Ted Wells living : simple

Two men, both architects -- one, Antonin Raymond was a Czech who came to America and worked for Frank Lloyd Wright and would become the father of Japanese modernism; and the other, a talented American of Japanese descent from Spokane, Washington, George Nakashima. These men's paths would dramatically cross a few times during their lives, and each time, their lives were changed. Design in America, Japan, India and the world, is better because of it. This is their story. At the Graham Foundation in Chicago until May 25, 2006, visit the exhibition about Antonin Raymond and George Nakashima's ashram dormitory building, Golconde: The Introduction of Modernism in India (www.grahamfoundation.org). The Sri Aurobindo Ashram allowed scholars access to the library and archives and all images and drawings were catalogued wih the Ashram's permission. The research team for Golconde comprised of Pankaj Vir Gupta, AIA and Christine Mueller, partners in the firm of vir.mueller architects (www.virmueller.com). Mira Nakashima's book, "Nature Form & Spirit: The Life and Legacy of George Nakashima," is a tribute to her father, his architecture and furniture, and his reverence for nature. For information on the book and tours of the Nakashima Studio in New Hope, Pennsylvania, visit www.nakashimawoodworker.com. And visit www.tedwells.com.

Two men, both architects -- one, Antonin Raymond was a Czech who came to America and worked for Frank Lloyd Wright and would become the father of Japanese modernism; and the other, a talented American of Japanese descent from Spokane, Washington, George Nakashima. These men's paths would dramatically cross a few times during their lives, and each time, their lives were changed. Design in America, Japan, India and the world, is better because of it. This is their story. At the Graham Foundation in Chicago until May 25, 2006, visit the exhibition about Antonin Raymond and George Nakashima's ashram dormitory building, Golconde: The Introduction of Modernism in India (www.grahamfoundation.org). The Sri Aurobindo Ashram allowed scholars access to the library and archives and all images and drawings were catalogued wih the Ashram's permission. The research team for Golconde comprised of Pankaj Vir Gupta, AIA and Christine Mueller, partners in the firm of vir.mueller architects (www.virmueller.com). Mira Nakashima's book, "Nature Form & Spirit: The Life and Legacy of George Nakashima," is a tribute to her father, his architecture and furniture, and his reverence for nature. For information on the book and tours of the Nakashima Studio in New Hope, Pennsylvania, visit www.nakashimawoodworker.com. And visit www.tedwells.com.

At the farthest western edge of Spain, where it meets the sea and looks to the setting sun over the Atlantic this desolate landscape is formed by the constant wind and waves. It is a harsh land, this tip of Galicia, where the most valued natural resource is the sea. And on this westernmost point, Finisterre, also known as the coast of death because of a long history of shipwrecks, perches one of the most moving pieces of modern architecture, a cemetery for sailors and fishermen, by architect Cesar Portela. Through May 1, 2006, at the Museum of Modern Art in New York there is a new exhibit of modern Spanish architecture. For more information, visit www.moma.org. And visit www.tedwells.com.

At the farthest western edge of Spain, where it meets the sea and looks to the setting sun over the Atlantic this desolate landscape is formed by the constant wind and waves. It is a harsh land, this tip of Galicia, where the most valued natural resource is the sea. And on this westernmost point, Finisterre, also known as the coast of death because of a long history of shipwrecks, perches one of the most moving pieces of modern architecture, a cemetery for sailors and fishermen, by architect Cesar Portela. Through May 1, 2006, at the Museum of Modern Art in New York there is a new exhibit of modern Spanish architecture. For more information, visit www.moma.org. And visit www.tedwells.com.

Charlotte Perriand lived long enough to see her modern furniture became famous, and command six-figure prices at dealers and auction houses around the world. But more importantly, she knew how to live. Perriand, was one of the most influential furniture designers of the early modern movement. She introduced the âmachine ageâ aesthetic to interiors in the steel, aluminum and glass furniture she created at Le Corbusierâs architectural studio in the late 1920s and 1930s. Perriand was also one of the most remarkable women of the 20th century, but like many woman who labor long in the shadow of more famous men, it was she who most displayed a spirit of living that is lacking in life today. Part of this loss could be our feeling that there is little new in the world for us to discover, that discoveries happen only in laboratories and computer rooms. For a designer there seems to be little to discover, but is this true? Other cultures were a source of rich inspiration to Perriand, but while our opportunity for exposure to cultures in the 21st century is certainly greater, is our understanding of some cultures really any better today? For designers, there is still much more to discover about the human condition â and Perriand can teach us about playfulness, adventure and the joy of discovery. The exhibit "Charlotte Perriand" is open until March 27 at the Centre Pompidou in Paris. For more information visit www.centrepompidou.fr and read the book Charlotte Perriand: A Life of Creation (The Monacelli Press). Visit www.tedwells.com.

