Company 3 Videos

An open mind is advised. The following film may contain scenes of sexuality. Or scenes that make you question your own sexuality. Or the sexuality of the person who recommended the movie. Or sexuality altogether A weird spot directed by Tim Godsall and produced at Biscuit and OPC. Creative agency: TBWA. Editor: Geoff Hounsell at Arcade Edit. Visual effects: Airship. Telecine: Company 3. Audio: Beacon Street Studios and Pinewood Sound. In the same campaign: Disturbing and Subtitles. Il seguente film potrebbe contenere scene di sessualità. O scene che mettono in dubbio la tua sessualità. O la sessualità di chi ti ha consigliato il film. O anche la sessualità in generale Strano spot diretto da Tim Godsall e prodotto Biscuit e OPC. Agenzia creativa: TBWA. Montaggio: Geoff Hounsell presso Arcade Edit. Effetti visivi: Airship. Telecinema: Company 3. Audio: Beacon Street Studios e Pinewood Sound. Nella stessa campagna: Disturbing and Subtitles. Copyright © 2009 via Ads of the World DOWNLOAD (640 480): Scarica Sexuality in alta risoluzione standard. [Format: MPEG-4 - Size: 10 MB - Running Time: 50 sec.] DOWNLOAD (640 480): Scarica Sexuality in alta risoluzione standard. [Format: Ogg Video - Size: 5 MB - Running Time: 50 sec.] WATCH (ALT.): Guarda Sexuality su Ads of the World. [Format: Flash Video] LINK: Visita Vancouver International Film Festival. LINK: Visita TBWA Vancouver. LINK: Visita Mike Hasinoff. LINK: Visita OPC. LINK: Visita Biscuit Filmworks. LINK: Visita Darko Suvak. LINK: Visita Arcade Edit. LINK: Visita Airship Post. LINK: Visita Company 3. LINK: Visita Beacon Street Studios. LINK: Visita Pinewood Sound. LINK: Visita Nicolette Guidotti. IMDB: Pagina di Tim Godsall Geoff Hounsell Rhubie Jovanov Andrew Feltenstein

A nice look behind the scenes of the work of A52 on the Popup commercial. The clip also includes the spot itself. Interessante sguardo dietro le quinte sull operato di A52 per lo spot Popup. La clip include anche lo spot stesso. Copyright © 2007 thanks Roger! DOWNLOAD (720 408): Scarica Making of Pop Up in alta risoluzione. [Format: MPEG-4 - Size: 19 MB - Running Time: 2 min.] DOWNLOAD (720 540): Scarica Making of Pop Up in alta risoluzione. [Format: Ogg Video - Size: 12 MB - Running Time: 2 min.] DOWNLOAD (720 540): Scarica Making of Pop Up in alta risoluzione. [Format: Quicktime - Size: 44 MB - Running Time: 2 min.] WATCH (ALT.): Guarda Making of Pop Up su Vimeo. [Format: Flash Video] REFERENCE: Il post di Lexus Popup. LINK: Visita Team One. LINK: Visita Smuggler. LINK: Visita Stylewar. LINK: Visita Toby Irwin. LINK: Visita R!Ot. LINK: Visita Butcher. LINK: Visita A52. LINK: Visita Company 3. LINK: Visita Robot Repair. LINK: Visita Juice. IMDB: Pagina di Jim Sloyan.

