writing, finding an agent, anything more creative writing related... Most people aspire to write a novel. That's where our market has shifted." And, as a guy who makes his living writing books and magazine articles, I certainly have an interest in the topic. As for Jane Friedman, she is publisher and editorial director of the Writer's Digest community at F+W Media in Cincinnati, Ohio, where she oversees all facets of the Writer's Digest brand, including Writer's Digest magazine, Writer’s Digest Books, annual market guides, online education, events, and competitions. Her blog, "There Are No Rules," discusses how writers can succeed in an era of change in the writing and publishing industry. Open in your default player Detach into a separate window You can LISTEN to this interview with JANE FRIEDMAN, publisher of WRITER'S DIGEST magazine and WRITER'S DIGEST BOOKS, by clicking the BlogTalkRadio.com audio player above! Copyright 2009 Bob Andelman. Click here for copyright permissions!

Tell me if it was funny and be honest!!Here we get a sneak peek at what theese random dorks have to say! Tune in for a possible part two!

In the OPEN SPACE section of Art Cologne 2009, Galerie Thomas Zander presents Mark Thompson's video installation Immersion (1974-76). Immersion was also the topic of a talk that was held at the OPEN SPACE Lounge. This video documents the conversation between Mark Thompson and Los Angeles-based art critic David Pagel.