Charlotte Perriand lived long enough to see her modern furniture became famous, and command six-figure prices at dealers and auction houses around the world. But more importantly, she knew how to live. Perriand, was one of the most influential furniture designers of the early modern movement. She introduced the âmachine ageâ aesthetic to interiors in the steel, aluminum and glass furniture she created at Le Corbusierâs architectural studio in the late 1920s and 1930s. Perriand was also one of the most remarkable women of the 20th century, but like many woman who labor long in the shadow of more famous men, it was she who most displayed a spirit of living that is lacking in life today. Part of this loss could be our feeling that there is little new in the world for us to discover, that discoveries happen only in laboratories and computer rooms. For a designer there seems to be little to discover, but is this true? Other cultures were a source of rich inspiration to Perriand, but while our opportunity for exposure to cultures in the 21st century is certainly greater, is our understanding of some cultures really any better today? For designers, there is still much more to discover about the human condition â and Perriand can teach us about playfulness, adventure and the joy of discovery. The exhibit "Charlotte Perriand" is open until March 27 at the Centre Pompidou in Paris. For more information visit www.centrepompidou.fr and read the book Charlotte Perriand: A Life of Creation (The Monacelli Press). Visit www.tedwells.com.

In 2006, the world's best chair designer, Hans Wegner, will celebrate his 92nd birthday and his 75th year of designing furniture. Wegner epitomizes the best in Danish design - the idea that craftsmanship and modern living are not at odds - and that well-crafted designs can be produced in quantity. And, continuing another tradition, of sorts, it's the final week to mail-in your creation to the Design Within Reach Champagne Chair Contest. Plenty to celebrate! For more information visit the Danish Design Center at www.ddc.dk; Design Within Reach at www.dwr.com; and www.tedwells.com.

In 2006, the world's best chair designer, Hans Wegner, will celebrate his 92nd birthday and his 75th year of designing furniture. Wegner epitomizes the best in Danish design - the idea that craftsmanship and modern living are not at odds - and that well-crafted designs can be produced in quantity. And, continuing another tradition, of sorts, it's the final week to mail-in your creation to the Design Within Reach Champagne Chair Contest. Plenty to celebrate! For more information visit the Danish Design Center at www.ddc.dk; Design Within Reach at www.dwr.com; and www.tedwells.com.

I've found some buildings that look better in reality than in rendering -- and they are all designed by one firm. The firm is Herzog the Library of Eberswald University; the Tate Modern; the Dominus Winery. For more information about the new de Young Museum, visit www.thinker.org. And for some designs for which I am guilty, visit www.tedwells.com.

I've found some buildings that look better in reality than in rendering -- and they are all designed by one firm. The firm is Herzog the Library of Eberswald University; the Tate Modern; the Dominus Winery. For more information about the new de Young Museum, visit www.thinker.org. And for some designs for which I am guilty, visit www.tedwells.com.

Some architects depend on computer rendering and much of their reputation is built on computer imagery -- but when was the last time you saw a building in real life that looked better than the rendering? In the computer images, buildings are often depicted at night, with the translucent walls aglow, offering glimpses of life inside. Zaha Hadid, Daniel Libeskind, and Rem Koolhaas know the power of persuasion in creating a rendering as an inspirational sales tool. But what does this mean to all of us who have to live with the buildings -- in the real world -- and face the disappointment of seeing the building built, and it's not as ethereal, as glowing, as interesting as it was presented to us in the rendering? The answer might be found in a winking Jesus. Pictured is the rendering and reality views of the Contemporary Arts Center in Cincinnati, designed by Zaha Hadid. For more inspiration, visit www.tedwells.com.

Some architects depend on computer rendering and much of their reputation is built on computer imagery -- but when was the last time you saw a building in real life that looked better than the rendering? In the computer images, buildings are often depicted at night, with the translucent walls aglow, offering glimpses of life inside. Zaha Hadid, Daniel Libeskind, and Rem Koolhaas know the power of persuasion in creating a rendering as an inspirational sales tool. But what does this mean to all of us who have to live with the buildings -- in the real world -- and face the disappointment of seeing the building built, and it's not as ethereal, as glowing, as interesting as it was presented to us in the rendering? The answer might be found in a winking Jesus. Pictured is the rendering and reality views of the Contemporary Arts Center in Cincinnati, designed by Zaha Hadid. For more inspiration, visit www.tedwells.com.