Ubi maior minor cessat. There are monster monsters and there are mooooonsta monsters. I'm dead in the head. The spot was directed by Dante Ariola and was produced by Natalie Hill at MJZ. Director of photography: Philipe Le Sourd. Editor: Kirk Baxter at Rock Paper Scissors. Visual effects: Method Studios. Supervisors: Alex Frisch, Andy Boyd. Colorist: Stefan Sonnenfeld at Company 3. Ci sono i mostri mostri e poi ci sono i monstri ammostro. Vabbé, non ci fate caso. Deliro. Lo spot è stato diretto da Dante Ariola e prodotto da Natalie Hill presso MJZ. Direttore della fotografia: Philipe Le Sourd. Montaggio: Kirk Baxter presso Rock Paper Scissors. Effetti visivi: Method Studios. Supervisori: Alex Frisch, Andy Boyd. Colore: Stefan Sonnenfeld presso Company 3. © 2009 via feed and 'boards DOWNLOAD (960x540): Scarica Monsters. [Format: MPEG-4 - Size: 8 MB - Running Time: 45 sec.] DOWNLOAD (ALT.): Scarica Monsters. [Format: Quicktime - Size: 8 MB - Running Time: 45 sec.] WATCH: Guarda Monsters in finestra. DOWNLOAD (ALT.): Scarica Monsters. [Format: Ogg Video - Size: 10 MB - Running Time: 45 sec.] DOWNLOAD (768x432): Scarica Monsters. [Format: MPEG-4 - Size: 9 MB - Running Time: 45 sec.] WATCH (LO RES): Guarda Monsters in finestra. [Format: Flash Video] WATCH (ALT.): Guarda Monsters su 'boards. [Format: Quicktime] LINK: Visita Method Studios. LINK: Visita Rock Paper Scissors. LINK: Visita MJZ. LINK: Visita Company3. LINK: Visita Fallon. IMDB: Pagina di Dante Ariola CODECS: Ogg - Apple Quicktime - Flash

Engage! Credits TAG: Tutti i post su Must Drink More Milk. DOWNLOAD (HI RES): Scarica Teen Power Team. [Format: MPEG-4 - Size: 7 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Teen Power Team. [Format: Quicktime - Size: 7 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Teen Power Team. [Format: Ogg Video - Size: 5 MB - Running Time: 30 sec.] CODECS: Ogg - Apple Quicktime

OMG! OMG! OMG! OMG! OMG! OMG! Credits TAG: Tutti i post su Must Drink More Milk. DOWNLOAD (HI RES): Scarica Foosball. [Format: MPEG-4 - Size: 7 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Foosball. [Format: Quicktime - Size: 7 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Foosball. [Format: Ogg Video - Size: 2 MB - Running Time: 30 sec.] CODECS: Ogg - Apple Quicktime

D'oh! Credits TAG: Tutti i post su Must Drink More Milk. DOWNLOAD (HI RES): Scarica Monster. [Format: MPEG-4 - Size: 8 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Monster. [Format: Quicktime - Size: 8 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica Monster. [Format: Ogg Video - Size: 4 MB - Running Time: 30 sec.] CODECS: Ogg - Apple Quicktime

Progress! Six years? Ha! Take this Noah!!! The spot was directed by Eric Saarinen (also director of photography) and produced at TWC, Santa Monica. Visual effects: Ntropic. Creative Directors: Nathan Robinson and Andrew Sinagra. Executive Producer: Dana Townsend. Computer Graphics Supervisor: Peter Hamilton. Creative agency: Campbell Ewald. Producer: Joe Knisely. Creative Directors: Michael Stelmaszek, Robin Todd. Copywriter: Duffy Patten. Art Director: Bob Guisgand. Editor was Igor Kovalik at Beast. (This is what I was looking for when I found the Real Man of Genius spot). Colorist: Mike Pethel at Company 3. Click for more credits. Sei anni? Tsk! Prendi questo Noah!!! Lo spot è stato diretto da Eric Saarinen (anche direttore della fotografia) e prodotto presso TWC di Santa Monica. Effetti visivi: Ntropic. Direttori creativi: Nathan Robinson ed Andrew Sinagra. Produttore esecutivo: Dana Townsend. Supervisore alla computer grafica: Peter Hamilton. Agenzia: Campbell Ewald. Produttore: Joe Knisely. Direttori creativi: Michael Stelmaszek, Robin Todd. Copywrite: Duffy Patten. Direttore artistico: Bob Guisgand. Montatore: Igor Kovalik presso Beast. (Cercavo questo quando ho trovato lo spot Real Man of Genius). Colore: Mike Pethel presso Company 3. Clicca per gli altri credit. via 'boards clip found by Motionographer DOWNLOAD (960x540): Scarica Disappear. [Format: MPEG-4 - Size: 31 MB - Running Time: 1 min.] DOWNLOAD: Scarica Disappear. [Format: Quicktime - Size: 31 MB - Running Time: 1 min.] DOWNLOAD (ALT.): Scarica Disappear. [Format: Ogg Video - Size: 23 MB - Running Time: 1 min.] DOWNLOAD (768x432): Scarica Disappear. [Format: MPEG-4 - Size: 15 MB - Running Time: 1 min.] DOWNLOAD (640x480): Scarica Disappear. [Format: Quicktime - Size: 13 MB - Running Time: 1 min.] WATCH: Guarda Disappear in finestra. DOWNLOAD (480x270): Scarica Disappear. [Format: Quicktime - Size: 10 MB - Running Time: 1 min.] WATCH: Guarda Disappear in finestra. WATCH (ALT.): Guarda Disappear. [Format: Flash Video] WATCH (320x240): Guarda Disappear su 'boards. [Format: Quicktime] WATCH (LOW Q.): Guarda Disappear in bassa qualità. [Format: Flash Video] LINK: Visita Ntropic. LINK: Visita Beast. LINK: Visita Company 3. LINK: Visita Company 3. LINK: Visita Campbell-Ewald Advertising. LINK: Visita Joe Knisely. CODECS: Ogg - Apple Quicktime - Flash

...in less than a second! Another light doodle commercial for Sprint, it appeared a bit before Monsters of Nascar. Directed by Nieto and Marc Wilikins at Paranoid US. Direct. of photography: Marc Wilkins. Animators: Nieto, Taik Lee, Jason Brubaker. Editor: Justin Fong. Colorist: Sean Coleman at Company 3. Post production made at BUF and Demiurge. Creative agency: Goodby, Silverstein & Partners, San Francisco. The song is Einstürzende Neubauten's Total Eclipse of the Sun. Audio mix by Eben Carr at Union One. Click for a complete list of credits. Altro spot con scarabocchi di luce per Sprint, apparso un po' prima di Monsters of Nascar. Diretto da Nieto e Marc Wilikins presso Paranoid US. Dirett. della fotografia: Marc Wilkins. Animatori: Jason Brubaker, Nieto, Taik Lee. Montaggio: Justin Fong. Colore: Sean Coleman presso Company 3. Post prodotto presso BUF e Demiurge. Agenzia creativa: Goodby, Silverstein & Partners di San Francisco. Il brano è Total Eclipse of the Sun degli Einstürzende Neubauten. Mix audio di Eben Carr presso Union One. Clicca per la lista completa dei credit. previously on MilkandCookies.com via 'boards (IIRC) DOWNLOAD (HI RES): Scarica City Lights. [Format: MPEG-4 - Size: 7 MB - Running Time: 30 sec.] DOWNLOAD (ALT.): Scarica City Lights. [Format: Ogg Video - Size: 5 MB - Running Time: 30 sec.] DOWNLOAD (LOW RES): Scarica City Lights. [Format: Quicktime - Size: 15 MB - Running Time: 30 sec.] WATCH: Guarda City Lights in finestra. DOWNLOAD (ALT.): Scarica City Lights. [Format: Quicktime - Size: 6 MB - Running Time: 30 sec.] WATCH (ALT.): Guarda City Lights in finestra. [Format: Quicktime] WATCH (ALT.): Guarda City Lights in finestra. [Format: Flash Video] LINK: Visita Paranoid US. LINK: Visita Marc Wilkins. LINK: Visita BUF. LINK: Visita Goodby & Silverstein. LINK: Visita Union One Recording Studios. LINK: Visita Co3. CODECS: Ogg - Apple Quicktime - Flash