Architectural One Hit Wonders: George Wyman and Willis Polk each designed a building that is so great, it overshadows their career. Wyman's Bradbury Building (1892) is in Los Angeles and few interior spaces in the world even come close to its magic. He almost didn't take the job, until a Ouija board told him he must. Polk's Hallidie Building (1917) in San Francisco is wrapped in a early use of a glass curtain wall -- and Polk did it so well there has not been a glass curtain wall since that is as beautiful as the Hallidie's. These one-hit wonders have much to teach us about bridging the past and future with bold and thoughtful designs. The Bradbury Building is located at 304 S. Broadway in Los Angeles. The Hallidie Building is at 130 Sutter Street in San Francisco. And visit www.tedwells.com.

Architectural One Hit Wonders: George Wyman and Willis Polk each designed a building that is so great, it overshadows their career. Wyman's Bradbury Building (1892) is in Los Angeles and few interior spaces in the world even come close to its magic. He almost didn't take the job, until a Ouija board told him he must. Polk's Hallidie Building (1917) in San Francisco is wrapped in a early use of a glass curtain wall -- and Polk did it so well there has not been a glass curtain wall since that is as beautiful as the Hallidie's. These one-hit wonders have much to teach us about bridging the past and future with bold and thoughtful designs. The Bradbury Building is located at 304 S. Broadway in Los Angeles. The Hallidie Building is at 130 Sutter Street in San Francisco. And visit www.tedwells.com.

There hasn't been a house built in the past 70 years that even comes close to the iconic status of Fallingwater. Sure it took a good architect and a great client, but it also took the right cultural climate and publicity machine that understood what America was looking for - and gave it to us, all sugary excess on a cantilevered platter. And we've eaten it up ever since. Podcast notes: For more information, read the book Fallingwater Rising: Frank Lloyd Wright, E.J. Kaufmann, and America's Most Extraordinary House, by Franklin Toker. Visit the George Eastman House in Rochester, New York for their Sweet Creations Gingerbread Houses through December 15, www.eastmanhouse.org. And visit www.tedwells.com

There hasn't been a house built in the past 70 years that even comes close to the iconic status of Fallingwater. Sure it took a good architect and a great client, but it also took the right cultural climate and publicity machine that understood what America was looking for - and gave it to us, all sugary excess on a cantilevered platter. And we've eaten it up ever since. Podcast notes: For more information, read the book Fallingwater Rising: Frank Lloyd Wright, E.J. Kaufmann, and America's Most Extraordinary House, by Franklin Toker. Visit the George Eastman House in Rochester, New York for their Sweet Creations Gingerbread Houses through December 15, www.eastmanhouse.org. And visit www.tedwells.com

Atop the highest peak of the highest hill in the Silverlake neighborhood of Los Angeles rests Silvertop -- one of architect John Lautner's most intriguing houses. "Real architecture is everything in life: Free-enduring spaces, heart, soul, spirit ... " Lautner said. Started in 1963, Silvertop wasn't finished until ten years later. In this podcast, hear about the clients who finished the house and have lived there ever since. Photo of Silvertop by John Ellis. www.tedwells.com.

Atop the highest peak of the highest hill in the Silverlake neighborhood of Los Angeles rests Silvertop -- one of architect John Lautner's most intriguing houses. "Real architecture is everything in life: Free-enduring spaces, heart, soul, spirit ... " Lautner said. Started in 1963, Silvertop wasn't finished until ten years later. In this podcast, hear about the clients who finished the house and have lived there ever since. Photo of Silvertop by John Ellis. www.tedwells.com.