*crunch* These Lynx commercials are getting more and more creepy with time. Which makes them a lot more interesting to me... "Filming in Los Angeles was shot by director Tom Kuntz via MJZ, with executive producers David Zander and Jeff Scruton, producer Scott Kaplan; director of photography Harris Savides."(Source: Duncan's) Post produced at The Mill, Los Angeles, by visual effects supervisors David Parker and Robert Kolbeins with their team. Chocolate suit developed at Stan Winston Studio. Editor was Carlos Arias at Final Cut. Sound design by La Casa. Telecine by Stefan Sonnenfeld at Company 3. Developed at Vega Olmos Ponce, Buenos Aires, by executive creative director Hernán Ponce, copywriter Mario Crudele, art director Martín Ponce. Questi spot di Lynx diventano sempre più inquietanti col tempo. Il che me li rende molto più interessanti... "Le riprese a Los Angeles sono state dirette da Tom Kuntz per MJZ con i produttori esecutivi David Zander e Jeff Scruton, ed il produttore Scott Kaplan; direttore della fotografia Harris Savides."(Fonte: Duncan's) Post prodotto presso The Mill, Los Angeles, dai supervisori agli effetti visivi David Parker e Robert Kolbeins col loro team. Il costume di cioccolata è opera di Stan Winston Studio. Montaggio di Carlos Arias presso Final Cut. Progetto del suono: La Casa. Telecine: Stefan Sonnenfeld presso Company 3. Sviluppato da Vega Olmos Ponce di Buenos Aires. Direttore creativo esecutivo: Hernán Ponce; copywriter Mario Crudele; direttore artistico: Martín Ponce. DOWNLOAD (HI RES): Scarica Chocolate Man. [Mirror] [Format: MPEG-4 - Size: 16 MB - Running Time: 40 sec.] WATCH: Guarda Chocolate Man in finestra. [Format: MPEG-4 - Needs: Flash] DOWNLOAD (ALT.): Scarica Chocolate Man. [Format: Ogg Video - Size: 6 MB - Running Time: 40 sec.] WATCH (LOW RES): Guarda Chocolate Man in finestra. [Format: Flash Video] LINK: Visita The Mill. LINK: Visita MJZ. LINK: Visita Final Cut Edit. LINK: Visita La Casa Post Sound. LINK: Visita Company 3. LINK: Visita Stan Winston Studio. CODECS: Ogg - Flash

A crescendo, Annie Nothing spectacular, today. Just some "well produced ridiculousness" to steal the words used over at Not Cot. The spot was directed by Eric King and produced at Tate for creative agency Cut Water. Creative: Chuck McBride. Visual effects by Method Studios. 2D artists: Jake Montgomery, Andy Mower, Billy Higgens and Noah Caddis. Director of photography: James McEwen. Edited by Dan Oberle at The White House. Colorist: Tim Masick at Company 3. Niente di spettacolare, oggi. Solo della "ridicolaggine ben prodotta" per rubare le parole usata da Not Cot. Lo spot è stato diretto da Eric King e prodotto presso Tate per l'agenzia creativa Cut Water. Creativo: Chuck McBride. Effetti visivi: Method Studios. Artisti del 2D: Jake Montgomery, Andy Mower, Billy Higgens e Noah Caddis. Direttore della fotografia: James McEwen. Montaggio: Dan Oberle presso The White House. Colore: Tim Masick presso Company 3. via nozap DOWNLOAD (HI RES): Scarica Moonwalker. [Format: MPEG-4 - Size: 14 MB - Running Time: 90 sec.] WATCH: Guarda Moonwalker in finestra. [Format: Quicktime - Size: 14 MB - Running Time: 90 sec.] DOWNLOAD (ALT.): Scarica Moonwalker. [Format: Ogg Video - Size: 15 MB - Running Time: 90 sec.] WATCH (LO RES): Guarda Moonwalker in finestra. [Format: Flash Video] LINK: Visita Method Studios. LINK: Visita Tate USA. LINK: Visita Company 3. LINK: Visita The Whitehouse Post. LINK: Visita Cutwater. CODECS: Ogg - Apple Quicktime - Flash

Taste the Rainbow! Everything he touches turn into Skittles. Spot directed by Tom Kuntz and produced by Scott Kaplan at MJZ. Editor: Gavin Cutler at Mackenzie Cutler. Visual effects: The Mill. Telecine: Tim Masick at Company 3. Agency: TBWA/ Chiat/ Day, New York. Tutto ciò che tocca si tramuta in Skittles. Spot diretto da Tom Kuntz e prodotto da Scott Kaplan presso MJZ. Montaggio: Gavin Cutler presso Mackenzie Cutler. Effetti visivi: The Mill. Telecinema: Tim Masick presso Company 3. Agenzia: TBWA/ Chiat/ Day, New York. DOWNLOAD (HI RES): Scarica Touch. [Format: MPEG-4 - Size: 18 MB - Running Time: 1 min.] DOWNLOAD: Scarica Touch da Beam TV. [Format: MPEG-4 - Size: 18 MB - Running Time: 1 min.] WATCH: Guarda Touch su Beam TV. [Needs: Flash Video - Format: MPEG-4] DOWNLOAD (HI RES): Scarica Touch. [Format: Ogg Video - Size: 5 MB - Running Time: 1 min.] WATCH (LOW RES): Guarda Touch su MandC. [Format: Flash Video] LINK: Visita MJZ. LINK: Visita The Mill. LINK: Visita Mackenzie Cutler. LINK: Visita Company 3. CODECS: Ogg - Flash

Shinin' down like water Hundreds of buckets are hoisted into the sky and poured into a huge watering can. The spot has been directed and produced by Traktor. Advertising agency: BBDO. Director of photography: Emanuelle Lebatique. Editor: Gavin Cutler at MacKenzie Cutler. Visual effects by The Mill. The song is Have you Ever Seen the Rain? as performed by Juju Stulbach. The song was written by CCR's John Fogerty. Centinaia di secchi d'acqua vengono issati nel cielo e versati in un gigantesco contenitore. Lo spot è stato diretto e prodotto da Traktor. Agenzia pubblicitaria: BBDO. Direttore della fotografia: Emanuelle Lebatique. Montaggio: Gavin Cutler pressso MacKenzie Cutler. Effetti visivi: The Mill. Il brano è Have you Ever Seen the Rain? cantata da Juju Stulbach. La canzone era stata scritta da John Fogerty dei CCR. DOWNLOAD (HI RES): Scarica Clouds. [Mirror] [Format: MPEG-4 - Size: 17 MB - Running Time: 1 min.] WATCH: Guarda Clouds in finestra. DOWNLOAD (ALT.): Scarica Clouds. [Format: Ogg Video - Size: 6 MB - Running Time: 1 min.] WATCH (LO RES): Guarda Clouds in finestra. [Format: Flash Video] READ: Leggi l'articolo The Mill Reigns. LINK: Visita Traktor. LINK: Visita The Mill. LINK: Visita MacKut. LINK: Visita Company3. LINK: Visita BBDO. CODECS: Ogg - Flash

Zoom Zoom! Another Color vs White story (like True Color and De Blob) where the message seems to be that the Mazda will never be the way you want it to be. The spot has been directed by Carl Erik Rinsch at RSA Films. Advertising agency: JWT, Dusseldorf. Post production: Digital Domain. Visual Effects Supervisor: Jay Barton. Computer Graphics Supervisor: Greg Teegarden. Editor: Russ Glasgow. Telecine: Stefan Sonnenfeld at Company 3. Sound: Giesing Team. Mixing: Pavi Lustig. Sound design: Rudi Hochrein. The choice of the song aims to be a reference to Terry Gilliam's Brazil, I guess. Click for full credits. Altra storia Colore vs Bianco (come True Color e De Blob) dove il messaggio sembra essere che la Mazda non la avrete mai come la volete voi. Lo spot è stato diretto da Carl Erik Rinsch presso RSA Films. Agenzia pubblicitaria: JWT, Dusseldorf. Post produzione: Digital Domain. Supervisore agli effetti: Jay Barton. Supervisore alla computer grafica: Greg Teegarden. Montaggio: Russ Glasgow. Telecinema: Stefan Sonnenfeld presso Company 3. Sonoro: Giesing Team. Mix: Pavi Lustig. Progetto del suono: Rudi Hochrein. La scelta del brano credo voglia richiamare Brazil di Terry Gilliam. Clicca per tutti i credit. via feed and Motionographer DOWNLOAD (850x478): Scarica Red and White. [Format: MPEG-4 - Size: 9 MB - Running Time: 30 sec.] DOWNLOAD (850x478): Scarica Red and White da Motionographer. [Format: Quicktime - Size: 9 MB - Running Time: 30 sec.] DOWNLOAD (768x432): Scarica Red and White. [Format: MPEG-4 - Size: 5 MB - Running Time: 30 sec.] DOWNLOAD (480x270): Scarica Red and White da feed. [Format: Quicktime - Size: 6 MB - Running Time: 30 sec.] LINK: Visita RSA Films. LINK: Visita Digital Domain. LINK: Visita Digital Domain. LINK: Visita JWT. LINK: Visita Company3. LINK: Visita Giesing-Team. CODECS: Apple Quicktime