Every few months I hear Brad Pitt talking about his love of architecture, and this week it appears he's in the thick of it. He's been blasted by residents of a British seaside town for a controversial design project he's worked on -- before construction has even begun. And on the same day, I saw a study finding that architects have been voted the sexiest male professionals, in a survey of women's ideal partners. Coincidence? ... The photo is of Brad Pitt intently using a glue gun on a design model as Frank Gehry beams at the camera. www.tedwells.com

Every few months I hear Brad Pitt talking about his love of architecture, and this week it appears he's in the thick of it. He's been blasted by residents of a British seaside town for a controversial design project he's worked on -- before construction has even begun. And on the same day, I saw a study finding that architects have been voted the sexiest male professionals, in a survey of women's ideal partners. Coincidence? ... The photo is of Brad Pitt intently using a glue gun on a design model as Frank Gehry beams at the camera. www.tedwells.com

Julius Shulman's photos did more than publicize the work of Modernist architects. He showed the world that the best architecture of mid-century America reflected the unique and imagined lifestyle of this place. In Shulman's perceptively sharp photos of architecture, interesting men and beautiful women are caught in the middle of a stimulating conversation over cocktails, or lounging in the garden, or emerging from an evening swim in the pool. Ted Wells notes that Shulman's photographs created the two things architecture needs for immortality: respectability and desirability. The Julius Shulman archive of 260,000 photographs has been acquired by the Getty Research Institute. The exhibit "Julius Shulman: Modernity and the Metropolis," is on display until January 22, 2006 at the Getty Center in Los Angeles. For more information visit www.getty.edu. Photo from the Getty Research Institute: Chuey Residence, Los Angeles, 1956. Richard Neutra, architect. www.tedwells.com

Julius Shulman's photos did more than publicize the work of Modernist architects. He showed the world that the best architecture of mid-century America reflected the unique and imagined lifestyle of this place. In Shulman's perceptively sharp photos of architecture, interesting men and beautiful women are caught in the middle of a stimulating conversation over cocktails, or lounging in the garden, or emerging from an evening swim in the pool. Ted Wells notes that Shulman's photographs created the two things architecture needs for immortality: respectability and desirability. The Julius Shulman archive of 260,000 photographs has been acquired by the Getty Research Institute. The exhibit "Julius Shulman: Modernity and the Metropolis," is on display until January 22, 2006 at the Getty Center in Los Angeles. For more information visit www.getty.edu. Photo from the Getty Research Institute: Chuey Residence, Los Angeles, 1956. Richard Neutra, architect. www.tedwells.com

Julius Shulman is a world-renowned architectural photographer whose career spans the history of Modernism in America. The Shulman House and Studio, built in 1947 and designed by architect Raphael Soriano, has been the photographer's home for nearly sixty years. Ted Wells presents the fourth podcast in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. The photos of the clients in this four-part series are by John Ellis. www.tedwells.com

Julius Shulman is a world-renowned architectural photographer whose career spans the history of Modernism in America. The Shulman House and Studio, built in 1947 and designed by architect Raphael Soriano, has been the photographer's home for nearly sixty years. Ted Wells presents the fourth podcast in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. The photos of the clients in this four-part series are by John Ellis. www.tedwells.com

Leland Burns is a professor of Urban Planning at Cambridge and UCLA. His house, by architect Charles Moore, is imaginative, playful, colorful and memorable. It's a "harmonious and fruitful collaboration between architect and client." This is the third in a series, presented by Ted Wells, about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com

Leland Burns is a professor of Urban Planning at Cambridge and UCLA. His house, by architect Charles Moore, is imaginative, playful, colorful and memorable. It's a "harmonious and fruitful collaboration between architect and client." This is the third in a series, presented by Ted Wells, about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com

Hilde Marshall has been interested in the arts and architecture for most of her life. Her modern house in Beverly Hills, California, was built in 1948 by the noted architect, Konrad Wachsmann. Earlier in his career he had teamed with Walter Gropius, and he also designed Albert Einstein's house in Berlin in 1929. This is the second in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com

Hilde Marshall has been interested in the arts and architecture for most of her life. Her modern house in Beverly Hills, California, was built in 1948 by the noted architect, Konrad Wachsmann. Earlier in his career he had teamed with Walter Gropius, and he also designed Albert Einstein's house in Berlin in 1929. This is the second in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com

John P. Clark was a music teacher and his house, by Richard Neutra, centers around the creation, performance and enjoyment of music. When Mr. Clark and his wife DeeVee commissioned the house, they helped create a modern masterpiece. Ted Wells presents the first in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com

John P. Clark was a music teacher and his house, by Richard Neutra, centers around the creation, performance and enjoyment of music. When Mr. Clark and his wife DeeVee commissioned the house, they helped create a modern masterpiece. Ted Wells presents the first in a series about four architects and four clients who were committed to the ideals of modern living. These clients are true patrons: generous with their praise, evangelical in their fervor to spread the spirit of Modernism, and satisfied that the rest of the world has finally caught up with their foresight. www.tedwells.com