Proven at the hottest temperature ever recorded on Earth. Again, one out a series of four five commercials involving a prank prone robot and a global warming aware kind of deodorant. The spots have been directed by Matthijs van Heijningen at MJZ supervised by The Mill's Hitesh Patel. Director of photography: Chris Soos. Editor: Joe Guest at Final Cut. Telecine: Company 3. Post production by The Mill. Creative agency: Lowe, New York. All the four spots are available on Beam TV. Ancora uno spot da una serie di quattro cinque, che coinvolge un robot incline alla burla ed un deodorante adatto al cambiamento del clima. Gli spot sono stati diretti da Matthijs van Heijningen presso MJZ con la supervisione di Hitesh Patel di The Mill. Direttore della fotografia: Chris Soos. Montaggio: Joe Guest, Final Cut. Telecinema: Company 3. Post produzione: The Mill. Agenzia creativa: Lowe, New York. Tutti i quattro spot sono disponibili su Beam TV. DOWNLOAD: Scarica Heat Resistant. [Mirror] [Format: MPEG-4 - Size: 8 MB - Running Time: 20 sec.] WATCH: Guarda Heat Resistant su Vimeo. [Format: Flash Video] READ: Leggi Rexona is no Sweat for The Mill LA. LINK: Visita The Mill. LINK: Visita MJZ. LINK: Visita Final Cut Edit. LINK: Visita Company3. LINK: Visita Lowe Worldwide. CODECS: Flash

Better video available in the links below!!! A commercial for Sprint, the sponsor of Nascar cup series racing featuring "a host of racing cars vying for lead position". Also featuring an incredible amount of talents in its production. The spot has been directed by Michael Mann and produced by Alturas Films. Director of photography: Dante Spinotti. Creative agency: Goodby Silverstein & Partners. The animation has been designed and produced at Green Dot Films, directed by no other than Three Legged Legs. The Mill applied the animation to the cars footage and did several other compositon works. Read more here. Editor was Hank Corwin at Lost Planet. Telecine by Stefan Sonnenfeld at Company 3. Titles by Buck. Audio post produced by Robert Feist at Ravenswork Studios. Click for more credits. Pubblicità per Sprint (sponsor della formula Nascar) che presenta "un'orda di macchine da corsa che lottano per la posizione di testa", oltre che un incredibile schiera di talenti nella sua produzione. Lo spot è stato diretto da Michael Mann e prodotto da Alturas Films. Direttore della fotografia: Dante Spinotti. Agenzia creativa: Goodby Silverstein & Partners. Produzione e design dell'animazione sono opera di Green Dot Films, per la regia di non altri che Three Legged Legs. The Mill ha applicato l'animazione alle riprese delle auto più tante altre cosette. Per saperne di più basta un click. Montaggio: Hank Corwin presso Lost Planet. Telecinema: Stefan Sonnenfeld presso Company 3. Titoli: Buck. Post produzione audio: Robert Feist presso Ravenswork Studios. Un click per gli altri credits. many thanks to Brady Spear DOWNLOAD (854x480): Scarica The Monsters of Nascar. [Format: MPEG-4 - Size: 23 MB - Running Time: 1 min.] DOWNLOAD (640x360): Scarica The Monsters of Nascar. [Format: MPEG-4 - Size: 12 MB - Running Time: 1 min.] WATCH (BAD Q.): Guarda The Monsters of Nascar in bassa. [Format: Flash Video] READ: Leggi Monsters Behind the Wheel in LA su The Mill. LINK: Visita Alturas. LINK: Visita Three Legged Legs. LINK: Visita Green Dot Films. LINK: Visita Lost Planet. LINK: Visita Buck. LINK: Visita Ravenswork. LINK: Visita Goodby, Silverstein & Partners. CODECS: Flash

I am an elf. DOWNLOAD: Scarica Santa Academy Pt.2 [Format: MPEG-4 - Size: 16 MB - Running Time: 1 min.] DOWNLOAD: Scarica Santa Academy Pt.2 (Interlaced!) [Format: Quicktime - Size: 56 MB - Running Time: 1 min.] WATCH: Guarda Santa Academy in finestra. [Format: Flash Video] CODECS: Apple Quicktime - Flash

I am sticky, I'm in pain Because my cock is a candy cane. DOWNLOAD: Scarica Santa Academy Pt.1 [Format: MPEG-4 - Size: 14 MB - Running Time: 1 min.] DOWNLOAD: Scarica Santa Academy Pt.1 (Interlaced!) [Format: Quicktime - Size: 42 MB - Running Time: 1 min.] WATCH: Guarda Santa Academy in finestra. [Format: Flash Video] CODECS: Apple Quicktime - Flash